If you were an 80s kid, chances are that Time Bandits was a staple of your movie memories. The Terry Gilliam fantasy epic combined the wackiness of Monty Python comedy with an epic adventure through history. Produced by George Harrison, Time Bandits was the first part of a loose trilogy that includes Brazil and The Adventures of Baron Munchausen. In the years since it premiered, Time Bandits has kept a cult following and is now back with a new iteration from Taika Waititi and Jemaine Clement.
In the new Time Bandits, Kevin (Kal-El Tuck) has few friends, and his family thinks his fascination with history is weird. When the Time Bandits, led by Penelope (Lisa Kudrow), land in his bedroom, Kevin joins the ragtag crew through various eras of history ranging from the Trojan War to Prohibition and beyond. On their trail are the forces of the Supreme Being (Taika...
In the new Time Bandits, Kevin (Kal-El Tuck) has few friends, and his family thinks his fascination with history is weird. When the Time Bandits, led by Penelope (Lisa Kudrow), land in his bedroom, Kevin joins the ragtag crew through various eras of history ranging from the Trojan War to Prohibition and beyond. On their trail are the forces of the Supreme Being (Taika...
- 7/30/2024
- by Alex Maidy
- JoBlo.com
Thanks to Steven Spielberg and his various acolytes, ’80s kids didn’t lack for entertainment made directly for us. But that doesn’t mean we weren’t periodically traumatized by a Gremlins or Indiana Jones and the Temple of Doom or, in the case of my younger brother, The ‘Burbs.
Nobody, though, specialized in making movies that were ostensibly for kids but definitely weren’t for all kids like Terry Gilliam. One of my first moviegoing memories is abruptly leaving a revival screening of Jabberwocky because it wasn’t the movie my parents thought it was. Audiences experienced similar unease with The Adventures of Baron Munchausen and, before that, 1981’s Time Bandits, a frequently playful juvenile romp that’s also nonstop dark imagery and narrative jagged edges. The film replicates the chaotic weirdness of childhood dreams, but resists any of the pat moralizing that often anchors kid-friendly storytelling.
Most of...
Nobody, though, specialized in making movies that were ostensibly for kids but definitely weren’t for all kids like Terry Gilliam. One of my first moviegoing memories is abruptly leaving a revival screening of Jabberwocky because it wasn’t the movie my parents thought it was. Audiences experienced similar unease with The Adventures of Baron Munchausen and, before that, 1981’s Time Bandits, a frequently playful juvenile romp that’s also nonstop dark imagery and narrative jagged edges. The film replicates the chaotic weirdness of childhood dreams, but resists any of the pat moralizing that often anchors kid-friendly storytelling.
Most of...
- 7/23/2024
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
Terry Gilliam’s “Time Bandits” is stepping into the present day.
The long-awaited Apple TV+ series adaptation will officially debut Wednesday, July 24 on the streaming platform, with Lisa Kudrow leading the ensemble cast which includes co-creators Jemaine Clement and Taika Waititi.
The 10-episode series centers on an “unpredictable journey through time and space with a ragtag group of thieves and their newest recruit: an 11-year-old history buff named Kevin. Together, they set out on a thrilling quest to save the boy’s parents — and the world,” per the official synopsis.
“What We Do in the Shadows” alums Clement and Taika Waititi co-created the series with Iain Morris. The series spans the creation of Stonehenge, the infamous Trojan Horse, battling dinosaurs, venturing into medieval times, experiencing the Ice Age, and the Harlem Renaissance, among other time-traveling detours to find treasure.
Along with Kudrow, the cast includes Kal-El Tuck (“Unseeing Evil”), Tadhg Murphy...
The long-awaited Apple TV+ series adaptation will officially debut Wednesday, July 24 on the streaming platform, with Lisa Kudrow leading the ensemble cast which includes co-creators Jemaine Clement and Taika Waititi.
The 10-episode series centers on an “unpredictable journey through time and space with a ragtag group of thieves and their newest recruit: an 11-year-old history buff named Kevin. Together, they set out on a thrilling quest to save the boy’s parents — and the world,” per the official synopsis.
“What We Do in the Shadows” alums Clement and Taika Waititi co-created the series with Iain Morris. The series spans the creation of Stonehenge, the infamous Trojan Horse, battling dinosaurs, venturing into medieval times, experiencing the Ice Age, and the Harlem Renaissance, among other time-traveling detours to find treasure.
Along with Kudrow, the cast includes Kal-El Tuck (“Unseeing Evil”), Tadhg Murphy...
- 7/9/2024
- by Samantha Bergeson
- Indiewire
In a scene worthy of one of his animated works, Terry Gillam took to a stage covered in crashed paper planes at the Annecy International Animation Film Festival on Sunday to receive its honorary Cristal award and give a masterclass about his animated works.
Gilliam was last in Annecy, where its audience has a tradition of bombarding the stage with paper planes, in 1975 with Miracle of Flight. The anarchic comedy about mankind’s different attempts to fly debuted in the shorts competition but did not win a prize.
“Do you know how long it’s taken me to get this f**king award… They’ve finally let me in… I think they know I might not be around next year,” joked the director as he received the trophy.
The French lakeside animation festival, running from June 9 to 15, is set to welcome close to 16,000 animation professionals this year, many of them...
Gilliam was last in Annecy, where its audience has a tradition of bombarding the stage with paper planes, in 1975 with Miracle of Flight. The anarchic comedy about mankind’s different attempts to fly debuted in the shorts competition but did not win a prize.
“Do you know how long it’s taken me to get this f**king award… They’ve finally let me in… I think they know I might not be around next year,” joked the director as he received the trophy.
The French lakeside animation festival, running from June 9 to 15, is set to welcome close to 16,000 animation professionals this year, many of them...
- 6/10/2024
- by Melanie Goodfellow
- Deadline Film + TV
Based on Chris Marker's 1962 short film "La Jetée," Terry Gilliam's 1995 film "12 Monkeys" begins in a futuristic, post-apocalyptic wasteland ravaged by a deadly virus. Cities are already being reclaimed by plants and animals, and humans have moved into cage-like, nightmarish structures underground. Despite the dire circumstances, humans still adhere to a frustrating bureaucracy, forcing mentally detached people to attend meetings and make plans. Luckily, humans also have access to a time machine, and they have selected James Cole (Bruce Willis) to go back in time to 1990 -- and then again to 1996 -- to find out more about the virus and help find a cure. Because it's a Terry Gilliam film, the picture doesn't exactly end on a note of hope.
Terry Gilliam's films tend to be fraught affairs, usually wracked with production problems, delays, and other things that are out of the filmmaker's control; he seems to be very unlucky.
Terry Gilliam's films tend to be fraught affairs, usually wracked with production problems, delays, and other things that are out of the filmmaker's control; he seems to be very unlucky.
- 5/21/2024
- by Witney Seibold
- Slash Film
The Most Precious of Cargoes, the first animated feature from Oscar-winning French director Michel Hazanavicius (The Artist), will open this year’s Annecy International Animation Film Festival.
The feature is a 2D animated adaptation of the best-selling book by French author Jean-Claude Grumberg. Set during World War II, it tells the story of a French Jewish family deported to Auschwitz. On the train to the death camp, in a desperate gesture, the father throws one of his baby twins out into the snow, where he’s discovered by a childless Polish couple living deep in the forest.
Hazanavicius presented the film as a work-in-progress at Annecy two years ago. French actor Jean-Louis Trintignant narrates the film with voice acting from Dominique Blanc, Denis Podalydès, and Grégory Gadebois. Oscar-winning composer Alexandre Desplat (The Shape of Water) composed the score. Animation is from 3.0 Studio – formerly Prima Linea — the group behind the...
The feature is a 2D animated adaptation of the best-selling book by French author Jean-Claude Grumberg. Set during World War II, it tells the story of a French Jewish family deported to Auschwitz. On the train to the death camp, in a desperate gesture, the father throws one of his baby twins out into the snow, where he’s discovered by a childless Polish couple living deep in the forest.
Hazanavicius presented the film as a work-in-progress at Annecy two years ago. French actor Jean-Louis Trintignant narrates the film with voice acting from Dominique Blanc, Denis Podalydès, and Grégory Gadebois. Oscar-winning composer Alexandre Desplat (The Shape of Water) composed the score. Animation is from 3.0 Studio – formerly Prima Linea — the group behind the...
- 4/25/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
When the Art Directors Guild holds its annual awards ceremony on Feb. 10, prizes will go to talented designers who created looks ranging from the nuclear-threatened whimsy of Wes Anderson’s “Asteroid City,” to the apocalyptic wasteland of “The Last of Us,” to the pink-hued fantasy of a doll choosing between plastic eternity and real-world life and death (she picked the latter).
See a common thread here? In addition to the gloom lurking behind these creations, other contenders provided backdrops for the implied genocide of “Killers of the Flower Moon,” the grief of a lauded composer stricken by the death of his wife in “Maestro,” the battlefield carnage of “Napoleon” and the development of an ultimate weapon that can extinguish humankind in “Oppenheimer.”
Want more? There’s AI armageddon in “The Creator” and “A Murder at the End of the World,” Frankenstein biology in “Poor Things” and a cool-headed professional assassin in “The Killer.
See a common thread here? In addition to the gloom lurking behind these creations, other contenders provided backdrops for the implied genocide of “Killers of the Flower Moon,” the grief of a lauded composer stricken by the death of his wife in “Maestro,” the battlefield carnage of “Napoleon” and the development of an ultimate weapon that can extinguish humankind in “Oppenheimer.”
