Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
The 2024 Sundance Film Festival has announced its winners, with In the Summers taking the Grand Jury prize for U.S. Dramatic Competition and Porcelain War landing the award for U.S. Documentary Competition.
Sujo won the jury prize for the World Cinema Dramatic Competition section, and A New Kind of Wilderness won for World Cinema Documentary Competition.
Audience awards went to Sean Wang’s Dìdi (弟弟) in the U.S. Dramatic Competition and Daughters in the U.S. Documentary Competition, with the latter also earning the Festival Favorite Award selected by audiences across all new feature films presented at the fest. Girls Will Be Girls landed the audience award for World Cinema Dramatic Competition, and Ibelin won it in the World Cinema Documentary Competition.
Elsewhere, the Next innovator award went to Little Death, with Irish rap biopic Kneecap winning the audience award for the Next section.
Sundance CEO Joana Vicente said,...
Sujo won the jury prize for the World Cinema Dramatic Competition section, and A New Kind of Wilderness won for World Cinema Documentary Competition.
Audience awards went to Sean Wang’s Dìdi (弟弟) in the U.S. Dramatic Competition and Daughters in the U.S. Documentary Competition, with the latter also earning the Festival Favorite Award selected by audiences across all new feature films presented at the fest. Girls Will Be Girls landed the audience award for World Cinema Dramatic Competition, and Ibelin won it in the World Cinema Documentary Competition.
Elsewhere, the Next innovator award went to Little Death, with Irish rap biopic Kneecap winning the audience award for the Next section.
Sundance CEO Joana Vicente said,...
- 1/26/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The Sundance Film Festival welcomed a new class of indie film stars on Friday, handing out its annual awards in Park City, Utah.
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
- 1/26/2024
- by Matt Donnelly
- Variety Film + TV
Michael I. Levy, a veteran talent representative involved in the careers of such major stars and players as Richard Burton, Elizabeth Taylor, Robert Duval, Bruce Lee, Marlon Brando and William Peter Blattey, died January 11 of complications from Covid pneumonia. He was 84.
His death was announced today by his family.
At the start of his career, Levy represented blacklisted film and TV writers including Waldo Salt, Ring Lardner Jr., and Dalton Trumbo. He would later participate in the careers of Milos Foreman, Michael Mann, Ingmar Bergman, John Huston, John Landis, Mario Puzo and Stan Lee of Marvel Comics as well as Marvel Comics itself.
Through his Michael I. Levy Enterprises, Levy packaged more than 100 films, TV series, and TV movies for major producing clients. In 1981, he became President and CEO of CBS Theatrical Film Group, contributing to the Fox-cbs video deal and the formation of Tri-Star Motion Pictures.
Throughout his career,...
His death was announced today by his family.
At the start of his career, Levy represented blacklisted film and TV writers including Waldo Salt, Ring Lardner Jr., and Dalton Trumbo. He would later participate in the careers of Milos Foreman, Michael Mann, Ingmar Bergman, John Huston, John Landis, Mario Puzo and Stan Lee of Marvel Comics as well as Marvel Comics itself.
Through his Michael I. Levy Enterprises, Levy packaged more than 100 films, TV series, and TV movies for major producing clients. In 1981, he became President and CEO of CBS Theatrical Film Group, contributing to the Fox-cbs video deal and the formation of Tri-Star Motion Pictures.
Throughout his career,...
- 1/23/2024
- by Greg Evans
- Deadline Film + TV
Adapted from Nathanael West’s scabrously funny 1939 novel, The Day of the Locust reunites the creative triumvirate of producer Jerome Hellman, director John Schlesinger, and screenwriter Waldo Salt, who had previously teamed up for Midnight Cowboy. Superficially, the two films would seem to be quite different. One is a contemporary tale shot documentary-style on the mean streets of late-’60s New York. The other is an exquisitely detailed period piece filmed largely on Paramount soundstages in L.A. Midnight Cowboy favors gritty realism, while The Day of the Locust descends into a kind of deranged surrealism. But the films are linked since they both focus on loners and outcasts, salaciously prod the seedy underbelly of their milieus, and expose the unforgiving flipside of the American Dream.
The biggest difference between the two films is that Midnight Cowboy mitigates its ultimately tragic denouement with a certain tenderness between its damaged protagonists.
The biggest difference between the two films is that Midnight Cowboy mitigates its ultimately tragic denouement with a certain tenderness between its damaged protagonists.
- 12/12/2023
- by Budd Wilkins
- Slant Magazine
Chicago – Patrick McDonald of HollywoodChicago.com appears on Ian Simmons’ Vodcast, Kicking The Seat, talking the 1973 Cop Drama classic, “Serpico” … it’s 50th Anniversary. Why was this particular anniversary film chosen? Because it was once parodied in Mad Magazine as “Serpicool.”
Frank Serpico (Al Pacino) is a New York City cop in the 1960s/70s. Unlike all his colleagues, he refuses a share of the money that the cops routinely extort from local criminals. As he goes undercover, nobody wants to work with Serpico, and he’s in constant danger of being placed in life threatening positions by his “partners.” Nothing seems to get done even when he goes to the highest of authorities, but he still hopes that one day the truth will be known.
‘Serpico’ on Kicking The Seat
Photo credit: Patrick McDonald for HollywoodChicago.com
Kicking The Seat is an Ian Simmons’ Joint covering the spectrum of film,...
Frank Serpico (Al Pacino) is a New York City cop in the 1960s/70s. Unlike all his colleagues, he refuses a share of the money that the cops routinely extort from local criminals. As he goes undercover, nobody wants to work with Serpico, and he’s in constant danger of being placed in life threatening positions by his “partners.” Nothing seems to get done even when he goes to the highest of authorities, but he still hopes that one day the truth will be known.
‘Serpico’ on Kicking The Seat
Photo credit: Patrick McDonald for HollywoodChicago.com
Kicking The Seat is an Ian Simmons’ Joint covering the spectrum of film,...
- 9/30/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Powerful story of disguise and alienation is led by the moral passion of Pacino’s countercultural whistleblower
Film-making guts and glory are on display from director Sidney Lumet, star Al Pacino and many others in this compelling New York crime drama from 1973. It is based on the true story of whistleblowing police officer Frank Serpico who, outraged by the top-to-bottom corruption in the NYPD, finally went to the New York Times with his evidence. In revenge, dirty cops knowingly led Serpico into a dangerous standoff with armed criminals in an apartment building and left him undefended to be shot in the face. Screenwriters Waldo Salt and Norman Wexler adapted the bestseller from journalist Peter Maas’s book about the police officer’s remarkable life, on which Serpico collaborated almost immediately on being invalided out of the department.
Serpico is a classic movie of 1970s New York: it has Tony Roberts,...
Film-making guts and glory are on display from director Sidney Lumet, star Al Pacino and many others in this compelling New York crime drama from 1973. It is based on the true story of whistleblowing police officer Frank Serpico who, outraged by the top-to-bottom corruption in the NYPD, finally went to the New York Times with his evidence. In revenge, dirty cops knowingly led Serpico into a dangerous standoff with armed criminals in an apartment building and left him undefended to be shot in the face. Screenwriters Waldo Salt and Norman Wexler adapted the bestseller from journalist Peter Maas’s book about the police officer’s remarkable life, on which Serpico collaborated almost immediately on being invalided out of the department.
Serpico is a classic movie of 1970s New York: it has Tony Roberts,...
- 8/16/2023
- by Peter Bradshaw
- The Guardian - Film News
For years, much of the film industry has considered Sundance as a ’90s legacy, one most famous for launching the festival that cemented a market for American independent film. However, the seeds for that phenomenon were sown in the previous decade.
Hollywood raced into the ’80s with its blockbuster juices flowing, as the box-office sensations of “Jaws” and then “Star Wars” rejuvenated the studio confidence in mass-market commercial storytelling, and the prospects of small-scale independent filmmaking seemed more marginalized than ever. Enter Robert Redford’s Sundance Institute, which launched its first feature film lab in 1981, and created a seminal resource for working outside the system still unparalleled in the U.S. today.
In the midst of the studios getting a second wind, Redford felt unnerved. Though the movie star made a successful pivot to directing with “Ordinary People” in 1980, he had long felt that Hollywood underserved movies made with an economy of means.
Hollywood raced into the ’80s with its blockbuster juices flowing, as the box-office sensations of “Jaws” and then “Star Wars” rejuvenated the studio confidence in mass-market commercial storytelling, and the prospects of small-scale independent filmmaking seemed more marginalized than ever. Enter Robert Redford’s Sundance Institute, which launched its first feature film lab in 1981, and created a seminal resource for working outside the system still unparalleled in the U.S. today.
In the midst of the studios getting a second wind, Redford felt unnerved. Though the movie star made a successful pivot to directing with “Ordinary People” in 1980, he had long felt that Hollywood underserved movies made with an economy of means.
