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== Further reading ==
== Further reading ==
"''Suspense'' is an exercise in narrational self-consciousness...''Suspense'' patterns itself on earlier filmic variants of [[Andre de Lorde]]{{'}}s play ''Au telephone'' (1901), such as Edison's ''Heard over the Phone'' (1908), Pathe's ''A Narrow Escape (The Physician Of The Castle)'' (1908), and Biograph's ''[[The Lonely Villa]]'' (1909). Moreover, the script scarcely modifies the stock narrative ingredients of a wife imperiled in a remote location while her husband rushes to the rescue after learning of her plight over the telephone. Because the filmmakers could count on audiences already knowing what to expect from the film, producing the titular suspense provides a challenge; Smalley and Weber meet this by heightening tension and intensifying the film's psychological dimension through manipulation of style. Sprinkled liberally throughout with touches that encourage spectatorial involvement without ever damaging narrative clarity" — Charlie Keil (2001) [<!-- https://uwpress.wisc.edu/books/3492.htm -->https://archive.org/details/earlyamericancin0000keil 'Early American Cinema in Transition: Story, Style, and Filmmaking, 1907–1913''] <ref>https://go.gale.com/ps/i.do?id=GALE%7CA106059514</ref><ref>https://www.academia.edu/3410693/Early_American_Cinema_in_Transition_Story_Style_and_Filmmaking_1907_1913</ref><ref>https://academic.oup.com/jah/article/90/1/271/742323</ref><ref>https://www.researchgate.net/publication/41764497_Early_American_Cinema_In_Transition_Story_Style_And_Filmmaking_1907-1913</ref>
"''Suspense'' is an exercise in narrational self-consciousness...''Suspense'' patterns itself on earlier filmic variants of [[Andre de Lorde]]{{'}}s play ''Au telephone'' (1901), such as Edison's ''Heard over the Phone'' (1908), Pathe's ''A Narrow Escape (The Physician Of The Castle)'' (1908), and Biograph's ''[[The Lonely Villa]]'' (1909). Moreover, the script scarcely modifies the stock narrative ingredients of a wife imperiled in a remote location while her husband rushes to the rescue after learning of her plight over the telephone. Because the filmmakers could count on audiences already knowing what to expect from the film, producing the titular suspense provides a challenge; Smalley and Weber meet this by heightening tension and intensifying the film's psychological dimension through manipulation of style. Sprinkled liberally throughout with touches that encourage spectatorial involvement without ever damaging narrative clarity" — Charlie Keil (2001) [<!-- https://uwpress.wisc.edu/books/3492.htm -->https://archive.org/details/earlyamericancin0000keil 'Early American Cinema in Transition: Story, Style, and Filmmaking, 1907–1913''] <ref>https://go.gale.com/ps/i.do?id=GALE%7CA106059514</ref><ref>https://www.academia.edu/3410693/Early_American_Cinema_in_Transition_Story_Style_and_Filmmaking_1907_1913</ref><ref>https://academic.oup.com/jah/article/90/1/271/742323</ref><ref>https://www.researchgate.net/publication/41764497_Early_American_Cinema_In_Transition_Story_Style_And_Filmmaking_1907-1913</ref>


==Lon Chaney false assertion==
==Lon Chaney false assertion==

Revision as of 21:49, 3 March 2024

Suspense
Film still
Directed byPhillips Smalley
Lois Weber
Written byLois Weber
StarringLois Weber
Val Paul
Production
company
Distributed byUniversal Film Manufacturing Company
Release date
  • July 6, 1913 (1913-07-06)
Running time
10 minutes
CountryUnited States
LanguageSilent with English intertitles
Suspense 1913, full film

Suspense is a 1913 American silent short film thriller directed by Lois Weber and Phillips Smalley. Weber also wrote the scenario and stars in the film with Valentine Paul. The film features early examples of a split screen shot[1] and a car chase.

Plot

A servant leaves a new mother with only a written letter of notice, placing her key under the doormat as she leaves. Her exit attracts the attention of a tramp to the house. As the husband has previously phoned that he is working late, the wife decides not to ring back when she finds the note but does ring back when she sees the tramp. Her husband listens, horrified, as she documents the break-in and then the tramp cuts the line. The husband steals a car and is immediately pursued by the car's owner and the police, who nearly but don't quite manage to jump into the stolen car during a high-speed chase. The husband manages to gain a lead over the police but then accidentally strikes a man smoking in the road and checks to see that he is okay. Meanwhile, the tramp is breaking into the room where the wife has locked herself and her baby, violently thrusting himself through the wood door, carrying a large knife. At that moment the husband arrives, pursued by the police. As the husband runs towards the home, the police fire warning shots into the air, panicking the hobo. He runs down the stairs, to be met by the husband at the front door. After a short struggle, he overpowers the hobo, who is then grabbed by the police. The husband runs upstairs, everything is explained, and all is forgiven as the couple embrace.