Want more? There’s AI armageddon in “The Creator” and “A Murder at the End of the World,” Frankenstein biology in “Poor Things” and a cool-headed professional assassin in “The Killer.
- 2/10/2024
- by Peter Caranicas
- Variety Film + TV
“Come with me if you want to live!” But don’t bother if you don’t care for James Cameron’s movies. Michael Biehn — who played Kyle Reese in 1984’s The Terminator — revealed that singer Sting turned down playing the character because he didn’t like the director’s previous work…Piranha II: The Spawning.
Biehn — who was also featured in deleted scenes in Terminator 2: Judgment Day — remembered Sting’s fateful words to Cameron during the casting process, telling Michael Rosenbaum on his podcast, “I think originally [James Cameron] wanted Sting because he thought Sting had this unearthly quality about him. And I think he met with Sting, and I think Sting basically said, ‘Yeah, I just saw Piranha 2. I think I’ll take a pass on this thing.’ Something along those lines. I’m not sure how serious Jim was about him. I’ve never heard any other name associated with Kyle Reese.
Biehn — who was also featured in deleted scenes in Terminator 2: Judgment Day — remembered Sting’s fateful words to Cameron during the casting process, telling Michael Rosenbaum on his podcast, “I think originally [James Cameron] wanted Sting because he thought Sting had this unearthly quality about him. And I think he met with Sting, and I think Sting basically said, ‘Yeah, I just saw Piranha 2. I think I’ll take a pass on this thing.’ Something along those lines. I’m not sure how serious Jim was about him. I’ve never heard any other name associated with Kyle Reese.
- 1/23/2024
- by Mathew Plale
- JoBlo.com
Former Monty Python member, animator and visionary director Terry Gilliam told Variety at the Red Sea Film Festival on Sunday that he wants Johnny Depp to play Satan in his new film “Carnival at the End of Days.”
Gilliam summarized the plot as: “God wipes out humanity and the only character who wants to save them is Satan, and Johnny Depp plays Satan.”
Gilliam was attending the screening at Red Sea of a double bill of the documentaries “Lost in La Mancha” and “He Dreams of Giants,” both of which document Gilliam’s cursed and grueling attempt to make the film “The Man Who Killed Don Quixote.” The film ultimately premiered in Cannes in 2018, starring Jonathan Pryce and Adam Driver.
The producer of the documentaries, Lucy Darwin, was also on stage with Gilliam to explain to the audience how she went from being a publicist on “The Adventures of Baron Munchausen...
Gilliam summarized the plot as: “God wipes out humanity and the only character who wants to save them is Satan, and Johnny Depp plays Satan.”
Gilliam was attending the screening at Red Sea of a double bill of the documentaries “Lost in La Mancha” and “He Dreams of Giants,” both of which document Gilliam’s cursed and grueling attempt to make the film “The Man Who Killed Don Quixote.” The film ultimately premiered in Cannes in 2018, starring Jonathan Pryce and Adam Driver.
The producer of the documentaries, Lucy Darwin, was also on stage with Gilliam to explain to the audience how she went from being a publicist on “The Adventures of Baron Munchausen...
- 12/3/2023
- by John Bleasdale
- Variety Film + TV
With his 1995 film "12 Monkeys," director Terry Gilliam found a Hollywood-scale Trojan horse through which he could launder bleak, dystopian visions into a major science-fiction hit. The filmmaker had clashed with Hollywood before, struggling to bring his provocative, idiosyncratic work to life in an industry that prioritized homogeneity. His chaotic approach to filmmaking had led not just to issues in the industry — it also terrified Sarah Polley, the child star of his 1988 film "The Adventures of Baron Munchausen."
But "12 Monkeys" would suggest, for a minute, an attempt of Gilliam's to walk the line between art and commercial Hollywood. That Gilliam was able to use major movie stars like Brad Pitt and Bruce Willis, each at peaks in their careers, and have them totally sacrifice any sense of celebrity vanity, spoke volumes to his confidence in the material. How many sci-fi blockbusters were based on experimental French New Wave short films?...
But "12 Monkeys" would suggest, for a minute, an attempt of Gilliam's to walk the line between art and commercial Hollywood. That Gilliam was able to use major movie stars like Brad Pitt and Bruce Willis, each at peaks in their careers, and have them totally sacrifice any sense of celebrity vanity, spoke volumes to his confidence in the material. How many sci-fi blockbusters were based on experimental French New Wave short films?...
- 11/28/2023
- by Anthony Crislip
- Slash Film
The Criterion Channel is closing the year out with a bang––they’ve announced their December lineup. Among the highlights are retrospectives on Yasujiro Ozu (featuring nearly 40 films!), Ousmane Sembène, Alfred Hitchcock (along with Kent Jones’ Hitchcock/Truffaut), and Parker Posey. Well-timed for the season is a holiday noir series that includes They Live By Night, Blast of Silence, Lady in the Lake, and more.
Other highlights are the recent restoration of Abel Gance’s La roue, an MGM Musicals series with introduction by Michael Koresky, Helena Wittmann’s riveting second feature Human Flowers of Flesh, the recent Sundance highlight The Mountains Are a Dream That Call To Me, the new restoration of The Cassandra Cat, Lynne Ramsay’s Morvern Callar, Wong Kar Wai’s The Grandmaster, and more.
See the lineup below and learn more here.
The Adventures of Baron Munchausen, Terry Gilliam, 1988
An American in Paris, Vincente Minnelli,...
Other highlights are the recent restoration of Abel Gance’s La roue, an MGM Musicals series with introduction by Michael Koresky, Helena Wittmann’s riveting second feature Human Flowers of Flesh, the recent Sundance highlight The Mountains Are a Dream That Call To Me, the new restoration of The Cassandra Cat, Lynne Ramsay’s Morvern Callar, Wong Kar Wai’s The Grandmaster, and more.
See the lineup below and learn more here.
The Adventures of Baron Munchausen, Terry Gilliam, 1988
An American in Paris, Vincente Minnelli,...
- 11/13/2023
- by Jordan Raup
- The Film Stage
With the notable exception of the beloved Carrie Fisher, many of the iconic lead actors in the "Star Wars" saga are still with us. Mark Hamill, Harrison Ford, Liam Neeson, Ewan McGregor, and Natalie Portman are all going strong, and so are the stars of the space opera's most recent episodes. Some of the actors from the original film who were already veterans at the time, like Alec Guinness and Peter Cushing, died some years ago, but both enjoyed long lives beyond the average age.
Sadly, this cannot be said of numerous other actors involved in the big screen franchise and its recent TV spin-offs. Performers have died in their 70s, 60s, and 50s, many of them leaving us wishing we could have seen more years of great performances from them. Whether they had spotlight roles or were hidden behind alien masks, here are the "Star Wars" actors we lost too soon.
Sadly, this cannot be said of numerous other actors involved in the big screen franchise and its recent TV spin-offs. Performers have died in their 70s, 60s, and 50s, many of them leaving us wishing we could have seen more years of great performances from them. Whether they had spotlight roles or were hidden behind alien masks, here are the "Star Wars" actors we lost too soon.
- 9/2/2023
- by Jack Hawkins
- Slash Film
Exclusive: After winning the Best Adapted Screenplay Oscar for Women Talking, Sarah Polley is on to the most epic undertaking of her filmmaking career thus far, as Deadline understands that the filmmaker is in talks to helm a live-action take on Bambi in very early development at Disney.
Multiple sources tell Deadline that the project is a musical to feature music from six-time Grammy-winning country star Kacey Musgraves. Micah Fitzerman-Blue and Noah Harpster (Transparent) wrote the most recent draft of the script, and Chris and Paul Weitz’s Depth of Field will produce.
The studio first signaled its intention to adapt Bambi for live-action back in early 2020, bringing Geneva Robertson-Dworet and Lindsey Beer aboard as writers and Depth of Field to produce in January of that year. No word yet on when the project might be put in motion, given unpredictable strike conditions, for starters.
The film is of course the coming-of-age story of Bambi,...
Multiple sources tell Deadline that the project is a musical to feature music from six-time Grammy-winning country star Kacey Musgraves. Micah Fitzerman-Blue and Noah Harpster (Transparent) wrote the most recent draft of the script, and Chris and Paul Weitz’s Depth of Field will produce.
The studio first signaled its intention to adapt Bambi for live-action back in early 2020, bringing Geneva Robertson-Dworet and Lindsey Beer aboard as writers and Depth of Field to produce in January of that year. No word yet on when the project might be put in motion, given unpredictable strike conditions, for starters.
The film is of course the coming-of-age story of Bambi,...
- 6/13/2023
- by Matt Grobar
- Deadline Film + TV
Terry Gilliam walks, trots actually, through the white alleys of Monopoli. Humming as he goes: “I’ve got two legs from my hips to the ground/And when they move they walk around/And when I lift them they climb the stairs/And when I shave them they ain’t got hairs.”
“That’s the most important and well-known song I’ve ever written,” he jokes, “and I understand this now more than ever: Being an almost 83-year-old man, I thank my legs every day. They haven’t betrayed me yet!”
Far from being an “old man,” Gilliam remains a force of nature. In person, he is almost too much: At turns sensitive, raw and irreverent, with a razor-sharp intelligence and irrepressible imagination. The only American member of legendary British comedy troupe Monty Python, the man whose contributions to cinema include gems like Brazil, Time Bandits and The Fisher King,...
“That’s the most important and well-known song I’ve ever written,” he jokes, “and I understand this now more than ever: Being an almost 83-year-old man, I thank my legs every day. They haven’t betrayed me yet!”