- 8/14/2023
- by Eric Kohn
- Indiewire
Joe Buck (Jon Voight) with Ratso Rizzo (Dustin Hoffman) in John Schlesinger’s Midnight Cowboy
In the second instalment with Nancy Buirski on Desperate Souls, Dark City And The Legend Of Midnight Cowboy (special advisor Martin Scorsese) we discuss Jon Voight as Joe Buck with the little girl reading a Wonder Woman comic, Jennifer Salt’s Crazy Annie and Sylvia Miles’s Cass in Midnight Cowboy. John Schlesinger with Dp Adam Holender showing New York the way it really was, a Roberta Flack song and William Wyler’s adaption of Lilian Hellman’s The Children’s Hour, starring Shirley MacLaine and Audrey Hepburn, Nancy’s longtime cinematographer Rex Miller, Far From The Madding Crowd and Vietnam, Brian De Palma on Dennis Hopper and the “international invasion”, and screenwriter Waldo Salt also came up.
Nancy Buirski on Crazy Annie (Jennifer Salt) with Joe Buck (Jon Voight): “Many of the women in...
In the second instalment with Nancy Buirski on Desperate Souls, Dark City And The Legend Of Midnight Cowboy (special advisor Martin Scorsese) we discuss Jon Voight as Joe Buck with the little girl reading a Wonder Woman comic, Jennifer Salt’s Crazy Annie and Sylvia Miles’s Cass in Midnight Cowboy. John Schlesinger with Dp Adam Holender showing New York the way it really was, a Roberta Flack song and William Wyler’s adaption of Lilian Hellman’s The Children’s Hour, starring Shirley MacLaine and Audrey Hepburn, Nancy’s longtime cinematographer Rex Miller, Far From The Madding Crowd and Vietnam, Brian De Palma on Dennis Hopper and the “international invasion”, and screenwriter Waldo Salt also came up.
Nancy Buirski on Crazy Annie (Jennifer Salt) with Joe Buck (Jon Voight): “Many of the women in...
- 7/13/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
When Midnight Cowboy came out in 1969, Miami Herald critic John Huddy heralded its arrival with a string of superlatives: “Staggering, shattering, heartbreaking, hilarious, tragic, raw and absurd.”
Over the years, the ranks of its admirers has only grown, among them documentary filmmaker Nancy Buirski.
“I remember feeling that it was a really radical film,” recalls Buirski, who first saw Midnight Cowboy sometime after its original release. “It felt different from anything I had seen… It was like a gut punch.”
Director Nancy Buirski
Buirski’s documentary Desperate Souls, Dark City and the Legend of Midnight Cowboy, now playing in limited release in New York, Los Angeles, Santa Barbara, Detroit and other cities, digs into the loam that produced such a bleak yet beautiful flower of a film. Midnight Cowboy hit theaters the same year as Hello, Dolly! and Paint Your Wagon but unlike those celluloid larks, John Schlesinger’s film...
Over the years, the ranks of its admirers has only grown, among them documentary filmmaker Nancy Buirski.
“I remember feeling that it was a really radical film,” recalls Buirski, who first saw Midnight Cowboy sometime after its original release. “It felt different from anything I had seen… It was like a gut punch.”
Director Nancy Buirski
Buirski’s documentary Desperate Souls, Dark City and the Legend of Midnight Cowboy, now playing in limited release in New York, Los Angeles, Santa Barbara, Detroit and other cities, digs into the loam that produced such a bleak yet beautiful flower of a film. Midnight Cowboy hit theaters the same year as Hello, Dolly! and Paint Your Wagon but unlike those celluloid larks, John Schlesinger’s film...
- 6/30/2023
- by Matthew Carey
- Deadline Film + TV
Footage of late Sixties New York City seamlessly sways into Dustin Hoffman’s Ratso Rizzo in Midnight Cowboy stealing a handful of plum tomatoes and a coconut from a fruit stand with help from his new sidekick Joe Buck (Jon Voight). “These Eyes” sing Guess Who, and Lucy Sante comments that the film “could be an advertisement for anti-glamour and yet by doing this it manages to express the zeitgeist.”
Nancy Buirski’s masterful Desperate Souls, Dark City And The Legend Of Midnight Cowboy, edited with Anthony Ripoli is much more than a documentary on John Schlesinger’s multiple Oscar-winning film. Based on James Leo Herlihy’s novel, adapted by Waldo Salt, shot by Adam Holender, with costumes by Ann Roth, Midnight Cowboy features an impressive supporting cast, including Sylvia Miles, Brenda Vaccaro, Jennifer Salt, and...
Nancy Buirski’s masterful Desperate Souls, Dark City And The Legend Of Midnight Cowboy, edited with Anthony Ripoli is much more than a documentary on John Schlesinger’s multiple Oscar-winning film. Based on James Leo Herlihy’s novel, adapted by Waldo Salt, shot by Adam Holender, with costumes by Ann Roth, Midnight Cowboy features an impressive supporting cast, including Sylvia Miles, Brenda Vaccaro, Jennifer Salt, and...
- 6/29/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Desperate Souls, Dark City and The Legend Of Midnight Cowboy director Nancy Buirski on Joe Buck and Ratso Rizzo: “They become appealing because of these wonderful performances by Jon Voight and Dustin Hoffman.”
Nancy Buirski’s masterpiece is much more than a documentary on John Schlesinger’s Midnight Cowboy, screenplay by Waldo Salt, shot by Adam Holender, costumes by Ann Roth, and starring Jon Voight and Dustin Hoffman with Sylvia Miles, Brenda Vaccaro, Jennifer Salt, and Bob Balaban. Desperate Souls, Dark City And The Legend Of Midnight Cowboy, edited by Anthony Ripoli, features on-camera interviews shot by Rex Miller with Lucy Sante, Brian De Palma, Edmund White, Michael Childers, Charles Kaiser, Jim Hoberman, Ian Buruma, Voight, Vaccaro, Balaban, Holender, and Jennifer Salt.
Brenda Vaccaro with John Schlesinger: “Ann Roth saved my life,” says Vaccaro, “by putting me in that fur coat.”
The evocative, wide-ranging, and evermore timely documentary drops us...
Nancy Buirski’s masterpiece is much more than a documentary on John Schlesinger’s Midnight Cowboy, screenplay by Waldo Salt, shot by Adam Holender, costumes by Ann Roth, and starring Jon Voight and Dustin Hoffman with Sylvia Miles, Brenda Vaccaro, Jennifer Salt, and Bob Balaban. Desperate Souls, Dark City And The Legend Of Midnight Cowboy, edited by Anthony Ripoli, features on-camera interviews shot by Rex Miller with Lucy Sante, Brian De Palma, Edmund White, Michael Childers, Charles Kaiser, Jim Hoberman, Ian Buruma, Voight, Vaccaro, Balaban, Holender, and Jennifer Salt.
Brenda Vaccaro with John Schlesinger: “Ann Roth saved my life,” says Vaccaro, “by putting me in that fur coat.”
The evocative, wide-ranging, and evermore timely documentary drops us...
- 6/26/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
A movie, good, bad or indifferent, is always “about” something. But some movies are about more things than others, and as you watch “Desperate Souls, Dark City and the Legend of Midnight Cowboy,” Nancy Buirski’s rapt, incisive, and beautifully exploratory making-of-a-movie documentary, what comes into focus is that “Midnight Cowboy” was about so many things that audiences could sink into the film as if it were a piece of their own lives.
The movie was about loneliness. It was about dreams, sunny yet broken. It was about gay male sexuality and the shock of really seeing it, for the first time, in a major motion picture. It was about the crush and alienation of New York City: the godless concrete carnival wasteland, which had never been captured onscreen with the telephoto authenticity it had here. The movie was also about the larger sexual revolution — what the scuzziness of “free love” really looked like,...
The movie was about loneliness. It was about dreams, sunny yet broken. It was about gay male sexuality and the shock of really seeing it, for the first time, in a major motion picture. It was about the crush and alienation of New York City: the godless concrete carnival wasteland, which had never been captured onscreen with the telephoto authenticity it had here. The movie was also about the larger sexual revolution — what the scuzziness of “free love” really looked like,...
- 6/23/2023
- by Owen Gleiberman
- Variety Film + TV
The new documentary feature "Desperate Souls, Dark City And The Legend Of Midnight Cowboy", directed by Nancy Buirski , "...is not a documentary about the making of 'Midnight Cowboy'. It is about the deeply gifted and flawed people behind a dark and difficult masterpiece...", releasing June 23, 2023 in theaters:
".... a half century after its release, 'Midnight Cowboy' remains one of the most original and groundbreaking movies of the modern era.
"With performances from Jon Voight and Dustin Hoffman as two loners who join forces out of desperation, blacklist survivor Waldo Salt's screenplay and John Schlesinger's direction...
"...the 1969 film became the only X- rated film to ever win the 'Academy Award' for 'Best Picture'.
"Its vivid and compassionate depiction of a more realistic, unsanitized New York City and its inhabitants...
"...paved the way for a generation’s worth of gritty movies with complex characters and adult themes.
