Thursday, September 12, 2024

How Illuminating Is the Light?

guest post by Andrew Y. Lee

in reply to Eric's Aug 29 critique of his "Light and Room" metaphor for consciousness

In “The Light & the Room,” I explore a common metaphor about phenomenal consciousness. To be conscious—according to the metaphor—is for “the lights to be on inside.” The purpose of my piece is to argue that the metaphor is a useful conceptual tool, that it’s compatible with a wide range of theories of consciousness, that it illuminates some questions about degrees, dimensions, and determinacy of consciousness, and that it disentangles a systematic ambiguity in the meaning of ‘phenomenal consciousness’.

In “Is Being Conscious Like 'Having the Lights Turned On?'”, Eric Schwitzgebel reacts to the piece. The central point in Eric’s post is that metaphors invite ways of thinking. And so, we can ask: Do the ways of thinking invited by the metaphor of the light and the room clarify or obfuscate philosophical theorizing about phenomenal consciousness? In other words: how illuminating is the metaphor of the light?

There’s a lot that Eric and I agree on. We agree that metaphors invite ways of thinking. We agree that this metaphor is flexible enough to be adaptable to a wide range of views about consciousness. We agree that if a metaphor becomes overstretched, then it may be best to abandon it rather than contort it. And we agree that this metaphor affords opportunities for creative brainstorming and exploring novel (even weird!) ideas about consciousness.

To highlight where I think we diverge, I’ll say a bit about the following two questions:

1. Which ways of thinking does the metaphor actually invite?
2. What should we make of the fact that the metaphor invites certain ways of thinking?

§

Which ways of thinking does the metaphor actually invite? Someone who takes the metaphor to suggest that consciousness exhibits wave-particle duality, that the speed of consciousness is invariant across all reference frames, or—as Eric notes—that minds literally contain sofas, would be overextending the metaphor. Just because the metaphor elicits a thought doesn’t mean that the metaphor invites that as a way of thinking.

Does the metaphor invite the idea that consciousness involves knowledge? Here’s a reason for skepticism. If you turn the lights on in a room, you don’t automatically come to know all visible facts about the room. At best, you come to be in a position to acquire that knowledge. But that’s compatible with thinking that it can sometimes be hard to acquire such knowledge and that you can be mistaken in all sorts of ways about what’s in the room. Think about the last time you were convinced you lost your keys, even though they were in plain sight!

What I think the metaphor does invite (but not mandate) is the idea that we stand in a special epistemic relationship to our own experiences. But what that epistemic privilege amounts to is left open by the metaphor. You could accept the metaphor and think that our knowledge of what’s inside the room is no more reliable or secure than our knowledge of the external world. You could accept the metaphor and think that we’re directly acquainted with the objects in the room (but not with anything outside the room). You could even accept the metaphor and think both!

§

What should we make of the fact that the metaphor invites certain ways of thinking? Well, the central purpose of the metaphor is to illustrate the concept of phenomenal consciousness. The question, then, is whether the ways of thinking invited by the metaphor facilitate a grasp of the concept of phenomenal consciousness.

A live question in the philosophy of consciousness is whether there can be borderline cases of consciousness, meaning entities that are neither determinately conscious nor determinately not conscious. The term ‘borderline consciousness’ is sometimes prone to misinterpretation. But the metaphor of the light can be used to guide one towards the intended sense of the term. The question, as I note in my piece, “isn’t merely about whether it’s hard to know whether the lights are on or off” and “isn’t merely about whether the light might be very dim,” since in both those scenarios the light might still be determinately on. Instead, the question is whether the lights could be in a halfway state between on and off. That’s a much more puzzling possibility.

Now, I agree with Eric that the metaphor invites (but does not mandate) the idea that nothing is borderline conscious. But is this a flaw of the metaphor? It’s indeed controversial whether there can be borderline consciousness. But it’s not particularly controversial that the idea of borderline consciousness is counterintuitive. In fact, Eric himself has noted that it’s “highly intuitive” that consciousness doesn’t admit of borderline cases, and that “such considerations present a serious obstacle to understanding what could be meant by ‘borderline consciousness’.” This seems to suggest that the concept of phenomenal consciousness itself invites (even if it doesn’t mandate) the impossibility of borderline consciousness.