Far from being an “old man,” Gilliam remains a force of nature. In person, he is almost too much: At turns sensitive, raw and irreverent, with a razor-sharp intelligence and irrepressible imagination. The only American member of legendary British comedy troupe Monty Python, the man whose contributions to cinema include gems like Brazil, Time Bandits and The Fisher King,...
- 6/11/2023
- by Arianna Di Cori
- The Hollywood Reporter - Movie News
A month away from the June 30 expiration of SAG-AFTRA’s collective bargaining agreement with the AMPTP, indie films are in a panic.
With SAG’s negotiating committee calling for a strike authorization vote, producers are stuck in an infinite loop of existential crisis. They’re toggling between a scramble to get cameras rolling, make minute-to-minute decisions about continuing prep work, or making the call to push start dates until — fingers crossed — a strike is averted.
“I’m on an emergency call almost every day about whether to push a movie, whether to keep spending money and see what happens,” one entertainment lawyer told IndieWire. “Independently financed movies, it’s very hard. These are real people putting in real money. It’s not like a studio isn’t real money, but it’s different kinds of risks.”
For indie films, those risks requires that financing be secured by completion guarantors and...
With SAG’s negotiating committee calling for a strike authorization vote, producers are stuck in an infinite loop of existential crisis. They’re toggling between a scramble to get cameras rolling, make minute-to-minute decisions about continuing prep work, or making the call to push start dates until — fingers crossed — a strike is averted.
“I’m on an emergency call almost every day about whether to push a movie, whether to keep spending money and see what happens,” one entertainment lawyer told IndieWire. “Independently financed movies, it’s very hard. These are real people putting in real money. It’s not like a studio isn’t real money, but it’s different kinds of risks.”
For indie films, those risks requires that financing be secured by completion guarantors and...
- 5/26/2023
- by Brian Welk
- Indiewire
When J.K. Rowling's popular "Harry Potter" series of books enchanted children and adults the world over, a Hollywood bidding war erupted. Every studio in town wanted the rights to the publishing phenomenon. Warner Bros. ultimately won out, at which point the hard work of finding the right filmmaker to launch the cash-cow franchise began.
Steven Spielberg was the obvious choice, but he envisioned the adaptations as an animated series. This was too limiting for WB, which turned the project into the most coveted open assignment in the industry. Many of the most desired directors were too auteurist for the assignment. Peter Weir, Alan Parker and M. Night Shyamalan had a distinctive style that might've overwhelmed or outright clashed with the mainstream-skewing material.
These films needed a steady hand, someone who could deliver a homogenized, four-quadrant take on the family-friendly books. They needed, and got, Chris Columbus. But if Rowling had her way,...
Steven Spielberg was the obvious choice, but he envisioned the adaptations as an animated series. This was too limiting for WB, which turned the project into the most coveted open assignment in the industry. Many of the most desired directors were too auteurist for the assignment. Peter Weir, Alan Parker and M. Night Shyamalan had a distinctive style that might've overwhelmed or outright clashed with the mainstream-skewing material.
These films needed a steady hand, someone who could deliver a homogenized, four-quadrant take on the family-friendly books. They needed, and got, Chris Columbus. But if Rowling had her way,...
- 4/30/2023
- by Jeremy Smith
- Slash Film
In movies, the word “bomb” has always meant two things, generally at the same time. The first and most important definition of bomb is that a movie has lost a disastrous amount of money. Movies, in general, can’t afford to do that — they’re too expensive to produce. Bombs happen, but as a business model they’re not sustainable. A movie that bombs commercially has never been something to write off as a trivial matter.
The second definition of bomb, which is linked to the first (though not automatically), is that a film is spectacularly bad. It is, of course, not axiomatic that a movie that bombs commercially has failed as a work of art. There are movies we think of as classics that crashed and burned at the box office — like “It’s a Wonderful Life” or “Blade Runner” or “Intolerance” or “The Long Goodbye.” It’s become almost...
The second definition of bomb, which is linked to the first (though not automatically), is that a film is spectacularly bad. It is, of course, not axiomatic that a movie that bombs commercially has failed as a work of art. There are movies we think of as classics that crashed and burned at the box office — like “It’s a Wonderful Life” or “Blade Runner” or “Intolerance” or “The Long Goodbye.” It’s become almost...
- 4/22/2023
- by Owen Gleiberman
- Variety Film + TV
As the old saying goes, write what you know, and for Women Talking filmmaker Sarah Polley, who is up for an Adapted Screenplay Oscar on Sunday, she’s been through so much of the campaign process that her next movie is set around awards season.
Related Story Oscar Photos 2023: Live From The Red Carpet, Show & Gala Ceremony Related Story Breaking Baz: Nicole Kidman & Ariana DeBose Reunite At Glittering Chanel/Charles Finch Pre-Oscar Soirée; 'Creed III' Team, Jerry Bruckheimer & More Related Story Oscars Winners List – Updating Live
Speaking with Deadline on the red carpet, The Adventures of Baron Munchausen actress-turned-two-time Oscar nominee says, “I’ve been developing a project based on my experiences going through awards season — I’m not kidding.”
“I know all of your names and I have all of your numbers, you will be hearing from me,” Polley told Deadline, referring to the awards-season media...
Related Story Oscar Photos 2023: Live From The Red Carpet, Show & Gala Ceremony Related Story Breaking Baz: Nicole Kidman & Ariana DeBose Reunite At Glittering Chanel/Charles Finch Pre-Oscar Soirée; 'Creed III' Team, Jerry Bruckheimer & More Related Story Oscars Winners List – Updating Live
Speaking with Deadline on the red carpet, The Adventures of Baron Munchausen actress-turned-two-time Oscar nominee says, “I’ve been developing a project based on my experiences going through awards season — I’m not kidding.”
“I know all of your names and I have all of your numbers, you will be hearing from me,” Polley told Deadline, referring to the awards-season media...
- 3/12/2023
- by Antonia Blyth and Anthony D'Alessandro
- Deadline Film + TV
From The Video Archives Podcast, writer/director Roger Avary and writer/producer Gala Avary discuss a few of their favorite movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Taxi Driver (1976)
Star Wars (1977)
Matinee (1993)
Dune (1984)
Terror On A Train a.k.a. Time Bomb (1953)
Licorice Pizza (2021)
Batman (1989)
Yentl (1983)
Nuts (1987)
Spaceballs (1987)
Die Hard (1988)
Top Gun (1986)
Cocksucker Blues (1972)
Mijn nachten met Susan, Olga, Albert, Julie, Piet & Sandra (1975)
Straw Dogs (1971)
The Godfather (1972)
A History Of Violence (2005)
Day Of The Dolphin (1973)
Babylon (2022)
Puss In Boots: The Last Wish (2022)
Sonic The Hedgehog 2 (2022)
Top Gun: Maverick (2022)
Rock ‘n’ Roll High School (1979)
Carrie (1976)
Indictment: The McMartin Trial (1995)
Blow Out (1981)
The Matrix (1999)
Pulp Fiction (1994)
Killing Zoe (1993)
A Clockwork Orange (1971)
The Tenant (1976)
Dr. Strangelove (1964)
Bugsy Malone (1976)
Phantom Of The Paradise (1974)
The Muppet Movie (1979)
The Rules Of Attraction (2002)
The Sound Of Music (1965)
Willy Wonka And The Chocolate Factory (1971)
Giant (1956)
The Andromeda Strain (1971)
Babe (1995)
Time Bandits...
Show Notes: Movies Referenced In This Episode
Taxi Driver (1976)
Star Wars (1977)
Matinee (1993)
Dune (1984)
Terror On A Train a.k.a. Time Bomb (1953)
Licorice Pizza (2021)
Batman (1989)
Yentl (1983)
Nuts (1987)
Spaceballs (1987)
Die Hard (1988)
Top Gun (1986)
Cocksucker Blues (1972)
Mijn nachten met Susan, Olga, Albert, Julie, Piet & Sandra (1975)
Straw Dogs (1971)
The Godfather (1972)
A History Of Violence (2005)
Day Of The Dolphin (1973)
Babylon (2022)
Puss In Boots: The Last Wish (2022)
Sonic The Hedgehog 2 (2022)
Top Gun: Maverick (2022)
Rock ‘n’ Roll High School (1979)
Carrie (1976)
Indictment: The McMartin Trial (1995)
Blow Out (1981)
The Matrix (1999)
Pulp Fiction (1994)
Killing Zoe (1993)
A Clockwork Orange (1971)
The Tenant (1976)
Dr. Strangelove (1964)
Bugsy Malone (1976)
Phantom Of The Paradise (1974)
The Muppet Movie (1979)
The Rules Of Attraction (2002)
The Sound Of Music (1965)
Willy Wonka And The Chocolate Factory (1971)
Giant (1956)
The Andromeda Strain (1971)
Babe (1995)
Time Bandits...