".... a half century after its release, 'Midnight Cowboy' remains one of the most original and groundbreaking movies of the modern era.
"With performances from Jon Voight and Dustin Hoffman as two loners who join forces out of desperation, blacklist survivor Waldo Salt's screenplay and John Schlesinger's direction...
"...the 1969 film became the only X- rated film to ever win the 'Academy Award' for 'Best Picture'.
"Its vivid and compassionate depiction of a more realistic, unsanitized New York City and its inhabitants...
"...paved the way for a generation’s worth of gritty movies with complex characters and adult themes.
- 5/31/2023
- by Unknown
- SneakPeek
A Thousand and OneU.S. – DRAMATICGrand Jury PrizeA Thousand and One (A.V. Rockwell)Directing PrizeSing J. Lee (The Accidental Getaway Driver)Audience Award The Persian Version (Maryam Keshavarz)Special Jury Award: ActingLio Mehiel (Mutt)Special Jury Award: Creative VisionMagazine Dreams (Elijah Bynum)Special Jury Award: Ensemble CastTheater Camp (Molly Gordon, Nick Lieberman)Waldo Salt Screenwriting AwardMaryam Keshavarz (The Persian Version)
Going to Mars: The Nikki Giovanni Project U.S. – DOCUMENTARYGrand Jury Prize Going to Mars: The Nikki Giovanni Project (Joe Brewster, Michèle Stephenson)Directing Prize Luke Lorentzen (A Still Small Voice) Audience Award Beyond Utopia (Madeleine Gavin)Jonathan Oppenheim Editing AwardDaniela I. Quiroz (Going Varsity in Mariachi)Special Jury Award for Freedom of ExpressionBad Press (Rebecca Landsberry-Baker, Joe Peeler)Special Jury Award: Clarity of VisionThe Stroll (Kristen Lovell, Zackary Drucker)
ScrapperWORLD Cinema – DRAMATICGrand Jury Prize Scrapper (Charlotte Regan)Directing Prize Marija Kavtaradze (Slow)Audience AwardShayda (Noora Niasari)Special Jury...
Going to Mars: The Nikki Giovanni Project U.S. – DOCUMENTARYGrand Jury Prize Going to Mars: The Nikki Giovanni Project (Joe Brewster, Michèle Stephenson)Directing Prize Luke Lorentzen (A Still Small Voice) Audience Award Beyond Utopia (Madeleine Gavin)Jonathan Oppenheim Editing AwardDaniela I. Quiroz (Going Varsity in Mariachi)Special Jury Award for Freedom of ExpressionBad Press (Rebecca Landsberry-Baker, Joe Peeler)Special Jury Award: Clarity of VisionThe Stroll (Kristen Lovell, Zackary Drucker)
ScrapperWORLD Cinema – DRAMATICGrand Jury Prize Scrapper (Charlotte Regan)Directing Prize Marija Kavtaradze (Slow)Audience AwardShayda (Noora Niasari)Special Jury...
- 1/27/2023
- MUBI
Back in Park City, Utah, for the first time since 2020, the Sundance Film Festival concluded with an in-person awards show. The U.S. dramatic grand jury prize went to the Focus Features release “A Thousand and One,” from debut writer-director A.V. Rockwell, one of eight women in this year’s female-led competition.
Jeremy O. Harris, a member of the three-person U.S. dramatic jury at Sundance, choked back tears as he presented the award to Rockwell, admitting that he left the director’s premiere screening and cried on the street, as the film unearthed “all the feelings I’ve learned to mask in public spaces.”
Rockwell’s film is set in an unforgiving New York City in the late ’90s, where a single mother moving from shelter to shelter kidnaps her 6-year-old son from foster care. As they improbably forge a life and bond, their darkest secret threatens to disrupt what they’ve built.
Jeremy O. Harris, a member of the three-person U.S. dramatic jury at Sundance, choked back tears as he presented the award to Rockwell, admitting that he left the director’s premiere screening and cried on the street, as the film unearthed “all the feelings I’ve learned to mask in public spaces.”
Rockwell’s film is set in an unforgiving New York City in the late ’90s, where a single mother moving from shelter to shelter kidnaps her 6-year-old son from foster care. As they improbably forge a life and bond, their darkest secret threatens to disrupt what they’ve built.
- 1/27/2023
- by Matt Donnelly and Peter Debruge
- Variety Film + TV
Located 14 miles north of San Francisco with a population of just over 14,000, the community of Mill Valley has evolved into a West Coast epicenter for showcasing independent and international films. As the Mill Valley Film Festival prepares to celebrate its 45th year with screenings of films by Rian Johnson (“Glass Onion: A Knives Out Mystery”), Darren Aronofsky (“The Whale”) and Alejandro G. Iñárritu, original founder and director Mark Fishkin attributes its pedigree for attracting top-tier talent to its unique combination of geographic and philosophical specificities.
“The Mill Valley Film Festival has the best of both worlds: the clout of an urban festival and the ambiance of the destination festival,” says Fishkin. “And this aspect of being professional but unpretentious is still very important to us.”
Fishkin conceived the festival, running Oct. 6-16 this year, precisely because he managed to be in the right place at the right time. A former...
“The Mill Valley Film Festival has the best of both worlds: the clout of an urban festival and the ambiance of the destination festival,” says Fishkin. “And this aspect of being professional but unpretentious is still very important to us.”
Fishkin conceived the festival, running Oct. 6-16 this year, precisely because he managed to be in the right place at the right time. A former...
- 10/6/2022
- by Todd Gilchrist
- Variety Film + TV
Click here to read the full article.
A hot trend in publishing these days is to write an entire book about the making of one seminal movie. In the last few years there have been books about West Side Story (the 1961 Oscar winner, not the Spielberg remake), The Wild Bunch, Chinatown and The Godfather, to name a few. Glenn Frankel, who wrote earlier books about the making of High Noon and The Searchers, followed up last year with Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic. Now that book has in turn inspired a new documentary by Nancy Buirski, which is playing in both Venice and Tellurida.
Although a 101-minute movie will never have the breadth or depth of a 340-page book, Buirski’s film does have the advantage of providing revealing on-camera interviews with several of the movie’s principals, including actors Jon Voight,...
A hot trend in publishing these days is to write an entire book about the making of one seminal movie. In the last few years there have been books about West Side Story (the 1961 Oscar winner, not the Spielberg remake), The Wild Bunch, Chinatown and The Godfather, to name a few. Glenn Frankel, who wrote earlier books about the making of High Noon and The Searchers, followed up last year with Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic. Now that book has in turn inspired a new documentary by Nancy Buirski, which is playing in both Venice and Tellurida.
Although a 101-minute movie will never have the breadth or depth of a 340-page book, Buirski’s film does have the advantage of providing revealing on-camera interviews with several of the movie’s principals, including actors Jon Voight,...
- 9/2/2022
- by Stephen Farber
- The Hollywood Reporter - Movie News
Editor’s note: This review was originally published at the 2022 Venice Film Festival. Zeitgeist Films and Kino Lorber releases the film in select theaters on Friday, June 23.
Perhaps the most explicit and emotionally intense film of the New Hollywood era — and yet in its “Odd Couple” theme and wistful sensibility a profoundly Old Hollywood film, too — “Midnight Cowboy” remains littered with contradictions. Gay and tender, its representation of sex is vile. It’s nostalgic and hopeless; a celebration of the counter-culture and, seemingly, an indictment of its decadence. All that makes Nancy Buirski’s new documentary about its production and legacy more interesting.
Not that “Midnight Cowboy” isn’t already fruitful subject matter. James Leo Herlihy’s radical 1965 novel was picked up by British kitchen sink filmmaker John Schlesinger, who related to its themes of repressed homosexuality, loneliness, victimhood and how our identities are, in truth, whatever we want them to be.
Perhaps the most explicit and emotionally intense film of the New Hollywood era — and yet in its “Odd Couple” theme and wistful sensibility a profoundly Old Hollywood film, too — “Midnight Cowboy” remains littered with contradictions. Gay and tender, its representation of sex is vile. It’s nostalgic and hopeless; a celebration of the counter-culture and, seemingly, an indictment of its decadence. All that makes Nancy Buirski’s new documentary about its production and legacy more interesting.
Not that “Midnight Cowboy” isn’t already fruitful subject matter. James Leo Herlihy’s radical 1965 novel was picked up by British kitchen sink filmmaker John Schlesinger, who related to its themes of repressed homosexuality, loneliness, victimhood and how our identities are, in truth, whatever we want them to be.
- 9/1/2022
- by Adam Solomons
- Indiewire
Though you might think Midnight Cowboy’s main claim to fame is one of the most famous improvised lines in screen history (“I’m walkin’ here!”), Nancy Buirski’s fascinating and really quite hypnotic documentary will introduce more thoughts and perspectives on a truly underrated Hollywood milestone. Directed by John Schlesinger in 1969, Buirski’s subject film has the rare distinction of being the only X-rated movie to win the Best Picture Oscar, although that claim is put to the test here, opening up a whole other can of worms in the process.