You could reasonably argue that these intuitions against borderline consciousness aren’t decisive. Personally, I think the intuitions are tracking the truth: I favor the view that nothing is borderline conscious. But I spend a good deal of time in my piece making a case for resisting those intuitions. After all—you might think—“it’s very rare to see sharp cutoffs in nature; if you look closely enough, you’ll nearly always find shades of gray.” Even though we’re unable to conceive of borderline consciousness, perhaps we have sufficient theoretical reasons to postulate its existence. Even if hazy states of half-light strike us as obscure, perhaps we ought to attribute the obscurity to mere limits of our imagination. Just because an invitation is extended doesn’t mean that one has to take it.

But when teaching a concept, it’s often useful to elicit intuitions invited by that concept (even if those intuitions turn out to be defeasible). And if the concept of phenomenal consciousness invites a certain set of intuitions, then a metaphor for phenomenal consciousness may reasonably also invite those intuitions.

§

I’ve argued that (1) not all thoughts elicited by the metaphor are ways of thinking invited by the metaphor, and that (2) some ways of thinking invited by the metaphor are also ways of thinking invited by the concept of phenomenal consciousness itself. With these points in mind (in the room?), let me now briefly consider the other cases Eric mentioned.

It’s natural to think that the unity of consciousness is transitive, just as it’s natural to think of each illuminated room as a discrete unit. But one could argue for a view where—surprisingly—there can be overlapping subjects. The idea that conscious subjects can overlap is counterintuitive, but worth exploring. And a picture where the illuminated rooms can overlap is strange, but one that may well be worth drawing.

It's natural to think there can be differences in phenomenal character without differences in subjectivity (a point I explain in more detail in my piece). But you could favor a picture where the objects in the room are made out of light. This isn’t the most obvious way of developing the metaphor. But that strikes me as a good thing, since (as I argue elsewhere in more detail) nearly every theory of consciousness generates a natural distinction between subjectivity and phenomenal character.

What about cognition? Eric notes that it’s natural to think that the light doesn’t affect the shape of the furniture in the room. Still, there are other properties of furniture—such as color—that may very well be modulated by the light. However, the interpretive significance of all this strikes me as unclear. Cognition—whether conscious or unconscious—is a dynamic process. But the metaphor doesn’t contain any dynamic elements. This isn’t because the metaphor invites the idea that there’s no such thing as cognition. Instead, the metaphor—at least in its most basic form—is silent on questions of cognition (just as it’s silent on questions about, say, neuroanatomy).

I’ll close with one other idea invited by the metaphor. Consider illusionism about consciousness. The metaphor—trivially—invites a picture where there really is a light. So, it invites a realist way of thinking about consciousness. But according to illusionists, there isn’t really such a thing as phenomenal consciousness, at least not in the way that philosophers typically think about it. Now, an illusionist could take issue with the metaphor by saying that it invites a realist way of thinking. But most illusionists embrace the fact that they have a radical view of consciousness. Because of this, I think even illusionists can find the metaphor useful. It’s compelling to think that there really is a light. But for illusionists, there’s merely illusion, and no real illumination.

§

At the beginning of this post, I invoked a metaphor for my metaphor (a metametaphor). A metaphor—at least when used to illustrate a concept, idea, or theory—is a tool. Some tools are better than others, and some tools are ill-suited for certain tasks. Tools aren’t necessarily in competition; different tools can serve different functions. But most tools are designed with a specific function in mind. And to use a tool well, one needs to understand its designated function.

The main reason I like the metaphor of the light and the room is because I think it’s a useful tool. The main task of my article is to put this tool to work in eliciting some important distinctions about the structure of consciousness. The metaphor can be misinterpreted, just as literal tools can be misused. And if a tool is systematically misused, then that may be a sign that there’s a design flaw. But a good tool—when used well—can enable us to create new things that would have been hard to make without the tool. And the metaphor of the light and the room—in my opinion—is a good tool.

[image source]

Monday, September 09, 2024

The Disunity of Consciousness in Everyday Experience

A substantial philosophical literature explores the "unity of consciousness": If I experience A, B, and C at the same time, A, B, and C will normally in some sense (exactly what sense is disputed) be experientially conjoined. Sipping beer at a concert isn't a matter of experiencing the taste of beer and separately experiencing the sound of music but rather having some combined experience of music-with-beer. You might be sitting next to me, sipping the same beer and hearing the same music. But your beer-tasting experience isn't unified with my music-hearing experience. My beer-tasting and music-tasting occur not just simultaneously but in some important sense together in a unified field of experience.