- 2/28/2023
- by Kris Millsap
- Trailers from Hell
Movies That Made Me veteran guest and screenwriter Dan Waters discusses his favorite year of cinema (1989) with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
The Phantom Carriage (1921)
Love At First Bite (1979)
Hudson Hawk (1991)
Demolition Man (1993)
Heathers (1989)
Warlock (1989)
The Matrix (1999)
Johnny Mnemonic (1995)
Barry Lyndon (1975)
Jaws (1975)
Dog Day Afternoon (1975)
One Flew Over The Cuckoo’s Nest (1975)
Nashville (1975)
Born On The Fourth Of July (1989)
Dead Poets Society (1989)
Driving Miss Daisy (1989)
Field Of Dreams (1989)
My Left Foot (1989)
Crimes And Misdemeanors (1989)
Do The Right Thing (1989)
Drugstore Cowboy (1989)
Sex Lies And Videotape (1989)
Easy Rider (1969)
Midnight Cowboy (1969)
The Wild Bunch (1969)
Apocalypse Now (1979)
All That Jazz (1979)
Hair (1979)
Alien (1979)
Fight Club (1999)
Office Space (1999)
Magnolia (1999)
The Sixth Sense (1999)
The Blair Witch Project (1999)
American Pie (1999)
The Iron Giant (1999)
All About My Mother (1999)
Being John Malkovich (1999)
The Breakfast Club (1985)
Pretty In Pink (1986)
Dr. Strangelove (1964)
Say Anything… (1989)
Miracle Mile (1989)
True Love (1989)
Powwow Highway (1989)
Lawrence Of Arabia (1962)
Southside With You...
Show Notes: Movies Referenced In This Episode
The Phantom Carriage (1921)
Love At First Bite (1979)
Hudson Hawk (1991)
Demolition Man (1993)
Heathers (1989)
Warlock (1989)
The Matrix (1999)
Johnny Mnemonic (1995)
Barry Lyndon (1975)
Jaws (1975)
Dog Day Afternoon (1975)
One Flew Over The Cuckoo’s Nest (1975)
Nashville (1975)
Born On The Fourth Of July (1989)
Dead Poets Society (1989)
Driving Miss Daisy (1989)
Field Of Dreams (1989)
My Left Foot (1989)
Crimes And Misdemeanors (1989)
Do The Right Thing (1989)
Drugstore Cowboy (1989)
Sex Lies And Videotape (1989)
Easy Rider (1969)
Midnight Cowboy (1969)
The Wild Bunch (1969)
Apocalypse Now (1979)
All That Jazz (1979)
Hair (1979)
Alien (1979)
Fight Club (1999)
Office Space (1999)
Magnolia (1999)
The Sixth Sense (1999)
The Blair Witch Project (1999)
American Pie (1999)
The Iron Giant (1999)
All About My Mother (1999)
Being John Malkovich (1999)
The Breakfast Club (1985)
Pretty In Pink (1986)
Dr. Strangelove (1964)
Say Anything… (1989)
Miracle Mile (1989)
True Love (1989)
Powwow Highway (1989)
Lawrence Of Arabia (1962)
Southside With You...
- 2/21/2023
- by Kris Millsap
- Trailers from Hell
This month sees the U.S. release of The Amazing Maurice, a feature length adaptation of Terry Pratchett’s acclaimed 2001 YA novel. Though Pratchett has been adapted a handful of times for television, most recently with Amazon’s Good Omens (excellent) and BBC America’s The Watch (patchy), this will be the first true big-screen take on a Pratchett book*, which is frankly astonishing when you consider that Sir Terry has been a bestseller since the mid-‘80s, with a series of accessible and cinematic comic fantasy hits, most of which would lend themselves to the screen.
Pratchett even writes cinematically—almost all of his adult novels are written without chapters, skipping scene-to-scene just as a movie does. Some of these books were adapted in the ‘90s for the stage, three successful video games, and even a prog rock album. Meanwhile several of his novels have been made successfully for the small screen,...
Pratchett even writes cinematically—almost all of his adult novels are written without chapters, skipping scene-to-scene just as a movie does. Some of these books were adapted in the ‘90s for the stage, three successful video games, and even a prog rock album. Meanwhile several of his novels have been made successfully for the small screen,...
- 2/21/2023
- by David Crow
- Den of Geek
In 2023, many of Terry Gilliam's old fans have been forced to face some of the director's questionable behavior, dark opinions, and irresponsible filming style. Briefly: in 2020, Gilliam said in public that the #MeToo movement was a witch hunt, downplaying the widespread sexual abuse the movement sought to highlight. Gilliam followed those statements with a defense of Harvey Weinstein, a defense that fell in line with a notorious petition he signed a decade previous seeking to exonerate Roman Polanski. Woody Allen, Martin Scorsese, Michael Mann, Pedro Almodóvar, Alejandro González Iñárritu, Wong Kar-Wai, and David Lynch also signed the petition. So did Harvey Weinstein, who asked many for support.
Famously, Gilliam's films have almost all had troubled shoots, and each one comes prepackaged with a chaotic story about its making. "Brazil" was infamously recut several times, "Fear and Loathing in Las Vegas" briefly didn't know which script it was supposed to use,...
Famously, Gilliam's films have almost all had troubled shoots, and each one comes prepackaged with a chaotic story about its making. "Brazil" was infamously recut several times, "Fear and Loathing in Las Vegas" briefly didn't know which script it was supposed to use,...
- 2/3/2023
- by Witney Seibold
- Slash Film
We're back with another Blu-ray round-up! As always, I gather up the latest releases for you in one handy spot. You're welcome. This latest round-up includes Criterion's release of Terry Gilliam's "The Adventures of Baron Munchausen," Taylor Russell and Timothée Chalamet playing a pair of fine young cannibals in "Bones and All," Ralph Fiennes serving up "The Menu," and a tooth-drilling double feature of "The Dentist" movies.
Bones And All
Luca Guadagnino's "Bones and All" is a beautiful road trip movie that just happens to be about cannibals. It's the 1980s, and Maren (Taylor Russell) has a big secret: she's a cannibal who can't resist eating human flesh. After an unfortunate incident involving a classmate, Maren hits the road. She eventually encounters Lee (Timothée Chalamet), another cannibal. It turns out there are cannibals all over the country, and they can sense each other. Lee and Maren fall...
Bones And All
Luca Guadagnino's "Bones and All" is a beautiful road trip movie that just happens to be about cannibals. It's the 1980s, and Maren (Taylor Russell) has a big secret: she's a cannibal who can't resist eating human flesh. After an unfortunate incident involving a classmate, Maren hits the road. She eventually encounters Lee (Timothée Chalamet), another cannibal. It turns out there are cannibals all over the country, and they can sense each other. Lee and Maren fall...
- 1/26/2023
- by Chris Evangelista
- Slash Film
Terry Gilliam’s grandest, most joyful fantasy is still a marvel, a fully adult adventure that will equally spark younger imaginations. Creative tricks and eye-popping Italo designs bring us a magical, satirical world of absurd wars, sultan’s hareems and a flight of fancy to the moon. John Neville’s ideal Baron is abetted by spunky Sarah Polley and a gallery of winning characterizations, from Eric Idle, Oliver Reed, Jonathan Pryce, Uma Thurman, Jack Purvis, Robin Williams, Valentina Cortese, Sting. So what if the Baron is history’s most notorious liar: we understand his complaint when performing a technically preposterous trip through outer space: “This is Precisely the sort of thing nobody Ever believes.”
The Adventures of Baron Munchausen 4K
4K Ultra HD + Blu-ray
The Criterion Collection 1166
1988 / Color / 1:85 widescreen / 126 min. / available through The Criterion Collection / Street Date January 3, 2023 / 49.95
Starring: John Neville, Eric Idle, Sarah Polley, Oliver Reed, Charles McKeown,...
The Adventures of Baron Munchausen 4K
4K Ultra HD + Blu-ray
The Criterion Collection 1166
1988 / Color / 1:85 widescreen / 126 min. / available through The Criterion Collection / Street Date January 3, 2023 / 49.95
Starring: John Neville, Eric Idle, Sarah Polley, Oliver Reed, Charles McKeown,...
- 1/10/2023
- by Glenn Erickson
- Trailers from Hell
Sarah Polley’s Women Talking features a large ensemble of accomplished and award-winning actresses, so it would not have been a surprise to see one (or several) take the stage Thursday at the Palm Springs Film Awards, where Polley was honored with a director of the year prize.
But instead it was Eric Idle, the Monty Python star, who presented Polley with her award. His appearance was especially profound for Polley as it provided a public reunion for the two co-stars from Terry Gilliam’s The Adventures of Baron Munchausen. “About 34 years ago, I was on the set of a movie in Rome and I said farewell to a little girl of 8 who starred in the movie,” Idle said. “We had all been scarred on this movie … going on nine months before we’d been able to escape.” Idle called some of the scenes “life-threatening.”
It has come to light...
But instead it was Eric Idle, the Monty Python star, who presented Polley with her award. His appearance was especially profound for Polley as it provided a public reunion for the two co-stars from Terry Gilliam’s The Adventures of Baron Munchausen. “About 34 years ago, I was on the set of a movie in Rome and I said farewell to a little girl of 8 who starred in the movie,” Idle said. “We had all been scarred on this movie … going on nine months before we’d been able to escape.” Idle called some of the scenes “life-threatening.”
It has come to light...
- 1/6/2023
- by Chris Gardner
- The Hollywood Reporter - Movie News
Watching Terry Gilliam's 1998 film "Fear and Loathing in Las Vegas," based on the novel by Hunter S. Thompson is, in 2022, a fraught experience.
For one, a viewer must contend with their views of star Johnny Depp, recently exposed in a high-profile domestic abuse case. Additionally, director Terry Gilliam has, in recent years, said some notorious things in the press. In 2020, he called #MeToo a "witch-hunt," he once downplayed the crimes of Harvey Weinstein, and, all the way back in 2009, signed a petition pleading to exonerate Roman Polanski. This was all in addition to reports of Gilliam terrifying a young Sarah Polley on the set of "The Adventures of Baron Munchausen." Polley, however, has since given her blessing to enjoy the movie.