Desperate Souls, Dark City And The Legend Of Midnight Cowboy, world premiering in the Venice Film Festival’s Classics section, is more of a mosaic or essay film than a forensic dissection, but here that phrase does a disservice, since it gets into ideas and themes in ways traditional docs can’t (notably an especially brilliant musical sequence...
Desperate Souls, Dark City And The Legend Of Midnight Cowboy, world premiering in the Venice Film Festival’s Classics section, is more of a mosaic or essay film than a forensic dissection, but here that phrase does a disservice, since it gets into ideas and themes in ways traditional docs can’t (notably an especially brilliant musical sequence...
- 9/1/2022
- by Damon Wise
- Deadline Film + TV
NannyU.S. – DRAMATICGrand Jury PrizeNanny (Nikyatu Jusu)Directing PrizeJamie Dack (Palm Trees and Power Lines)Audience Award Cha Cha Real Smooth (Cooper Raiff)Special Jury Award: Uncompromising Artistic Visionblood (Bradley Rust Gray)Special Jury Award: Ensemble CastJohn Boyega, Michael Kenneth Williams, Nicole Beharie, Connie Britton, Olivia Washington, and Selenis Leyva (892)Waldo Salt Screenwriting AwardKD Dávila (Emergency)Descendant U.S. – DOCUMENTARYGrand Jury Prize The Exiles (Ben Klein, Violet Columbus)Directing Prize Reid Davenport (I Didn’t See You There) Audience Award Navalny (Daniel Roher)Jonathan Oppenheim Editing AwardErin Casper and Jocelyne Chaput (Fire Of Love)Special Jury Award: Creative VisionDescendant (Margaret Brown)Special Jury Award: Impact for ChangeAftershock (Paula Eiselt, Tonya Lewis Lee)Utama World Cinema – DRAMATICGrand Jury Prize Utama (Alejandro Loayza Grisi)Directing Prize Maryna Er Gorbach (Klondike)Audience AwardGirl Picture (Alli Haapasalo)Special Jury Award for ActingTeresa Sánchez (Dos Estaciones)Special Jury Award for Innovative SpiritLeonor Will Never Die (Martika Ramirez Escobar...
- 1/28/2022
- MUBI
“Nanny” was the big winner at the 2022 Sundance Film Festival, picking up the Grand Jury Prize in the U.S. Dramatic Competition in a virtual awards ceremony Friday.
Cooper Raiff’s “Cha Cha Real Smooth” was also a winner, nabbing the Audience Award in the U.S. Dramatic category, while “Navalny,” a late addition to the festival, won the U.S. Documentary Audience Award. The Sundance jury also recognized “The Exiles” in the documentary category and “Utama” in the World Cinematic category.
This year’s Best of the Fest announcement caps off the second year in a row in which the festival was forced to go virtual amid the pandemic.
Although the awards were announced virtually, the emotion was palpable when juror Chelsea Bernard announced that “Nanny” director and screenwriter Nikyatu Jusu had won for her harrowing story of an undocumented nanny working for a privileged couple in New York...
Cooper Raiff’s “Cha Cha Real Smooth” was also a winner, nabbing the Audience Award in the U.S. Dramatic category, while “Navalny,” a late addition to the festival, won the U.S. Documentary Audience Award. The Sundance jury also recognized “The Exiles” in the documentary category and “Utama” in the World Cinematic category.
This year’s Best of the Fest announcement caps off the second year in a row in which the festival was forced to go virtual amid the pandemic.
Although the awards were announced virtually, the emotion was palpable when juror Chelsea Bernard announced that “Nanny” director and screenwriter Nikyatu Jusu had won for her harrowing story of an undocumented nanny working for a privileged couple in New York...
- 1/28/2022
- by Brian Welk
- The Wrap
If at first you don’t succeed, try again. Just one year after failing to score an Oscar for Best Original Screenplay for penning Netflix’s “The Trial of the Chicago 7,” Aaron Sorkin is back and vying once more to become the latest screenwriter to take home both screenplay Oscars. This time, he’s eligible for writing the script for the upcoming film “Being the Ricardos.”
The movie stars Nicole Kidman and Javier Bardem as Lucille Ball and Desi Arnaz, respectively, and depicts the personal and professional relationships between the married couple and “I Love Lucy” co-stars over the course of a particularly fraught week in 1952. Early reactions to the film have been overwhelmingly positive, with many critics praising Kidman’s performance. The movie is currently sitting in sixth place in Gold Derby’s combined odds for Best Original Screenplay at 14/1, but it’s been on the rise of late,...
The movie stars Nicole Kidman and Javier Bardem as Lucille Ball and Desi Arnaz, respectively, and depicts the personal and professional relationships between the married couple and “I Love Lucy” co-stars over the course of a particularly fraught week in 1952. Early reactions to the film have been overwhelmingly positive, with many critics praising Kidman’s performance. The movie is currently sitting in sixth place in Gold Derby’s combined odds for Best Original Screenplay at 14/1, but it’s been on the rise of late,...
- 11/23/2021
- by Kaitlin Thomas
- Gold Derby
Jerome Hellman, the producer of landmark films such as Midnight Cowboy and Coming Home has died. The Oscar winner’s wife, Elizabeth Empleton Hellman, confirmed Hellman’s May 26 passing saying simply, “we will miss him terribly.” He was 92.
Hellman’s films helped define the “New Hollywood” of the 1970s. He tended to work repeatedly with a circle of top-notch collaborators and the films Hellman produced came from iconic directors such as John Schlesinger, Hal Ashby, George Roy Hill, Irvin Kershner and Peter Weir.
That Hellman would win Best Picture for Schlesinger’s Midnight Cowboy in 1970 was, at the very least, improbable. Hellman was going through a tough divorce. The film was based on a little-known novel. Schlesinger didn’t think Dustin Hoffman was right to play Ratso Rizzo. But Hellman fought for the Graduate actor. Also, the film was X-rated and dealt with homosexuality, prostitution and a gritty slice of...
Hellman’s films helped define the “New Hollywood” of the 1970s. He tended to work repeatedly with a circle of top-notch collaborators and the films Hellman produced came from iconic directors such as John Schlesinger, Hal Ashby, George Roy Hill, Irvin Kershner and Peter Weir.
That Hellman would win Best Picture for Schlesinger’s Midnight Cowboy in 1970 was, at the very least, improbable. Hellman was going through a tough divorce. The film was based on a little-known novel. Schlesinger didn’t think Dustin Hoffman was right to play Ratso Rizzo. But Hellman fought for the Graduate actor. Also, the film was X-rated and dealt with homosexuality, prostitution and a gritty slice of...
- 5/28/2021
- by Tom Tapp
- Deadline Film + TV
More than 50 years after it hit theaters and ushered in a new and more sexually daring style of on-screen entertainment, “Midnight Cowboy” continues to rank among the greatest American films ever made. It’s still the first and only best picture winner at the Oscars to be rated X, an indication of just how barrier-breaking the movie was when it debuted.
Now, a new documentary from Nancy Buirski will explore the behind-the-scenes odyssey to get the story of two small-time grifters produced, as well as the tumultuous era in which the movie was released and embraced. Glenn Frankel’s acclaimed book, “Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation and the Making of a Dark Classic,” will be the basis of the untitled film. “Midnight Cowboy” was directed by John Schlesinger and starred Dustin Hoffman and Jon Voight. It focused on Ratso Rizzo, a tubercular con man, and Joe Buck, a wannabe street hustler,...
Now, a new documentary from Nancy Buirski will explore the behind-the-scenes odyssey to get the story of two small-time grifters produced, as well as the tumultuous era in which the movie was released and embraced. Glenn Frankel’s acclaimed book, “Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation and the Making of a Dark Classic,” will be the basis of the untitled film. “Midnight Cowboy” was directed by John Schlesinger and starred Dustin Hoffman and Jon Voight. It focused on Ratso Rizzo, a tubercular con man, and Joe Buck, a wannabe street hustler,...
- 5/6/2021
- by Brent Lang
- Variety Film + TV
Normal 0 false false false En-us X-none X-none
“A Biography Of A Film”
By Raymond Benson
Lately there has been a new trend in film books that are more like biographies than simply non-fiction treatises on the making of a movie. A “biography of a film,” as critic Molly Haskell calls it, treats a particular motion picture in the same way a researcher would examine a person’s life—from the inception to its lasting influence and impact today, meticulously illustrating each step and examining the personnel involved along the way. The recent Space Odyssey by Michael Benson (a “biography” of 2001: A Space Odyssey) is a fine example.
Glenn Frankel’s Shooting Midnight Cowboy—Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic is one such biography of a film, and it is a magnificent tome. Besides dissecting the all-important sociological milieu that was in the background while Cowboy was being made,...