Today I want to suggest that this picture of human experience might be radically mistaken. Philosophers and psychologists sometimes allow that disunity can occur in rare cases (e.g., split-brain subjects) or non-human animals (e.g., the octopus). I want to suggest, instead, that even in ordinary human experience unity might be the exception and disunity the rule.

Suppose I'm driving absentmindedly along a familiar route and thinking about philosophy. Three types of experience might occur simultaneously (at least on "rich" views of consciousness): visual experience of the road, tactile and proprioceptive experience of my hands on the wheel and the position of my body, and conscious thoughts about a philosophical issue. Functionally, they might connect only weakly: the philosophical thoughts aren't much influenced by the visual scene, and although the visual scene might trigger changes in the position of my hands as I adjust to stay in my lane, that might be a causal relationship between two not-very-integrated sensorimotor processes. (Contrast this with the tight integration of the parts of the visual scene each with the other and the integration of the felt position of my two hands and arms.) Phenomenologically, that is to say experientially, must these experiences be bound together? That's the standard philosophical view, but why should we believe it? What evidence is there for it?

One might say it's just introspectively obvious that these experiences are unified. Well, it's not obvious to me. This non-obviousness might be easier to grasp if we carefully separate concurrent introspection from retrospective memory.

In the targeted moment, I'm not introspecting. I'm absorbed in driving and thinking about philosophy. After I start introspecting, it might seem obvious that yes, of course, I am having a visual experience together with a tactile experience together with some philosophical thoughts. But this introspective act alters the situation. I am no longer driving and thinking in the ordinary unselfreflective way. It seems at least conceptually possible that the act of introspection creates unity where none was before. Our target is not what things are like in (presumably rare) moments of explicit self-reflection, but rather in the ordinary flow of experience. Even if experiences are unified in moments of explicit reflective introspection, we can't straightaway infer that ordinary unreflective experiences are similarly unified. To move from one type of case to the other, some further argument or evidence is necessary.

The refrigerator light error is the error of assuming that some process or property is constantly present just because it's present whenever you check to see if it's present. Consider a four-year-old who thinks that the refrigerator light is always on because it's on whenever she checks it. The act of checking turns it on. Similarly, I suggest: The act of checking to see if your experience is unified might create unification where none was before. It might, for example, create a higher-order representation of yourself as conscious of this together with that; and that higher-order representation might be the very thing that unifies two previously disparate streams. Concurrent introspection cannot reveal whether your experience was unified before the act of introspective checking.

[illustration by Nicolas Demers, p. 218 of The Weirdness of the World]

Granting this, one might suggest that we can check retrospectively, by remembering whether our experiences were unified. However, this is a challenging cognitive task, for two reasons.

First, you can't do this easily at will. Normally, you won't think to engage in such a retrospective assessment unless you're already reflecting on whether your experience is unified. This ruins the test; you're already self-conscious before you think to engage in the retrospection. If you reflect retrospectively on your experience just a moment before, that experience won't be representative of the ordinary unselfconscious flow of experiences. Alternatively, you might reflect on your experiences from several minutes before, when you know you weren't thinking about the matter. But retrospective reflection over such an extended time frame is epistemically dubious: subject to large distortions due to theory-ladenness, background presupposition, and memory loss.

The best approach might be to somehow catch yourself off-guard, with a preformed intention to immediately retrospect on the presence or absence of unity. One might, for example, employ a random beeper. Such beeper methodologies are probably an improvement over more informal attempts at experiential retrospection. But (1.) even such immediately retrospective judgments are likely to be laden with error; and (2.) I've attempted this myself a few times over the past week, and the task feels difficult rather than obvious. It's difficult because...

Second, the judgment is subtle and structural. Subtle, structural judgments about our own experience are exactly the type of judgments about which -- as I've argued extensively -- people often go wrong (and about which, in conscientious moments, many people appropriately feel uncertainty). How detailed is the periphery of your visual imagery, and how richly colored, and how is depth experienced? Many introspectors find the answers non-obvious, and the answers vary widely between people independently of cognitive performance on seemingly-imagery-related tasks. Another example: How exactly do you experience the bodily components of your emotions, if there are bodily components? That is, how exactly is your current feeling of (say) mild annoyance experienced by you right now (e.g., is it partly in the chest)? Most people I've interviewed will confess substantial uncertainty when I press them for details. Although people seem to be pretty good at reporting the coarse-grained contents of their experiences ("I was thinking about Luz", "I was noticing that the room was kind of hot"), regarding structural features such as the amount of detail in our imagery or the bodily components of emotion, we are far from infallible -- indeed we are worse at such introspective tasks than we are at reporting similar mid-level structural features of ordinary objects in the world around us.