Cast

Release

Suspense was released on July 6, 1913, by the Rex Motion Picture Company.[3]

Reception

"best nickelodeon film ever made"[4] — Russell Merritt (1941-2023)[5]


"The film is a sensory feast with clever use of mirrors and imaginative visual composition". — moviessilently.com[6]


"With its stark title and startling visuals, more realistic characters, less reliance on explicit narrative and instead favoring more subtle story-telling, this bears less resemblance to its contemporaries than to the films that would later be created by Hitchcock" — Voidsville Follies — [7]


"Known for her moral melodramas of the late 1910s, it’s fun to watch Lois Weber making a film that favors sensationalism over the social commentary that would become her wheelhouse." — thehorseshead.blog[8]

Legacy

A print of the film is preserved at the film archive of the British Film Institute.[9]

In 2020, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[10]

It was released on DVD/Blu-ray in 2018 in a box set called "Pioneers: First Women Filmmakers", with a new score by composer Skylar Nam.[11]

External videos
Sam Kaufman (1885-1972) as The Tramp
video icon Anne Morra, Associate Curator of Film, speaks about Lois Weber and Phillips Smalley’s film Suspense

Further reading

"Suspense is an exercise in narrational self-consciousness...Suspense patterns itself on earlier filmic variants of Andre de Lorde's play Au telephone (1901), such as Edison's Heard over the Phone (1908),[12] Pathe's A Narrow Escape (The Physician Of The Castle) (1908), and Biograph's The Lonely Villa (1909). Moreover, the script scarcely modifies the stock narrative ingredients of a wife imperiled in a remote location while her husband rushes to the rescue after learning of her plight over the telephone. Because the filmmakers could count on audiences already knowing what to expect from the film, producing the titular suspense provides a challenge; Smalley and Weber meet this by heightening tension and intensifying the film's psychological dimension through manipulation of style. Sprinkled liberally throughout with touches that encourage spectatorial involvement without ever damaging narrative clarity" — Charlie Keil (2001) 'Early American Cinema in Transition: Story, Style, and Filmmaking, 1907–1913 [13][14][15][16]

Lon Chaney false assertion

The film has been falsely asserted as Lon Chaney's earliest extant film based on a brief scene in which a similar individual appears on camera. The documentary Lon Chaney: A Thousand Faces states that his film debut occurred after his wife's suicide attempt in April 1913 and that "his earliest films were made at the first studio to open in Hollywood, Nestor Studios."[17] Though well-known Chaney scholar Michael Blake's A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures does note that the possibility exists of Chaney's performing in a role during a period of unemployment in 1912, it also notes that he rejoined Clarence Kolb and Max Dill's company in San Francisco, California, in September 1912.[18] Blake specifically dismisses Chaney's appearance in Suspense in his book A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures.[19] Chaney website creator Jon C. Mirsalis originally attributed the appearance of the hobo who is struck by a car to Chaney but, after examining a high-resolution digital scan frame by frame, has recanted his earlier claim and now concedes that the individual is not Chaney.[20]

The Internet Movie Database, an unreliable source, lists Lon Chaney as having an unconfirmed and uncredited brief role;[21] however, this is disputed by silentera.com, which states "Despite attributions to the contrary, Lon Chaney does not appear in the film."[22][23][20]

See also

References

  1. ^ Langman, Larry; Finn, Daniel (1994). A Guide To American Silent Crime Films. Greenwood Press. p. 264. ISBN 0-313-28858-5.
  2. ^
  3. ^ "Moving Picture News (Jan-Jun 1913) (Jan-Jun 1913)". Cinematograph Publishing Company. 1913. p. 868. Retrieved September 4, 2014.
  4. ^ https://www.youtube.com/watch?v=pzMNG3tOu14 @ 1:27:00
  5. ^
  6. ^ https://moviessilently.com/2016/04/24/suspense-1913-a-silent-film-review/
  7. ^ https://headcity.com/follies/contributor/sam-kaufman.html
  8. ^ https://thehorseshead.blog/2023/08/16/659-suspense-1913/
  9. ^ a b "MoMA.org: Louis Webber and Phillips Smalley: Suspense". Museum of Modern Art. Retrieved June 9, 2008.
  10. ^ McNary, Dave (December 14, 2020). "'Dark Knight,' 'Shrek,' 'Grease,' 'Blues Brothers' Added to National Film Registry". Variety. Retrieved December 14, 2020.
  11. ^ "Kino Lorber Home Video". Retrieved December 14, 2020.
  12. ^ https://mediahistoryproject.org/reader.php?id=ShowWorldv3n10
  13. ^ https://go.gale.com/ps/i.do?id=GALE%7CA106059514
  14. ^ https://www.academia.edu/3410693/Early_American_Cinema_in_Transition_Story_Style_and_Filmmaking_1907_1913
  15. ^ https://academic.oup.com/jah/article/90/1/271/742323
  16. ^ https://www.researchgate.net/publication/41764497_Early_American_Cinema_In_Transition_Story_Style_And_Filmmaking_1907-1913
  17. ^ Lon Chaney: A Thousand Faces (DVD). Warner Home Video. 2000.
  18. ^ Blake, Michael (1997). A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures. Vestal Press. pp. 18–30. ISBN 9781461730767. Retrieved September 4, 2014.
  19. ^ Blake, Michael (1997). 'A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures'. Vestal Press. p. 30.
  20. ^ a b "The Not Lon Chaney Filmography". lonchaney.org. Retrieved March 30, 2019.
  21. ^ "Internet Movie Database: Suspense". IMDb.com. Retrieved June 9, 2008.
  22. ^ "Silent Era: Suspense". silentera. Retrieved June 9, 2008.
  23. ^ Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. ISBN 1-879511-26-6.
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