“A Biography Of A Film”
By Raymond Benson
Lately there has been a new trend in film books that are more like biographies than simply non-fiction treatises on the making of a movie. A “biography of a film,” as critic Molly Haskell calls it, treats a particular motion picture in the same way a researcher would examine a person’s life—from the inception to its lasting influence and impact today, meticulously illustrating each step and examining the personnel involved along the way. The recent Space Odyssey by Michael Benson (a “biography” of 2001: A Space Odyssey) is a fine example.
Glenn Frankel’s Shooting Midnight Cowboy—Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic is one such biography of a film, and it is a magnificent tome. Besides dissecting the all-important sociological milieu that was in the background while Cowboy was being made,...
- 4/1/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Robert C. Jones, an Oscar-winning writer and editor whose credits include It’s A Mad Mad Mad Mad World, Coming Home and Love Story, has died. He was 84.
“It is with deep sadness that I am writing to tell you the passing of Robert C. Jones, who was a celebrated editor and screenwriter, and a beloved professor at our School,” said Elizabeth Daley of the University of Southern California’s School of Cinematic Arts, where Jones served as a professor for 15 years.
Jones was born on March 30, 1936 in Los Angeles. His foray into film work began upon his drafting into the U.S. Army, when he joined the Army Pictorial Center from 1958 to 1960 as a film editor. At the Pictorial Center he edited Army training films, documentaries and several segments of the television program The Big Picture.
After his Army stint, Jones further developed his editing skills for A Child Is Waiting...
“It is with deep sadness that I am writing to tell you the passing of Robert C. Jones, who was a celebrated editor and screenwriter, and a beloved professor at our School,” said Elizabeth Daley of the University of Southern California’s School of Cinematic Arts, where Jones served as a professor for 15 years.
Jones was born on March 30, 1936 in Los Angeles. His foray into film work began upon his drafting into the U.S. Army, when he joined the Army Pictorial Center from 1958 to 1960 as a film editor. At the Pictorial Center he edited Army training films, documentaries and several segments of the television program The Big Picture.
After his Army stint, Jones further developed his editing skills for A Child Is Waiting...
- 2/6/2021
- by Alexandra Del Rosario
- Deadline Film + TV
Robert C. Jones, the acclaimed film editor behind 1960s and ’70s classics “Guess Who’s Coming to Dinner” and “Love Story” who garnered a screenplay Academy Award for the war drama “Coming Home,” has died. He was 84.
His daughter, Leslie Jones — who is also an Oscar-nominated film editor — confirmed to Variety that Jones died on Feb. 1 following a long illness.
“My Dad had a tremendous impact on my own editing career with whom I worked on several films as his assistant,” Leslie said in a statement. “Like Bob I did not go to film school and had no formal training in editing. But what I learned was that editing does not always require a specific skill set. He taught me that talent instead is guided by a sense of compassion, and integrity, and the search for truth and authenticity. He had all that and more.”
Throughout his career, Jones collaborated with...
His daughter, Leslie Jones — who is also an Oscar-nominated film editor — confirmed to Variety that Jones died on Feb. 1 following a long illness.
“My Dad had a tremendous impact on my own editing career with whom I worked on several films as his assistant,” Leslie said in a statement. “Like Bob I did not go to film school and had no formal training in editing. But what I learned was that editing does not always require a specific skill set. He taught me that talent instead is guided by a sense of compassion, and integrity, and the search for truth and authenticity. He had all that and more.”
Throughout his career, Jones collaborated with...
- 2/6/2021
- by Natalie Oganesyan
- Variety Film + TV
CodaU.S. – DRAMATICGrand Jury PrizeCoda (Siân Heder)Directing PrizeSiân Heder (Coda) Audience Award Coda (Siân Heder) Special Jury Award for Ensemble CastCoda (Siân Heder) Special Jury Award for Best ActorClifton Collins Jr. (Jockey)Waldo Salt Screenwriting AwardAri Katcher and Ryan Welch (On the Count of Three)Summer Of SoulU.S. – DOCUMENTARYGrand Jury Prize Summer Of Soul (Questlove) Directing Prize Natalia Almada (Users) Audience Award Summer Of Soul (Questlove)Special Jury Award for EditingKristina Motwani and Rebecca Adorno (Homeroom)Special Jury Award for Innovation in Non-fiction ExperimentationTheo AnthonySpecial Jury Award for Emerging FilmmakerParker Hill, Isabel Bethencourt (Cusp)HiveWORLD Cinema – DRAMATICGrand Jury Prize Hive (Blerta Basholli) Directing Prize Blerta Basholli (Hive) Audience Award Hive (Blerta Basholli)Special Jury Award for ActingJesmark Scicluna (Luzzu)Special Jury Award for Creative VisionBaz Poonpiriya (One for the Road)Writing With FireWORLD Cinema – DOCUMENTARYGrand Jury Prize Writing With Fire (Rintu Thomas, Sushmit Ghosh)Directing Prize Hogir Hiror...
- 2/3/2021
- MUBI
Siân Heder’s US feel-good family tale Coda won the U.S. Grand Jury Prize.
Coda and Hive were the big winners at the 2021 Sundance Film Festival virtual awards ceremony on Tuesday night (February 2), taking home four and three prizes, respectively.
Siân Heder’s US feel-good family tale Coda – set up after producer Patrick Wachsberger took remake rights to French film La Famille Bélier with him when he left Lionsgate – won the U.S. Grand Jury Prize: Dramatic, Audience Award: U.S. Dramatic, U.S. Dramatic Special Jury Award for Ensemble Cast, and Directing Award: U.S. Dramatic prizes.
The...
Coda and Hive were the big winners at the 2021 Sundance Film Festival virtual awards ceremony on Tuesday night (February 2), taking home four and three prizes, respectively.
Siân Heder’s US feel-good family tale Coda – set up after producer Patrick Wachsberger took remake rights to French film La Famille Bélier with him when he left Lionsgate – won the U.S. Grand Jury Prize: Dramatic, Audience Award: U.S. Dramatic, U.S. Dramatic Special Jury Award for Ensemble Cast, and Directing Award: U.S. Dramatic prizes.
The...
- 2/3/2021
- by Jeremy Kay
- ScreenDaily
The mostly virtual 2021 Sundance Film Festival is coming to a close. The festival announced awards winners Tuesday night, trading an in-person ceremony for one broadcast live and hosted by Patton Oswalt. The biggest winner was Sian Heder’s coming of age drama “Coda,” which earned four U.S. Dramatic Competition awards, including the Grand Jury Prize and Audience Award. Other Big winners were “Summer of Soul,” which took home the two top U.S. Documentary awards.
Blerta Basholli’s “Hive” won three awards in the World Cinema Dramatic Competition: the Directing and Audience awards and the Grand Jury Prize. Rintu Thomas and Sushmit Ghosh’s “Writing with Fire” earned two World Cinema Documentary awards.
A total of 72 features screened over the last week, along with 50 shorts, four Indie Series, and 14 New Frontier VR/new media projects. Those projects were judged by a jury made up of Zeynep Atakan, Raúl Castillo,...
Blerta Basholli’s “Hive” won three awards in the World Cinema Dramatic Competition: the Directing and Audience awards and the Grand Jury Prize. Rintu Thomas and Sushmit Ghosh’s “Writing with Fire” earned two World Cinema Documentary awards.
A total of 72 features screened over the last week, along with 50 shorts, four Indie Series, and 14 New Frontier VR/new media projects. Those projects were judged by a jury made up of Zeynep Atakan, Raúl Castillo,...
- 2/3/2021
- by Chris Lindahl
- Indiewire
The 2021 Sundance Film Festival awards went off at a very fast clip tonight, in an hour’s time. Host Patton Oswalt — or as he billed himself, “Discount Giamatti” — kept the jokes flowing.
Siân Heder’s Coda, which we first told you was swooped up by Apple with a rich $25 million bid, came up big. It won both the U.S. Grand Jury Prize, U.S. Dramatic Audience Award and a Special Jury Ensemble Cast award too. Heder also won Best Director in the U.S. Dramatic section. The movie follows a girl named Ruby. As the only hearing person in an otherwise deaf family, she is divided about staying with them as their fishing business is threatened.
Ahmir “Questlove” Thompson’s Summer of Soul took the Grand Jury Prize and Audience Award for Documentary.
Blerta Basholli’s Hive, about a woman in Kosovo who fights against a patriarchal society and whose husband is missing,...
Siân Heder’s Coda, which we first told you was swooped up by Apple with a rich $25 million bid, came up big. It won both the U.S. Grand Jury Prize, U.S. Dramatic Audience Award and a Special Jury Ensemble Cast award too. Heder also won Best Director in the U.S. Dramatic section. The movie follows a girl named Ruby. As the only hearing person in an otherwise deaf family, she is divided about staying with them as their fishing business is threatened.
Ahmir “Questlove” Thompson’s Summer of Soul took the Grand Jury Prize and Audience Award for Documentary.
Blerta Basholli’s Hive, about a woman in Kosovo who fights against a patriarchal society and whose husband is missing,...