To get a sense of how subtle and structural the unity question is, notice what the question is not. The question isn't: Was there visual experience? Was there tactile/proprioceptive experience? Were there conscious thoughts about philosophy? By stipulation, we are assuming that you already know that the answer to all three is yes.

Nor is the question about the contents of those visual, tactile/proprioceptive, and cognitive experiences. Maybe those, too, are readily enough retrospectable.

Nor is the question even whether all three of those experiences feel as though they belong among the immediately past experiences of my currently unified self. Presumably they do. It doesn't follow that at the moment they were occurring, there was a unified experience of vision-with-hands-on-the-wheel-with-philosophical-thoughts. There's a difference between a unified memory now of those (possibly disunified) experiences and a memory now of those experiences having been unified then. Analogously, from the fact that there are three balls together in your hand now it doesn't follow that those balls were together a moment ago. Your memory / your hand might be bringing together what was previously separate.

The question is whether those three experiences were, a moment ago when you were engaged in unselfconscious ordinary action, experienced together as a unity -- whether there wasn't just visual experience and tactile experience and philosophical thought experiences but visual-experience-with-tactile-experience-with-philosophical-thoughts in the same unified sense that you can presumably now hold those three experience-types together in a single, unified field of consciousness. What I'm saying -- and what I'm inviting you to set yourself up (using a beeper or alarm) to discover -- is that the answer is non-obvious. I can imagine myself and others going wrong about the matter, legitimately disagreeing, being perhaps too captured by philosophical theory or culturally contingent presuppositions. None of us should probably wholly trust our retrospective judgments about this.

Is there a structural, cognitive-architecture argument that our experiences are generally unified? Maybe yes. But only under some highly specific theoretical assumptions. For example, if you subscribe to a global workspace theory, according to which cognitive processes are conscious if and only if they are shared to a functional workspace that is accessible to a wide range of downstream cognitive processes and if you hold that this workspace normally unifies whatever is being processed into a single representational whole, then you have a structural argument for the unity of consciousness. Alternatively, you might accept a higher-order theory of consciousness and hold that in ordinary cognition the relevant higher-order representation is generally a single representation with complex conjoined contents (e.g., "visual and tactile and philosophical-thought processes are all going on"). But it's not clear why we should accept such views -- especially the part after the "and" in my characterizations. (For example, David Rosenthal's higher-order account of phenomenal unity is different and more complicated.)

I'm inclined to think, in fact, that the balance of structural considerations tilt against unity. Our various cognitive processes run to a substantial extent independently. They influence each other, but they aren't tightly integrated. Arguably, this is true even for conscious processes, such as thoughts of philosophy and visual experiences of a road. Even on relatively thin or sparse views of consciousness, on which only one or a few modalities can be conscious in a moment, this is probably true; but it seems proportionately more plausible the richer and more abundant conscious experience is. Suppose we have constant tactile experience of our feet in our shoes, constant auditory experience of the background noises in our environment, constant proprioceptive experience of the position of our body, constant experience of our levels of hunger, sleepiness/energy, our emotional experiences, our cognitive experiences and inner speech, etc. -- a dozen or more very different phenomenal types all at once. You adventurously outrun the currently available evidence of cognitive psychology if you suggest that there's also constantly some unifying cognitive process that stitches this multitude together into a cognitive unity. This isn't to deny that modalities sometimes cooperate tightly (e.g., the McGurk effect). But to treat tight integration as the standard condition of all aspects of experience all the time is a much stronger claim. Sensorimotor integration among modalities is common and important, yes. But overall, the human mind is loosely strung together.

Here's another consideration, though I don't know whether the reader will think it renders my conclusion more plausible or less. I've increasingly become convinced that the phenomena of consciousness come in degrees, rather than being sharp-boundaried. If we generalize this spirit of gradualism to questions of phenomenal unity, then it's plausible that there aren't only two options -- that A, B, and C are either entirely discretely experienced or fully unified -- but instead a spectrum of cases of partial unity. Our cognitive processes of course do influence each other, even disparate-seeming ones like my philosophical thoughts and my visual experience of the road (if there's a crisis on the road, for example, philosophy drops from my mind). So perhaps our ordinary condition, before rare unifying introspective and reflective actions, involves degrees of partial, imperfect unity, rather than complete unity or complete disunity. (If you object that this is inconceivable, my reply is that you might be applying an inappropriate standard of "conceivability".)