Additionally, "Fear and Loathing in Las Vegas" is -- by design -- incredibly difficult to watch. It's a noisy, chaotic film with two protagonists who are constantly zonked...
For one, a viewer must contend with their views of star Johnny Depp, recently exposed in a high-profile domestic abuse case. Additionally, director Terry Gilliam has, in recent years, said some notorious things in the press. In 2020, he called #MeToo a "witch-hunt," he once downplayed the crimes of Harvey Weinstein, and, all the way back in 2009, signed a petition pleading to exonerate Roman Polanski. This was all in addition to reports of Gilliam terrifying a young Sarah Polley on the set of "The Adventures of Baron Munchausen." Polley, however, has since given her blessing to enjoy the movie.
Additionally, "Fear and Loathing in Las Vegas" is -- by design -- incredibly difficult to watch. It's a noisy, chaotic film with two protagonists who are constantly zonked...
- 11/6/2022
- by Witney Seibold
- Slash Film
For a film that was released in 1988, “The Adventures of Baron Munchausen” has had a surprisingly large presence in recent film discourse.
Sarah Polley, who starred in the movie as a child, has accused Terry Gilliam of creating unsafe conditions on the film’s set. In her recent memoir “Run Towards the Danger,” she described the director as “erratic” and claimed he made her do multiple takes of dangerous scenes involving pyrotechnics without any regard for her safety.
On the opposite end of the spectrum, it was recently announced that the film is being added to the Criterion Collection in January. One might think that Polley would object to the film receiving such a prestigious honor, but she isn’t bothered by it at all. The “Women Talking” director took to Twitter on Saturday to defend the film on artistic grounds.
“I have seen some discussion about whether or not...
Sarah Polley, who starred in the movie as a child, has accused Terry Gilliam of creating unsafe conditions on the film’s set. In her recent memoir “Run Towards the Danger,” she described the director as “erratic” and claimed he made her do multiple takes of dangerous scenes involving pyrotechnics without any regard for her safety.
On the opposite end of the spectrum, it was recently announced that the film is being added to the Criterion Collection in January. One might think that Polley would object to the film receiving such a prestigious honor, but she isn’t bothered by it at all. The “Women Talking” director took to Twitter on Saturday to defend the film on artistic grounds.
“I have seen some discussion about whether or not...
- 10/30/2022
- by Christian Zilko
- Indiewire
While you’re still trying to figure out exactly what your Thanksgiving and Christmas plans are, the Criterion Collection is already looking at 2023. Yes, with their 2022 schedule already locked, the boutique DVD/Blu-Ray label has finalized its January 2023 release, and as usual, it’s a terrific crop of films. The titles are led by Terry Gilliam’s epic adventure fantasy “The Adventures of Baron Munchausen,” starring John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Robin Williams, and Uma Thurman.
Continue reading Criterion Adds ‘Adventures of Baron Munchausen,’ A New Lars Von Trier Trilogy Boxset & More For January 2023 at The Playlist.
Continue reading Criterion Adds ‘Adventures of Baron Munchausen,’ A New Lars Von Trier Trilogy Boxset & More For January 2023 at The Playlist.
- 10/17/2022
- by Edward Davis
- The Playlist
The Criterion Collection’s January 2023 Lineup: Bergman Island, Lars von Trier, Terry Gilliam & More
And lo a new year begins—or will in two-and-a-half months’ time, which still won’t stop Criterion from cracking the seal. 2023 (Christ) begins on a bang with Bergman Island, Mia Hansen-Løve’s greater-by-the-day study of filmmaking and life’s difficult middleground. Lars von Trier’s beguiling, beautiful Europe Trilogy comprising The Element of Crime, Epidemic, and Europa gets a much-needed upgrade: even as he remains one of the few arthouse superstars have these stayed underseen, a matter hopefully amended by Blu-ray resolution.
This Is Not a Burial, It’s a Resurrection adds to the canon of Criterion titles with punctuation, and fortunately we like the film quite a bit. Their 4K Uhd library expands, fittingly, with Terry Gilliam’s visually ornate The Adventures of Baron Munchausen, while John M. Stahl’s unfathomably heartbreaking Imitation of Life (which yours truly prefers to Sirk’s) comes to Blu-ray.
Find artwork below...
This Is Not a Burial, It’s a Resurrection adds to the canon of Criterion titles with punctuation, and fortunately we like the film quite a bit. Their 4K Uhd library expands, fittingly, with Terry Gilliam’s visually ornate The Adventures of Baron Munchausen, while John M. Stahl’s unfathomably heartbreaking Imitation of Life (which yours truly prefers to Sirk’s) comes to Blu-ray.
Find artwork below...
- 10/17/2022
- by Nick Newman
- The Film Stage
Terry Gilliam has almost never had an easy time making a movie. The former Monty Python member has a filmography that stretches nearly five decades, and nearly every film he has made has been a butting of heads between a director with an unbridled imagination you can't really reign in and people who would very much like to make their money back on their investment (who rarely do). Most famously, there was the saga of trying to get "The Man Who Killed Don Quixote" made that took nearly 30 years. The documentary "Lost in La Mancha" chronicles the crumbling production in the year 2000, and it would still take over 15 years after that film's release for "The Man Who Killed Don Quixote" to be a completed picture. Gilliam makes films like no one else, and while we can marvel at their visual ingenuity, they rarely make for sturdy commercial prospects.
This is...
This is...
- 9/21/2022
- by Mike Shutt
- Slash Film
When fall festivals introduce Oscar buzz, we learn not only which movies may make the cut but also the themes they create. This time last year, “The Power of the Dog” and “Belfast” launched dueling stories of troubled youth. This year, brace for it: Cancel culture is coming to Oscar season.
The undisputed victor of the Venice-Telluride dash is “TÁR,” which arrived in the Rockies from the Lido riding the waves of rapturous praise. The Telluride crowd confirmed that director Todd Field’s first movie in 15 years is a riveting cinematic journey into the downfall of a brilliant-but-troubled conductor whose career goes into a tailspin after a series of scandals. With Cate Blanchett’s fiery performance as celebrated composer Lydia Tár at its center, the movie barrels through nearly three hours of inquiries into personal and professional behavior, separating art from the artist, and social media snafus.
Field directs his...
The undisputed victor of the Venice-Telluride dash is “TÁR,” which arrived in the Rockies from the Lido riding the waves of rapturous praise. The Telluride crowd confirmed that director Todd Field’s first movie in 15 years is a riveting cinematic journey into the downfall of a brilliant-but-troubled conductor whose career goes into a tailspin after a series of scandals. With Cate Blanchett’s fiery performance as celebrated composer Lydia Tár at its center, the movie barrels through nearly three hours of inquiries into personal and professional behavior, separating art from the artist, and social media snafus.
Field directs his...
- 9/5/2022
- by Eric Kohn
- Indiewire
Click here to read the full article.
When Sarah Polley was in her 20s, just starting to direct short films, she got lots of advice from female directors she worked with as an actor, like Kathryn Bigelow, Audrey Wells and Isabel Coixet. “These women grabbed onto me and said, ‘You’re doing it, and here’s how fierce you’re going to have to be,'” Polley said, speaking at her Telluride Film Festival silver medallion tribute Friday night, ahead of the first public screening of her new film, Women Talking. “Kathryn Bigelow said, ‘You have to be like a dog with a bone, and everyone’s going to try to take it away from you.'”
Women Talking, a United Artists film which will also screen at the Toronto International Film Festival next week ahead of opening in theaters Dec. 2, is potent evidence Polley took that message to heart.
When Sarah Polley was in her 20s, just starting to direct short films, she got lots of advice from female directors she worked with as an actor, like Kathryn Bigelow, Audrey Wells and Isabel Coixet. “These women grabbed onto me and said, ‘You’re doing it, and here’s how fierce you’re going to have to be,'” Polley said, speaking at her Telluride Film Festival silver medallion tribute Friday night, ahead of the first public screening of her new film, Women Talking. “Kathryn Bigelow said, ‘You have to be like a dog with a bone, and everyone’s going to try to take it away from you.'”
Women Talking, a United Artists film which will also screen at the Toronto International Film Festival next week ahead of opening in theaters Dec. 2, is potent evidence Polley took that message to heart.
- 9/3/2022
- by Rebecca Keegan
- The Hollywood Reporter - Movie News
Writer/director Sarah Polley peels back the layers of covered-up assaults in organized religion.
Adapted from Miriam Toews’ acclaimed novel of the same name, “Women Talking” stars Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand, Ben Whishaw, and Judith Ivey. The film is set to make its international premiere at 2022 TIFF, followed by appearing in the NYFF Spotlight section.
“Women Talking” centers on a group of women in an isolated religious colony who reconcile with their faith after a string of sexual assaults are committed by the colony’s men. The generations of abuse come to light along with the hypocrisy of power in the name of Christ. Sheila McCarthy, August Winter, Michelle McLeod, Will Bowes, and Kira Guloien also star in the film, in theaters December 2.
Oscar-nominated screenwriter Polley, whose past features include “Away From Her” and “Stories We Tell,” previously opened up about her troubling experience as a...
Adapted from Miriam Toews’ acclaimed novel of the same name, “Women Talking” stars Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand, Ben Whishaw, and Judith Ivey. The film is set to make its international premiere at 2022 TIFF, followed by appearing in the NYFF Spotlight section.