- 2/3/2021
- by Anthony D'Alessandro
- Deadline Film + TV
John Schlesinger’s adaptation of Nathanael West’s novel is one of the best ‘Hollywood on Hollywood’ pictures ever, even if it soaks everything about The Golden Age of Tinseltown in an acid bath of cynicism. The perverse dystopia of dreams and vice is beautifully rendered in every respect, and culminates in a finale that caught ordinary audiences by surprise. Is this an indictment of the shallow aims of America’s Fantasyland, or one misanthrope’s vision of self-loathing and apocalyptic wish fulfillment? Don’t look for anyone to root for, as even the benign characters are moral freaks. Karen Black, Burgess Meredith, Donald Sutherland and William Atherton give utterly original performances; [Imprint] has a secured a great new interview extra with Atherton.
The Day of the Locust
Blu-ray
Viavision [Imprint] 13
1975 / Color / 1:78 widescreen / 144 min. / Street Date November 6, 2020 /
Starring: Donald Sutherland, Karen Black, Burgess Meredith, William Atherton, Geraldine Page, Richard Dysart, Bo Hopkins,...
The Day of the Locust
Blu-ray
Viavision [Imprint] 13
1975 / Color / 1:78 widescreen / 144 min. / Street Date November 6, 2020 /
Starring: Donald Sutherland, Karen Black, Burgess Meredith, William Atherton, Geraldine Page, Richard Dysart, Bo Hopkins,...
- 11/28/2020
- by Glenn Erickson
- Trailers from Hell
Celine Dion, Sam Heughan and Priyanka Chopra Jonas have been cast in Sony’s Screen Gems romantic drama, tentatively titled “Text for You.”
The film is an English remake of the German-language film “SMS Fur Dich,” based on Sofie Cramer’s novel. The story centers on a woman who, after tragically losing her fiancé, starts to send romantic texts to his old cell. It turns out the number has been reassigned to a man across town suffering from a similar heartbreak. The two meet and feel an undeniable connection, but can’t seem to leave the past behind. Dion’s music gives them the courage to take a chance on love again.
Jim Strouse is directing from his own script, and Lauryn Kahnis is undertaking the most recent re-write. Thunder Road’s Basil Iwanyk, Erica Lee and Esther Hornstein are producing.
Dion is a Sony Music artist with record sales of over 200 million worldwide.
The film is an English remake of the German-language film “SMS Fur Dich,” based on Sofie Cramer’s novel. The story centers on a woman who, after tragically losing her fiancé, starts to send romantic texts to his old cell. It turns out the number has been reassigned to a man across town suffering from a similar heartbreak. The two meet and feel an undeniable connection, but can’t seem to leave the past behind. Dion’s music gives them the courage to take a chance on love again.
Jim Strouse is directing from his own script, and Lauryn Kahnis is undertaking the most recent re-write. Thunder Road’s Basil Iwanyk, Erica Lee and Esther Hornstein are producing.
Dion is a Sony Music artist with record sales of over 200 million worldwide.
- 10/27/2020
- by Dave McNary
- Variety Film + TV
Loretta Young and Robert Mitchum in Rachel And The Stranger Available on Blu-ray From Warner Archive
Loretta Young and Robert Mitchum in Rachel And The Stranger is now available on Blu-ray From Warner Archive. Ordering info can be found Here
William Holden, Loretta Young and Robert Mitchum are the powerhouse performers in this great Western classic that The New York Times hailed as “excellent moviemaking.”
Splendidly depicting the untamed frontier of the 1820s, the film tells the impassioned story of Big Davey Harvey (Holden), a stoic backwoodsman who “buys” and marries a bondswoman, Rachel (Young), to care for and educate his motherless son. Neither the father nor son find much to appreciate in Rachel until Jim Fairways (Mitchum), a guitar-strumming hunter, shows a romantic interest in her. Violent jealousy erupts between the two men, settled only after a spectacular raid on the Harveys’ homestead by unmerciful Shawnee Indians. But which man will win Rachel’s heart?
Two of the Golden Age’s most iconic – and laconic!
William Holden, Loretta Young and Robert Mitchum are the powerhouse performers in this great Western classic that The New York Times hailed as “excellent moviemaking.”
Splendidly depicting the untamed frontier of the 1820s, the film tells the impassioned story of Big Davey Harvey (Holden), a stoic backwoodsman who “buys” and marries a bondswoman, Rachel (Young), to care for and educate his motherless son. Neither the father nor son find much to appreciate in Rachel until Jim Fairways (Mitchum), a guitar-strumming hunter, shows a romantic interest in her. Violent jealousy erupts between the two men, settled only after a spectacular raid on the Harveys’ homestead by unmerciful Shawnee Indians. But which man will win Rachel’s heart?
Two of the Golden Age’s most iconic – and laconic!
- 5/6/2020
- by Tom Stockman
- WeAreMovieGeeks.com
Here’s a pleasant surprise: one of Rko’s most popular releases of 1948 has suddenly emerged in an uncut version that’s a full twelve minutes longer than anything most of us have seen. The gentle, family-oriented frontier tale has an attractive trio of star performers, excellent location work and a thoughtful, teasing script. I must have seen the truncated version five times, and yes, it did seem a tad abbreviated here and there. Loretta Young is the bondservant/un-kissed bride with a roving eye. William Holden is the initially unimaginative husband, while good old, Robert Mitchum is perfectly cast as a potential sexual fox-in-the-henhouse.
Rachel and the Stranger
Blu-ray
The Warner Archive Collection
1948 / B&w / 1:37 flat Academy / 92 80 min. / Street Date April 21, 2020 / available through The WBShop / 21.99
Starring: Loretta Young, William Holden, Robert Mitchum, Gary Gray, Tom Tully, Sara Haden, Frank Ferguson, Walter Baldwin, Regina Wallace.
Cinematography: Maury Gertsman
Original...
Rachel and the Stranger
Blu-ray
The Warner Archive Collection
1948 / B&w / 1:37 flat Academy / 92 80 min. / Street Date April 21, 2020 / available through The WBShop / 21.99
Starring: Loretta Young, William Holden, Robert Mitchum, Gary Gray, Tom Tully, Sara Haden, Frank Ferguson, Walter Baldwin, Regina Wallace.
Cinematography: Maury Gertsman
Original...
- 4/21/2020
- by Glenn Erickson
- Trailers from Hell
With the losses Sunday night for Greta Gerwig (“Little Women”) and Krysty Wilson-Cairns (“1917”) in Best Adapted Screenplay and Best Original Screenplay, respectively, the 2010s now carries a dubious badge in Oscar history: It’s the first decade since the 1960s without a female writing winner.
Gerwig fell to Taika Waititi (“Jojo Rabbit”), while Wilson-Cairns and co-writer Sam Mendes were bested by “Parasite’s” Bong Joon Ho and Han Jin Won — two historic victories in their own right, as Waititi is the first indigenous writer to win, and Bong and Han are the first Asian writing champs.
The last woman to win in either category, solo or as a co-writer, was Diablo Cody 12 years ago for 2007’s “Juno” in original. The adapted category has a longer drought at 14 years, with Diana Ossana, who co-wrote “Brokeback Mountain” (2005) with Larry McMurtry, being the most recent. Since Cody’s victory, 12 women have received bids in original,...
Gerwig fell to Taika Waititi (“Jojo Rabbit”), while Wilson-Cairns and co-writer Sam Mendes were bested by “Parasite’s” Bong Joon Ho and Han Jin Won — two historic victories in their own right, as Waititi is the first indigenous writer to win, and Bong and Han are the first Asian writing champs.
The last woman to win in either category, solo or as a co-writer, was Diablo Cody 12 years ago for 2007’s “Juno” in original. The adapted category has a longer drought at 14 years, with Diana Ossana, who co-wrote “Brokeback Mountain” (2005) with Larry McMurtry, being the most recent. Since Cody’s victory, 12 women have received bids in original,...
- 2/10/2020
- by Joyce Eng
- Gold Derby
World Cinema Dramatic entries Surge, Cuties among winners.
Mexican missing persons drama Identifying Features has won the World Cinema Dramatic audience award and the section’s juried screenplay prize for director Fernanda Valadez and co-writer Astrid Rondero at the Sundance awards ceremony.
Saturday’s (February 1) event in Park City, Utah, also honoured the UK’s Ben Whishaw with the World Cinema Dramatic special jury award for acting for Aneil Karia’s Surge, which Protagonist Pictures sells internationally, while Cuties on the Netflix slate from director Maïmouna Doucouré won the World Cinema Dramatic directing award.
Kino Lorber acquired North American rights...
Mexican missing persons drama Identifying Features has won the World Cinema Dramatic audience award and the section’s juried screenplay prize for director Fernanda Valadez and co-writer Astrid Rondero at the Sundance awards ceremony.