“Women Talking” centers on a group of women in an isolated religious colony who reconcile with their faith after a string of sexual assaults are committed by the colony’s men. The generations of abuse come to light along with the hypocrisy of power in the name of Christ. Sheila McCarthy, August Winter, Michelle McLeod, Will Bowes, and Kira Guloien also star in the film, in theaters December 2.
Oscar-nominated screenwriter Polley, whose past features include “Away From Her” and “Stories We Tell,” previously opened up about her troubling experience as a...
- 8/17/2022
- by Samantha Bergeson
- Indiewire
Writer/director Sarah Polley peels back the layers of covered-up assaults in organized religion.
Adapted from Miriam Toews’ acclaimed novel of the same name, “Women Talking” stars Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand, Ben Whishaw, and Judith Ivey. The film is set to make its world premiere at 2022 TIFF, followed by appearing in the NYFF Spotlight section.
“Women Talking” centers on a group of women in an isolated religious colony who reconcile with their faith after a string of sexual assaults are committed by the colony’s men. The generations of abuse come to light along with the hypocrisy of power in the name of Christ. Sheila McCarthy, August Winter, Michelle McLeod, Will Bowes, and Kira Guloien also star in the film, in theaters December 2.
Oscar-nominated screenwriter Polley, whose past features include “Away From Her” and “Stories We Tell,” previously opened up about her troubling experience as a...
Adapted from Miriam Toews’ acclaimed novel of the same name, “Women Talking” stars Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand, Ben Whishaw, and Judith Ivey. The film is set to make its world premiere at 2022 TIFF, followed by appearing in the NYFF Spotlight section.
“Women Talking” centers on a group of women in an isolated religious colony who reconcile with their faith after a string of sexual assaults are committed by the colony’s men. The generations of abuse come to light along with the hypocrisy of power in the name of Christ. Sheila McCarthy, August Winter, Michelle McLeod, Will Bowes, and Kira Guloien also star in the film, in theaters December 2.
Oscar-nominated screenwriter Polley, whose past features include “Away From Her” and “Stories We Tell,” previously opened up about her troubling experience as a...
- 8/16/2022
- by Samantha Bergeson
- Indiewire
Tatiana Maslany isn’t a fan of the “strong female lead” label.
The Canadian actress, who takes on the lead role in the “She-Hulk: Attorney at Law” TV series for Disney+, says she’s looking forward to the day when a woman playing a superhero is not a big deal.
Maslany, from Regina, Saskatchewan, tells the Guardian, “I’m really interested in when these [marginalized] voices get to speak without it being like: ‘Oh my God, it’s all women,’ or, ‘Oh my God, this is a story about a queer couple,’ and those stories become as innately expected as they are now special.”
Read More: Tatiana Maslany Secretly Married Boyfriend Brendan Hines
She adds of why she finds the “strong female lead” archetype irritating: “Because it’s reductive. It’s just as much a shaving off of all the nuances, and just as much of a trope. It’s a box that nobody fits into.
The Canadian actress, who takes on the lead role in the “She-Hulk: Attorney at Law” TV series for Disney+, says she’s looking forward to the day when a woman playing a superhero is not a big deal.
Maslany, from Regina, Saskatchewan, tells the Guardian, “I’m really interested in when these [marginalized] voices get to speak without it being like: ‘Oh my God, it’s all women,’ or, ‘Oh my God, this is a story about a queer couple,’ and those stories become as innately expected as they are now special.”
Read More: Tatiana Maslany Secretly Married Boyfriend Brendan Hines
She adds of why she finds the “strong female lead” archetype irritating: “Because it’s reductive. It’s just as much a shaving off of all the nuances, and just as much of a trope. It’s a box that nobody fits into.
- 8/15/2022
- by Becca Longmire
- ET Canada
• The Guardian An excerpt from Sarah Polley's new memoir concerning her child actor days on Terry Gilliam's The Adventures of Baron Munchausen
• IndieWire Marcel the Shell is submitting as an Animated Feature. Will the Oscars accept it?
• Coming Soon The First Lady, which was meant to be an ongoing anthology series with new leads each year, has been cancelled. At least we got another tremendous Pfeiffer performance out of it!
The current Warner Bros / HBOMax Batgirl nightmare, our beloved Melanie Lynskey on Yellowjackets, Bong Joon-ho's next film, and Dev Patel as a real life hero after the jump...
• IndieWire Marcel the Shell is submitting as an Animated Feature. Will the Oscars accept it?
• Coming Soon The First Lady, which was meant to be an ongoing anthology series with new leads each year, has been cancelled. At least we got another tremendous Pfeiffer performance out of it!
The current Warner Bros / HBOMax Batgirl nightmare, our beloved Melanie Lynskey on Yellowjackets, Bong Joon-ho's next film, and Dev Patel as a real life hero after the jump...
- 8/4/2022
- by NATHANIEL R
- FilmExperience
Terry Gilliam's 1991 Oscar-winning tragedy "The Fisher King" is raw and difficult. It's a film that appears to be a lighthearted, almost slapstick farce in certain scenes, but delves into heady themes of homelessness, mental illness, trauma, and guilt on a dime. It was a startlingly soulful film from a director who was then known for his kooky work with Monty Python, the acclaimed-but-argued-over "Brazil," and the not entirely well-received "The Adventures of Baron Munchausen." In contrast to those, it seemed "The Fisher King" had proven that Gilliam was maturing as a filmmaker.
"The Fisher King" is about a radio shock jock named Jack Lucas...
The post Finding Robin Williams' Fisher King Co-Star Took Some Serious Casting Calculus appeared first on /Film.
"The Fisher King" is about a radio shock jock named Jack Lucas...
The post Finding Robin Williams' Fisher King Co-Star Took Some Serious Casting Calculus appeared first on /Film.
- 7/20/2022
- by Witney Seibold
- Slash Film
The notion that Terry Gilliam was, in his prime, a visionary filmmaker who dreamed too big for Hollywood and paid the price for it is, to put it mildly, ahistorical. It's certainly true that Universal Pictures' Sid Sheinberg sought to undermine the U.S. release of the "Brazil" by cutting 38 minutes out of Gilliam's cut and tacking on a happy ending. As for the over-budget folly of Gilliam's follow-up, "The Adventures of Baron Munchausen," which lost Columbia Pictures an estimated, adjusted-for-inflation 88 million, the most charitable view holds that the director bet big on his genius (with money he did not have) and...
The post Terry Gilliam Bet His Career On Keeping 12 Monkeys Under Budget appeared first on /Film.
The post Terry Gilliam Bet His Career On Keeping 12 Monkeys Under Budget appeared first on /Film.
- 6/28/2022
- by Jeremy Smith
- Slash Film
Ewan McGregor detailed what really happened to the “Don Quixote” film he was attached to over a decade ago.
The “Obi-Wan Kenobi” star was set to replace Johnny Depp in Terry Gilliam’s long-awaited “The Man Who Killed Don Quixote” about an advertising executive who travels back in time to 17th-century Spain where he meets the real Quixote. The first attempt at the film, starring Depp, was over-budget, with Gilliam saying at the time that he was “relieved” it fell apart. Now, McGregor told GQ about the time the director Gilliam approached him in 2010 to lead the script that was 20 years in the making. (The role eventually went to Adam Driver in the finished 2018 film.)
“[Terry Gilliam says, ‘What the fuck have you been doing all this time? You’ve been underplaying everything,'” McGregor recalled. “‘What happened to the guy in ‘Trainspotting’? What happened to that guy?!'”
This was well after McGregor broke out of “Trainspotting” in 1996 and by then had starred in the “Star Wars” prequel films.
McGregor added, “It was quite rude. It...
The “Obi-Wan Kenobi” star was set to replace Johnny Depp in Terry Gilliam’s long-awaited “The Man Who Killed Don Quixote” about an advertising executive who travels back in time to 17th-century Spain where he meets the real Quixote. The first attempt at the film, starring Depp, was over-budget, with Gilliam saying at the time that he was “relieved” it fell apart. Now, McGregor told GQ about the time the director Gilliam approached him in 2010 to lead the script that was 20 years in the making. (The role eventually went to Adam Driver in the finished 2018 film.)
“[Terry Gilliam says, ‘What the fuck have you been doing all this time? You’ve been underplaying everything,'” McGregor recalled. “‘What happened to the guy in ‘Trainspotting’? What happened to that guy?!'”
This was well after McGregor broke out of “Trainspotting” in 1996 and by then had starred in the “Star Wars” prequel films.
McGregor added, “It was quite rude. It...
- 6/20/2022
- by Samantha Bergeson
- Indiewire
The Guardian has an excerpt from a new memoir by actor and filmmaker Sarah Polley in which she details working on his film The Adventures of Baron Munchausen as an eight-year-old.
The brutal headline: “‘It took me years to see how responsible Terry Gilliam was for my terror.’” And it’s full of stuff like this:
There were many special effects in the film; scenes of battle, exploding bombs, space and moonwalking. As we were about to shoot a sequence involving explosives, Terry led me down a route I was to run through – the set of a bombed-out city. I was told there would be explosives going off as I ran, but I wasn’t concerned. It would all be perfectly safe, I was told. I was given two cotton balls to put into my ears in case the sound was too loud for me. After Terry yelled “Action!” I began my run as instructed.
The brutal headline: “‘It took me years to see how responsible Terry Gilliam was for my terror.’” And it’s full of stuff like this:
There were many special effects in the film; scenes of battle, exploding bombs, space and moonwalking. As we were about to shoot a sequence involving explosives, Terry led me down a route I was to run through – the set of a bombed-out city. I was told there would be explosives going off as I ran, but I wasn’t concerned. It would all be perfectly safe, I was told. I was given two cotton balls to put into my ears in case the sound was too loud for me. After Terry yelled “Action!” I began my run as instructed.
- 6/16/2022
- by MaryAnn Johanson
- www.flickfilosopher.com
Sarah Polley has built an admirable career as an actress, director, and Oscar-nominated screenwriter, but her show business career began in earnest when, at the age of eight, she was cast in Terry Gilliam’s “The Adventures of Baron Munchausen.” But despite the opportunities that the film created for her, and the movie’s cult classic status, the actress is still haunted by the film’s harrowing shoot.
In her new book, “Run Towards the Danger,” Polley accuses Gilliam of creating an unsafe environment on set, particularly for a child. In an excerpt published in The Guardian, she goes into detail about the highs and lows of the experience.
Polley writes that she was ecstatic to have the opportunity to work with a legend like Gilliam, and was initially enamored with him upon meeting him. But once they began working on the film, Gilliam’s flaws began to emerge.
“As we went into production,...
In her new book, “Run Towards the Danger,” Polley accuses Gilliam of creating an unsafe environment on set, particularly for a child. In an excerpt published in The Guardian, she goes into detail about the highs and lows of the experience.
Polley writes that she was ecstatic to have the opportunity to work with a legend like Gilliam, and was initially enamored with him upon meeting him. But once they began working on the film, Gilliam’s flaws began to emerge.
“As we went into production,...
- 6/12/2022
- by Christian Zilko
- Indiewire
As a child star, the actor suffered trauma and neglect. Now an acclaimed director, she is confronting the ghosts of her past with a frank new book
When Sarah Polley was four years old she entertained her Christian kindergarten class with a rendition of the Monty Python song Sit on My Face. “I love to hear you oralise / When you’re between my thighs … ” she chirruped, to the delight of her libertarian parents, who denied all responsibility when they were called to account by the school.
At the age of eight, egged on by her superfan dad, she auditioned for a new fantasy adventure movie by the Pythons’ Terry Gilliam. She was already the veteran of a handful of horror films she was too young to watch, but The Adventures of Baron Munchausen was something else: an absurdist riot of special effects, the filming of which often left her sobbing...
When Sarah Polley was four years old she entertained her Christian kindergarten class with a rendition of the Monty Python song Sit on My Face. “I love to hear you oralise / When you’re between my thighs … ” she chirruped, to the delight of her libertarian parents, who denied all responsibility when they were called to account by the school.
At the age of eight, egged on by her superfan dad, she auditioned for a new fantasy adventure movie by the Pythons’ Terry Gilliam. She was already the veteran of a handful of horror films she was too young to watch, but The Adventures of Baron Munchausen was something else: an absurdist riot of special effects, the filming of which often left her sobbing...
- 5/30/2022
- by Claire Armitstead
- The Guardian - Film News
Here’s one that really benefits from its 4K upgrade — Terry Gilliam’s dense visuals look great with Roger Pratt’s exacting cinematography. Is this really a thinking man’s science fiction hit, or did audiences mainly want to get a look at Brad Pitt in a new mode, playing a weird motormouthed eccentric? Bruce Willis and Madeleine Stowe star in a time-puzzle thriller adaptation of Chris Marker’s La jetée.
12 Monkeys 4K
4K Ultra HD
Arrow Video
1995 / Color / 1:85 widescreen / 129 min. / Special Edition / Street Date April 26, 2022 / Available from Amazon / 49.95
Starring: Bruce Willis, Madeleine Stowe, Brad Pitt, Jon Seda, Frank Gorshin, David Morse, Christopher Plummer.
Cinematography: Roger Pratt
Film Editor: Mick Audsley
Original Music: Paul Buckmaster
Production Design: Jeffrey Beecroft
Art Direction: Wm Ladd Skinner
Written by David Webb Peoples, Janet Peoples from the film La jetée by Chris Marker
Produced by Charles Roven
Directed by Terry Gilliam
Not...
12 Monkeys 4K
4K Ultra HD
Arrow Video
1995 / Color / 1:85 widescreen / 129 min. / Special Edition / Street Date April 26, 2022 / Available from Amazon / 49.95
Starring: Bruce Willis, Madeleine Stowe, Brad Pitt, Jon Seda, Frank Gorshin, David Morse, Christopher Plummer.
Cinematography: Roger Pratt
Film Editor: Mick Audsley
Original Music: Paul Buckmaster
Production Design: Jeffrey Beecroft
Art Direction: Wm Ladd Skinner
Written by David Webb Peoples, Janet Peoples from the film La jetée by Chris Marker
Produced by Charles Roven
Directed by Terry Gilliam
Not...
- 5/7/2022
- by Glenn Erickson
- Trailers from Hell
Filmmakers Albert Birney and Kentucker Audley discuss the movies that inspired their latest film, Strawberry Mansion.
Show Notes: Movies Referenced In This Episode
Strawberry Mansion (2022)
The Fabulous Baron Munchausen (1962) – Glenn Erickson’s trailer commentary
The Adventures of Baron Munchausen (1988) – Josh Olson’s trailer commentary
The Neverending Story (1984)
A Nightmare On Elm Street (1984) – Dan Ireland’s trailer commentary
Pretty Woman (1990) – Allan Arkush’s trailer commentary
Barton Fink (1991)
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
Salesman (1969)
The Hudsucker Proxy (1994)
Eraserhead (1977) – Karyn Kusama’s trailer commentary
The Shining (1980) – Adam Rifkin’s trailer commentary
The Tragedy of Macbeth (2021)
Inside Llewyn Davis (2013) – Glenn Erickson’s Criterion Blu-ray review
Bottle Rocket (1996)
Rushmore (1998)
The Grand Budapest Hotel (2014)
Beetlejuice (1988) – Alex Kirschenbaum’s review
Pee Wee’s Big Adventure (1985)
The Nightmare Before Christmas (1993) – Axelle Carolyn’s trailer commentary, Randy Fuller’s trailer commentary
Honey I Shrunk The Kids (1989)
Re-Animator (1985) – Charlie Largent’s Blu-ray review...
Show Notes: Movies Referenced In This Episode
Strawberry Mansion (2022)
The Fabulous Baron Munchausen (1962) – Glenn Erickson’s trailer commentary
The Adventures of Baron Munchausen (1988) – Josh Olson’s trailer commentary
The Neverending Story (1984)
A Nightmare On Elm Street (1984) – Dan Ireland’s trailer commentary
Pretty Woman (1990) – Allan Arkush’s trailer commentary
Barton Fink (1991)
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
Salesman (1969)
The Hudsucker Proxy (1994)
Eraserhead (1977) – Karyn Kusama’s trailer commentary
The Shining (1980) – Adam Rifkin’s trailer commentary
The Tragedy of Macbeth (2021)
Inside Llewyn Davis (2013) – Glenn Erickson’s Criterion Blu-ray review
Bottle Rocket (1996)
Rushmore (1998)
The Grand Budapest Hotel (2014)
Beetlejuice (1988) – Alex Kirschenbaum’s review
Pee Wee’s Big Adventure (1985)
The Nightmare Before Christmas (1993) – Axelle Carolyn’s trailer commentary, Randy Fuller’s trailer commentary
Honey I Shrunk The Kids (1989)
Re-Animator (1985) – Charlie Largent’s Blu-ray review...
- 3/1/2022
- by Kris Millsap
- Trailers from Hell
Writer/director Guillermo del Toro discusses a few of his favorite movies with Josh and Joe.
Show Notes:
Movies Referenced In This Episode
Nightmare Alley (2021)
Nightmare Alley (1947) – Stuart Gordon’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Drive My Car (2021)
Wicked Woman (1953) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairing
Guillermo del Toro’s Pinocchio (2022)
Modern Times (1936)
City Lights (1931)
The Great Dictator (1940)
2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review, Dennis Cozzalio’s Muriel Awards capsule review
Vertigo (1958) – Dan Ireland’s trailer commentary, Brian Trenchard-Smith’s review
The Man Who Would Be King (1975) – Josh Olson’s trailer commentary
Lawrence Of Arabia (1962)
The Young And The Damned (1950)
Gone With The Wind (1939)
The Golem (1920) – Glenn Erickson’s Blu-ray review
Sunrise: A Song Of Two Humans (1927)
Alucarda (1977)
Greed (1924) – Dennis Cozzalio’s Muriel Awards capsule review
Taxi Driver (1976) – Rod Lurie’s trailer commentary
District 9 (2009) – John Sayles...
Show Notes:
Movies Referenced In This Episode
Nightmare Alley (2021)
Nightmare Alley (1947) – Stuart Gordon’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Drive My Car (2021)
Wicked Woman (1953) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairing
Guillermo del Toro’s Pinocchio (2022)
Modern Times (1936)
City Lights (1931)
The Great Dictator (1940)
2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review, Dennis Cozzalio’s Muriel Awards capsule review
Vertigo (1958) – Dan Ireland’s trailer commentary, Brian Trenchard-Smith’s review
The Man Who Would Be King (1975) – Josh Olson’s trailer commentary
Lawrence Of Arabia (1962)
The Young And The Damned (1950)
Gone With The Wind (1939)
The Golem (1920) – Glenn Erickson’s Blu-ray review
Sunrise: A Song Of Two Humans (1927)
Alucarda (1977)
Greed (1924) – Dennis Cozzalio’s Muriel Awards capsule review
Taxi Driver (1976) – Rod Lurie’s trailer commentary
District 9 (2009) – John Sayles...