Saturday’s (February 1) event in Park City, Utah, also honoured the UK’s Ben Whishaw with the World Cinema Dramatic special jury award for acting for Aneil Karia’s Surge, which Protagonist Pictures sells internationally, while Cuties on the Netflix slate from director Maïmouna Doucouré won the World Cinema Dramatic directing award.
Kino Lorber acquired North American rights...
- 2/2/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
The narrative feature “Minari” and the documentary “Boys State” have won the top prizes from the U.S. jury at the 2020 Sundance Film Festival, which announced its winners at an awards ceremony on Saturday night. “Minari,” director Lee Isaac Chung’s coming-of-age story about a Korean-American boy, also won the festival’s audience award.
The only other films to win more than one award were “Identifying Features” (“Sin Senas Particulares”), Fernanda Valadez’s drama about a Mexican woman searching for a son who disappeared while attempting to cross the border; and “I Carry You With Me,” in which documentary director Heidi Ewing makes her narrative feature debut about an aspiring Mexican chef whose life changes when his sexuality becomes public. “Identifying Features” won the audience award in the World Cinema Dramatic section and a jury award for its screenplay, while “I Carry You With Me” won the audience award in...
The only other films to win more than one award were “Identifying Features” (“Sin Senas Particulares”), Fernanda Valadez’s drama about a Mexican woman searching for a son who disappeared while attempting to cross the border; and “I Carry You With Me,” in which documentary director Heidi Ewing makes her narrative feature debut about an aspiring Mexican chef whose life changes when his sexuality becomes public. “Identifying Features” won the audience award in the World Cinema Dramatic section and a jury award for its screenplay, while “I Carry You With Me” won the audience award in...
- 2/2/2020
- by Steve Pond
- The Wrap
The 2020 Sundance Film Festival is coming to a close in Park City, and that means that this year’s award winners have been announced. The awards spotlight standout films across the festival’s various categories, including U.S. films spanning fiction and documentary, as well as foreign-made films, and Next and Midnight selections.
This year’s fest brought a bounty of riches that are continuing to attract buyers, including high-profile pickups from Neon and Hulu (“Palm Springs”), Sony Pictures Classics, Searchlight Pictures (“The Night House”), and more. The 2020 Sundance Film Festival broke a number of records, from diversity in its programming to sales. Culled from 15,000 submissions, the 2020 edition offered up a range of timely, boundary-pushing documentary and narrative storytelling, promising new voices and satisfying new heights from established filmmakers. (Check out IndieWire’s roundup of the best 15 films out of Sundance here.)
Netflix, which owned this year’s Academy Awards nominations,...
This year’s fest brought a bounty of riches that are continuing to attract buyers, including high-profile pickups from Neon and Hulu (“Palm Springs”), Sony Pictures Classics, Searchlight Pictures (“The Night House”), and more. The 2020 Sundance Film Festival broke a number of records, from diversity in its programming to sales. Culled from 15,000 submissions, the 2020 edition offered up a range of timely, boundary-pushing documentary and narrative storytelling, promising new voices and satisfying new heights from established filmmakers. (Check out IndieWire’s roundup of the best 15 films out of Sundance here.)
Netflix, which owned this year’s Academy Awards nominations,...
- 2/2/2020
- by Ryan Lattanzio
- Indiewire
Of the 13 people nominated for the Best Adapted and Original Screenplay Oscars this year, only two are women — one in each category: Greta Gerwig, who adapted “Little Women,” and Krysty Wilson-Cairns, who co-wrote “1917” with Sam Mendes. And if either Gerwig or Wilson-Cairns wins, it’d end a 12-year long drought for female champs in the writing categories.
The last woman to nab a writing Oscar, solo or as part of a team, was Diablo Cody in original for “Juno” (2007). In adapted, the dry spell is even longer at 14 years, with Diana Ossana being the most recent, having won for her “Brokeback Mountain” (2005) script with Larry McMurty. Since Cody’s golden night, 12 women have received bids in the original category, including Wilson-Cairns and Gerwig two years ago for “Lady Bird” (2017), while 14 women have been shortlisted since Ossana’s triumph, including Gerwig this year.
As with most non-gendered Oscar categories, there...
The last woman to nab a writing Oscar, solo or as part of a team, was Diablo Cody in original for “Juno” (2007). In adapted, the dry spell is even longer at 14 years, with Diana Ossana being the most recent, having won for her “Brokeback Mountain” (2005) script with Larry McMurty. Since Cody’s golden night, 12 women have received bids in the original category, including Wilson-Cairns and Gerwig two years ago for “Lady Bird” (2017), while 14 women have been shortlisted since Ossana’s triumph, including Gerwig this year.
As with most non-gendered Oscar categories, there...
- 1/29/2020
- by Joyce Eng
- Gold Derby
Fifty years on, Jon Voight and Dustin Hoffman’s squabbling amid the squalor of low-rent New York remains a heartbreaking triumph
Before bromance, there was Midnight Cowboy. Brama? Bragedy? This movie – on rerelease for its 50th anniversary – is about two men finding friendship in the desolate common cause of their loneliness. It was adapted by screenwriter Waldo Salt from the novel by James Leo Herlihy, and the original author’s friendship with Tennessee Williams shows up faintly as an influence in the film’s depiction of vulnerable small-town boys in the big city. The director was John Schlesinger – an Englishman who brought the kitchen-sink realism and hopeless yearning of earlier movies such as Billy Liar to Midnight Cowboy’s domestic scenes of our two sad heroes squabbling in their grimy New York squat, quarrelling over the cooking and fantasising about riches and relaxing in the Florida sun.
Jon Voight plays Joe Buck,...
Before bromance, there was Midnight Cowboy. Brama? Bragedy? This movie – on rerelease for its 50th anniversary – is about two men finding friendship in the desolate common cause of their loneliness. It was adapted by screenwriter Waldo Salt from the novel by James Leo Herlihy, and the original author’s friendship with Tennessee Williams shows up faintly as an influence in the film’s depiction of vulnerable small-town boys in the big city. The director was John Schlesinger – an Englishman who brought the kitchen-sink realism and hopeless yearning of earlier movies such as Billy Liar to Midnight Cowboy’s domestic scenes of our two sad heroes squabbling in their grimy New York squat, quarrelling over the cooking and fantasising about riches and relaxing in the Florida sun.
Jon Voight plays Joe Buck,...
- 9/12/2019
- by Peter Bradshaw
- The Guardian - Film News
George Litto, a longtime Hollywood talent agent who represented blacklisted writers and collaborated with Melvin Van Peeples and Ossie Davis, has died. He was 88.
Litto passed away at Cedars-Sinai Medical Center on April 29 from complications of aortic stenosis, his daughter and business partner, Andria Litto, told Deadline.
George Litto started in the mailroom at William Morris New York in 1954, and worked his way up to an agent, booking summer stock theatre. Among his early successes was helping Mae West secure a role in Come On Up (Ring Twice).
There would be many other famous clients when he moved to boutique agencies in Los Angeles before opening The George Litto Agency in the mid-1960s.
Litto represented Mel Davenport, aka Waldo Salt, who at the time was working in New York under his pseudonym because he was blacklisted. George put him to work under his own name on the film, Midnight Cowboy (1969).
Soon after,...
Litto passed away at Cedars-Sinai Medical Center on April 29 from complications of aortic stenosis, his daughter and business partner, Andria Litto, told Deadline.
George Litto started in the mailroom at William Morris New York in 1954, and worked his way up to an agent, booking summer stock theatre. Among his early successes was helping Mae West secure a role in Come On Up (Ring Twice).
There would be many other famous clients when he moved to boutique agencies in Los Angeles before opening The George Litto Agency in the mid-1960s.
Litto represented Mel Davenport, aka Waldo Salt, who at the time was working in New York under his pseudonym because he was blacklisted. George put him to work under his own name on the film, Midnight Cowboy (1969).
Soon after,...
- 5/8/2019
- by Anita Bennett
- Deadline Film + TV
George Litto, a former talent agent who represented the likes of Robert Altman, Dalton Trumbo and Waldo Salt before producing the Brian De Palma films Obsession, Dressed to Kill and Blow Out, has died. He was 88.
Litto died April 29 at Cedars-Sinai Medical Center in Los Angeles of complications from aortic stenosis, his daughter Andria Litto announced.
Litto packaged creative elements for M*A*S*H (1970), McCabe & Mrs. Miller (1971) and Nashville (1975), all directed by Altman, and Hang 'Em High (1968) and Play Misty for Me (1971), both starring Clint Eastwood, as well as other notable films like ...
Litto died April 29 at Cedars-Sinai Medical Center in Los Angeles of complications from aortic stenosis, his daughter Andria Litto announced.
Litto packaged creative elements for M*A*S*H (1970), McCabe & Mrs. Miller (1971) and Nashville (1975), all directed by Altman, and Hang 'Em High (1968) and Play Misty for Me (1971), both starring Clint Eastwood, as well as other notable films like ...
George Litto, a former talent agent who represented the likes of Robert Altman, Dalton Trumbo and Waldo Salt before producing the Brian De Palma films Obsession, Dressed to Kill and Blow Out, has died. He was 88.