- 1/25/2022
- by Kris Millsap
- Trailers from Hell
Richard Conway, a special effects supervisor who collaborated closely with director Terry Gilliam, has died, his family announced. He was 79.
Conway began working in television in the 1960s, where he began his career working alongside Gerry Anderson. He worked on shows such as “Thunderbirds,” “Captain Scarlet” and “Joe 90”. While there, Conway met fellow visual effects pioneer George Gibbs and together they would go on to work on the 1969 classic “The Battle of Britain.”
From there, Conway segued into film work. He was a senior effects supervisor on Dino De Laurentiis’ “Flash Gordon.” It was Conway who created the unforgettable multi-colored skies around Mongo and its neighboring planets.
Other films Conway worked on included “Conan the Barbarian,” “Indiana Jones and the Temple of Doom” and “Sunshine.” He also contributed to Jim Henson’s “Labyrinth.” During this time, Conway met Gilliam and the two began their collaboration together, working on “Monty Python’s Meaning of Life,...
Conway began working in television in the 1960s, where he began his career working alongside Gerry Anderson. He worked on shows such as “Thunderbirds,” “Captain Scarlet” and “Joe 90”. While there, Conway met fellow visual effects pioneer George Gibbs and together they would go on to work on the 1969 classic “The Battle of Britain.”
From there, Conway segued into film work. He was a senior effects supervisor on Dino De Laurentiis’ “Flash Gordon.” It was Conway who created the unforgettable multi-colored skies around Mongo and its neighboring planets.
Other films Conway worked on included “Conan the Barbarian,” “Indiana Jones and the Temple of Doom” and “Sunshine.” He also contributed to Jim Henson’s “Labyrinth.” During this time, Conway met Gilliam and the two began their collaboration together, working on “Monty Python’s Meaning of Life,...
- 12/23/2021
- by Jazz Tangcay
- Variety Film + TV
Uma Thurman will join the cast of Showtime’s Super Pumped. The Oscar and Emmy-nominated actress is set to appear opposite Joseph Gordon-Levitt and Kyle Chandler in the first installment of an anthology series from Billions co-creators Brian Koppelman and David Levien.
Based on Mike Isaac’s bestselling book Super Pumped: The Battle for Uber, Showtime’s Super Pumped tells the story of the ride-sharing company that stands out as both a marvel and a cautionary tale, featuring internal and external battles that ripple with unpredictable consequences.
Pivoting on Travis Kalanick (Gordon-Levitt), Uber’s hard-charging CEO who ultimately was ousted in a boardroom coup, the series will depict the roller-coaster ride of the upstart transportation company, embodying the highs and lows of Silicon Valley.
Thurman will take on as The Huffington Post co-founder and Uber board member Arianna Huffington. She will also join additional cast members Elisabeth Shue, Kerry Bishé,...
Based on Mike Isaac’s bestselling book Super Pumped: The Battle for Uber, Showtime’s Super Pumped tells the story of the ride-sharing company that stands out as both a marvel and a cautionary tale, featuring internal and external battles that ripple with unpredictable consequences.
Pivoting on Travis Kalanick (Gordon-Levitt), Uber’s hard-charging CEO who ultimately was ousted in a boardroom coup, the series will depict the roller-coaster ride of the upstart transportation company, embodying the highs and lows of Silicon Valley.
Thurman will take on as The Huffington Post co-founder and Uber board member Arianna Huffington. She will also join additional cast members Elisabeth Shue, Kerry Bishé,...
- 10/19/2021
- by Alexandra Del Rosario
- Deadline Film + TV
Giuseppe Rotunno, the cinematographer highly regarded for his collaborations with Federico Fellini, has died at the age of 97. Italian news agency Ansa reported that he passed away at his home in Rome yesterday, February 7.
Rotunno and Fellini combined on eight films, beginning with Satyricon and encompassing Roma, Amarcord and Casanova. The cinematographer worked with a range of directors, including Italian legends Vittorio De Sica and Luchino Visconti, and also made his mark in the U.S., such as on Bob Fosse’s 1979 musical drama All That Jazz, which won the Palme d’Or in Cannes and was nominated for nine Oscars including cinematography, and on Terry Gilliam’s boundary-pushing The Adventures Of Baron Munchausen.
Born in 1923, Rottuno began his career as a still photographer before being employed as a cameraman with the Italian army. He moved into films as a cinematography assistant in the 1940s and worked consistently all the way through the 1990s.
Rotunno and Fellini combined on eight films, beginning with Satyricon and encompassing Roma, Amarcord and Casanova. The cinematographer worked with a range of directors, including Italian legends Vittorio De Sica and Luchino Visconti, and also made his mark in the U.S., such as on Bob Fosse’s 1979 musical drama All That Jazz, which won the Palme d’Or in Cannes and was nominated for nine Oscars including cinematography, and on Terry Gilliam’s boundary-pushing The Adventures Of Baron Munchausen.
Born in 1923, Rottuno began his career as a still photographer before being employed as a cameraman with the Italian army. He moved into films as a cinematography assistant in the 1940s and worked consistently all the way through the 1990s.
- 2/8/2021
- by Tom Grater
- Deadline Film + TV
Ace Italian cinematographer Giuseppe Rotunno, who was instrumental to the making of masterpieces such as Luchino Visconti’s “The Leopard” and Federico Fellini’s “Amarcord,” but also worked in Hollywood and was an Oscar nominee for Bob Fosse’s “All That Jazz,” has died. He was 97.
Rotunno, who was nicknamed Peppino, died on Sunday in his Rome home, his family announced without disclosing the exact cause.
Born in Rome on March 23, 1923, Rotunno started his remarkable six-decade career as a still photographer at the Italian capital’s Cinecittà Studios in 1940 before being recruited in 1942 to serve as a newsreel cameraman with the Italian army where he cut his teeth as a cinematographer.
In 1943 at age 20, with World War II still raging, Rotunno was hired as an assistant Dp by Roberto Rossellini for the 1943 war film “L’Uomo dalla croce” (The Man with a Cross), a drama about a military chaplain.
After the war,...
Rotunno, who was nicknamed Peppino, died on Sunday in his Rome home, his family announced without disclosing the exact cause.
Born in Rome on March 23, 1923, Rotunno started his remarkable six-decade career as a still photographer at the Italian capital’s Cinecittà Studios in 1940 before being recruited in 1942 to serve as a newsreel cameraman with the Italian army where he cut his teeth as a cinematographer.
In 1943 at age 20, with World War II still raging, Rotunno was hired as an assistant Dp by Roberto Rossellini for the 1943 war film “L’Uomo dalla croce” (The Man with a Cross), a drama about a military chaplain.
After the war,...
- 2/8/2021
- by Nick Vivarelli
- Variety Film + TV
Master of Horror Greg Nicotero takes us on a stroll through some of his favorite movies, as well as a trip through every home video format you’ve ever heard of… and some you haven’t.
Show Notes: Movies Referenced In This Episode
Outbreak (1995)
Creepshow (1982)
The Howling (1981)
Dawn of the Dead (1978)
Horror of Dracula (1958)
The Time Machine (1960)
The 7th Voyage of Sinbad (1958)
King Kong Vs. Godzilla (1962)
Night of the Living Dead (1968)
From Russia With Love (1963)
Planet of the Apes (1968)
2001: A Space Odyssey (1968)
Frankenstein (1931)
The Wolf Man (1941)
Creature From The Black Lagoon (1954)
The Poseidon Adventure (1972)
The Towering Inferno (1974)
20,000 Leagues Under The Sea (1954)
Thunderball (1965)
Broadcast News (1987)
Young Frankenstein (1974)
Invasion of the Body Snatchers (1978)
Dr. Strangelove (1964)
Citizen Kane (1941)
Star Wars (1977)
Jaws (1975)
Bad Day At Black Rock (1955)
The Adventures of Baron Munchausen (1989)
What’s Up Doc? (1972)
Logan’s Run (1976)
Little Shop of Horrors (1986)
Little Shop of Horrors (1960)
Dragonslayer (1981)
Aliens (1986)
1917 (2019)
Gravity (2013)
Alien (1979)
Abbott and Costello Meet Frankenstein...
Show Notes: Movies Referenced In This Episode
Outbreak (1995)
Creepshow (1982)
The Howling (1981)
Dawn of the Dead (1978)
Horror of Dracula (1958)
The Time Machine (1960)
The 7th Voyage of Sinbad (1958)
King Kong Vs. Godzilla (1962)
Night of the Living Dead (1968)
From Russia With Love (1963)
Planet of the Apes (1968)
2001: A Space Odyssey (1968)
Frankenstein (1931)
The Wolf Man (1941)
Creature From The Black Lagoon (1954)
The Poseidon Adventure (1972)
The Towering Inferno (1974)
20,000 Leagues Under The Sea (1954)
Thunderball (1965)
Broadcast News (1987)
Young Frankenstein (1974)
Invasion of the Body Snatchers (1978)
Dr. Strangelove (1964)
Citizen Kane (1941)
Star Wars (1977)
Jaws (1975)
Bad Day At Black Rock (1955)
The Adventures of Baron Munchausen (1989)
What’s Up Doc? (1972)
Logan’s Run (1976)
Little Shop of Horrors (1986)
Little Shop of Horrors (1960)
Dragonslayer (1981)
Aliens (1986)
1917 (2019)
Gravity (2013)
Alien (1979)
Abbott and Costello Meet Frankenstein...
- 6/3/2020
- by Kris Millsap
- Trailers from Hell
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