Litto died April 29 at Cedars-Sinai Medical Center in Los Angeles of complications from aortic stenosis, his daughter Andria Litto announced.
Litto packaged creative elements for M*A*S*H (1970), McCabe & Mrs. Miller (1971) and Nashville (1975), all directed by Altman, and Hang 'Em High (1968) and Play Misty for Me (1971), both starring Clint Eastwood, as well as other notable films like ...
Litto died April 29 at Cedars-Sinai Medical Center in Los Angeles of complications from aortic stenosis, his daughter Andria Litto announced.
Litto packaged creative elements for M*A*S*H (1970), McCabe & Mrs. Miller (1971) and Nashville (1975), all directed by Altman, and Hang 'Em High (1968) and Play Misty for Me (1971), both starring Clint Eastwood, as well as other notable films like ...
Clemency (Chinonye Chukwo)U.S. – DRAMATICGrand Jury PrizeClemency (Chinonye Chukwo)Directing AwardThe Last Black Man in San Francisco (Joe Talbot)Special Jury Award for Vision and CraftHoneyboy (Alma Har’el)Special Jury Award for Creative CollaborationThe Last Black Man in San Francisco (Joe Talbot)Special Jury Award for Breakthrough PerformanceRhianne Barreto (Share)Waldo Salt Screenwriting AwardShare (Pippa Bianco)Audience AwardBrittany Runs a Marathon (Paul Downs Colaizzo)
Next Next Audience AwardThe Infiltrators (Cristina Ibarra, Alex Rivera)Next Innovator AwardThe Infiltrators (Cristina Ibarra, Alex Rivera)
U.S. – DOCUMENTARYGrand Jury PrizeOne Child NationDirecting AwardAmerican Factory (Steven Bognar, Julia Reichert)Special Jury Award for an Emerging FilmmakerJawline (Liza Mandelup)Special Jury Award for Moral UrgencyAlways in Season (Jacqueline Olive)Special Jury Award for EditingApollo 11 (Todd Douglas Miller)Special Jury Award for CinematographyMidnight Family (Luke Lorentzen)Audience AwardKnock Down the House (Rachel Lears)
World Cinema – DRAMATICGrand Jury PrizeThe Souvenir (Joanna Hogg)Directing AwardThe Sharks (Lucia...
Next Next Audience AwardThe Infiltrators (Cristina Ibarra, Alex Rivera)Next Innovator AwardThe Infiltrators (Cristina Ibarra, Alex Rivera)
U.S. – DOCUMENTARYGrand Jury PrizeOne Child NationDirecting AwardAmerican Factory (Steven Bognar, Julia Reichert)Special Jury Award for an Emerging FilmmakerJawline (Liza Mandelup)Special Jury Award for Moral UrgencyAlways in Season (Jacqueline Olive)Special Jury Award for EditingApollo 11 (Todd Douglas Miller)Special Jury Award for CinematographyMidnight Family (Luke Lorentzen)Audience AwardKnock Down the House (Rachel Lears)
World Cinema – DRAMATICGrand Jury PrizeThe Souvenir (Joanna Hogg)Directing AwardThe Sharks (Lucia...
- 2/3/2019
- MUBI
Are “Green Room” and “Bohemian Rhapsody” Best Picture Oscar favorites because they won the Golden Globes’ top prizes? Maybe.
Or maybe not.
Though the Globes have been considered a leading bellwether for the Academy Awards, the Hollywood Foreign Press Assn. and the Academy of Motion Picture Arts and Sciences have agreed to disagree numerous times in major categories over the past 75 years.
In fact, the very first Golden Globes ceremony selected the religious drama “The Song of Bernadette” as the best film of 1943, while the Oscar for best picture went to the beloved “Casablanca.”
Even last year, Guillermo del Toro’s romantic fantasy “The Shape of Water” won four Oscars including best film and director. But the Globes chose “Lady Bird” for best picture musical or comedy and “Three Billboards Outside Ebbing, Missouri” won best drama. Del Toro did win the Globe for director.
Checking out Golden Globes best drama winners for the past decade,...
Or maybe not.
Though the Globes have been considered a leading bellwether for the Academy Awards, the Hollywood Foreign Press Assn. and the Academy of Motion Picture Arts and Sciences have agreed to disagree numerous times in major categories over the past 75 years.
In fact, the very first Golden Globes ceremony selected the religious drama “The Song of Bernadette” as the best film of 1943, while the Oscar for best picture went to the beloved “Casablanca.”
Even last year, Guillermo del Toro’s romantic fantasy “The Shape of Water” won four Oscars including best film and director. But the Globes chose “Lady Bird” for best picture musical or comedy and “Three Billboards Outside Ebbing, Missouri” won best drama. Del Toro did win the Globe for director.
Checking out Golden Globes best drama winners for the past decade,...
- 1/11/2019
- by Susan King
- Gold Derby
Sword of Sherwood Forest
Blu ray
Twilight Time
1960 / 2.35:1 /80 Min. / Street Date October 16, 2018
Starring Richard Greene, Peter Cushing, Richard Pasco, Nigel Green
Cinematography by Ken Hodges
Directed by Terence Fisher
The prime architect for the gothic horror revival of the 50’s, Hammer Studios began the next decade with a revival of the less-than-fashionable swashbuckler genre by setting their sights on the legend of Robin Hood – but even with an audience-friendly runtime of 80 minutes, the lackadaisical Sword of Sherwood Forest may have the most ardent Hammer fan checking their watch.
Fortunately the action, what there is of it, plays out amid the ultra-green backcountry of Ireland’s County Wicklow and there are some very good bad guys lurking there – in particular Peter Cushing as the slippery Sheriff of Nottingham and Oliver Reed as a surly henchman who merely glowers from the sidelines but electrifies every frame he’s in.
Directed by...
Blu ray
Twilight Time
1960 / 2.35:1 /80 Min. / Street Date October 16, 2018
Starring Richard Greene, Peter Cushing, Richard Pasco, Nigel Green
Cinematography by Ken Hodges
Directed by Terence Fisher
The prime architect for the gothic horror revival of the 50’s, Hammer Studios began the next decade with a revival of the less-than-fashionable swashbuckler genre by setting their sights on the legend of Robin Hood – but even with an audience-friendly runtime of 80 minutes, the lackadaisical Sword of Sherwood Forest may have the most ardent Hammer fan checking their watch.
Fortunately the action, what there is of it, plays out amid the ultra-green backcountry of Ireland’s County Wicklow and there are some very good bad guys lurking there – in particular Peter Cushing as the slippery Sheriff of Nottingham and Oliver Reed as a surly henchman who merely glowers from the sidelines but electrifies every frame he’s in.
Directed by...
- 11/13/2018
- by Charlie Largent
- Trailers from Hell
Pictures like Midnight Cowboy pulled everyone my age group into the movies, while the entire older generation likely stopped going to movies altogether. John Schlesinger’s masterpiece can boast a number of firsts, and deserves the high praise it receives from every angle — this was the epitome of progressive filmmaking circa 1969.
Midnight Cowboy
Blu-ray
The Criterion Collection 925
1969 / Color / 1:85 widescreen/ 113 min. / available through The Criterion Collection / Street Date May 29, 2018 / 39.95
Starring: Dustin Hoffman, Jon Voight, Sylvia Miles, John McGiver, Brenda Vaccaro, Barnard Hughes, Ruth White, Jennifer Salt, Anthony Holland, Bob Balaban, Viva, Ultra Violet, Taylor Mead, Paul Morrissey, Pat Ast, Marlene Clark, Sandy Duncan, M. Emmet Walsh.
Cinematography: Adam Holender
Film Editor: Hugh A. Robertson
Production Design: John Robert Lloyd
Original Music: John Barry
Written by Waldo Salt, based on the novel by James Leo Herlihy
Produced by Jerome Hellman, Kenneth Utt
Directed by John Schlesigner
Midnight Cowboy is perhaps the...
Midnight Cowboy
Blu-ray
The Criterion Collection 925
1969 / Color / 1:85 widescreen/ 113 min. / available through The Criterion Collection / Street Date May 29, 2018 / 39.95
Starring: Dustin Hoffman, Jon Voight, Sylvia Miles, John McGiver, Brenda Vaccaro, Barnard Hughes, Ruth White, Jennifer Salt, Anthony Holland, Bob Balaban, Viva, Ultra Violet, Taylor Mead, Paul Morrissey, Pat Ast, Marlene Clark, Sandy Duncan, M. Emmet Walsh.
Cinematography: Adam Holender
Film Editor: Hugh A. Robertson
Production Design: John Robert Lloyd
Original Music: John Barry
Written by Waldo Salt, based on the novel by James Leo Herlihy
Produced by Jerome Hellman, Kenneth Utt
Directed by John Schlesigner
Midnight Cowboy is perhaps the...
- 5/26/2018
- by Glenn Erickson
- Trailers from Hell
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