The arguments above occurred to me only a week ago. (As it happened, I was absent-mindedly driving, thinking about philosophy.) So they haven't had much time to influence my phenomenological self-conception. But I do find myself tentatively feeling like my immediate retrospections support rather than conflict with the ideas expressed here. When I retrospect on immediately past experiences, I recall strands of this and that, not phenomenologically unified into a whole but at best only loosely joined. The introspective moment now strikes me as a matter of gathering together what was previously adjacent but not yet fully connected.

If you know of others who have expressed this idea, I welcome references.

[for helpful conversation, thanks to Sophie Nelson]

Tuesday, September 03, 2024

Themes and Aims of My Science Fiction

Expectation-Lowering Preface (Feel Free to Skip)

You probably won't like my science fiction stories.

Here's how I think of it. You could play me the best mariachi music in the world, and I won't enjoy it. Mariachi isn't my thing; I just don't get it. Similarly, Mozart's operas are great cultural achievements that move some people to ecstasy and tears, but I can't keep my seat through a whole performance of The Magic Flute. Even in genres I enjoy, some of the best performers don't interest me. Green Day inspired many of the alt-rock bands I like, and they are probably in some objective or intersubjective sense better than the bands I prefer, but... meh.

Tolkien, Le Guin, and Asimov were great science fiction and fantasy writers with broad appeal. Still, only a minority of readers -- indeed probably only a minority even among those who like the genre -- will actually enjoy Lord of the Rings, Left Hand of Darkness, or Asimov's robot stories.

I want to set low expectations. You're here, presumably, because you like my blog or my work in academic philosophy. Odds are, you won't like my fiction. My repeated experience is: I describe the concept behind one of my stories. The listener says, whoa, that sounds really cool, I'll check it out! but the story doesn't yield the pleasure they anticipate.

Maybe I'm a bad writer. But I prefer to think I'm good enough for the right readership, and it's mariachi music. You might find the concepts of some of my stories intriguing. I'm a philosopher: Concept is the first thing I go for, the sine qua non. But the story itself won't delight you unless it has the right prose style, the right pacing, a narrator and characters you relate to, plot styles you like, the right balance of action versus exposition, the right balance between easy familiarity and hard-to-digest strangeness, and many other factors of taste that legitimately vary. What's the chance that everything aligns? My guess: 10%.

Still, for any particular story, maybe you're in that 10%. You might even belong to the 5% who will enjoy most of my stories. I hope so! On that chance, I thought I'd compile a list, describing their guiding ideas and my aims in writing them. All are available online.

[image: translation of "Gaze of Robot, Gaze of Bird" into Chinese for Science Fiction World, with illustration]

The Stories

Starting in 2011, I began sporadically sharing short pieces of conceptual fiction on my blog. I don't think that was entirely successful, partly because I was a novice fiction writer and partly because that's not what people come here for. But one story prompted a reply by prominent SF writer R. Scott Bakker, who added an alternative ending. We decided to revise the story together and seek publication. Astonishingly, the science journal Nature accepted it.

* In that story, Reinstalling Eden (Nature, 503 (2013), 562), I wanted to imagine a utilitarian ethicist (that is, someone who thinks that our moral duty is to maximize the world's pleasure) who discovered he could create a multitude of happy entities on his computer and who then followed through on the consequences of that -- specifically, advocating the creation of such entities as a major global priority and then sacrificing his life for them. Bakker imagined a second narrator inheriting the computer after the first narrator's death, who chose to give the entities knowledge of their condition, setting them free to interact with humanity. (Themes: utilitarian ethics, living in a computer simulation.)

Through the mid-2010s, I continued to write short conceptual pieces, no longer placing them on my blog. Most of them have never been published, though there are still a few I like.

* My next published piece, Out of the Jar (F&SF, 128 (2015), 118-128), was my first "full-length" (~4000 word) story. I wanted to imagine a philosophy professor who discovers that his world is a simulation run by a sadistic adolescent "God". I thought the professor should try to convince God to have mercy on his creations, and then -- when that failed -- install himself as the new God. (Themes: living in a simulation, the problem of evil, the duties of gods to their creations)

* "Momentary Sage" (The Dark, 8 (2015), 38-43) explores teenage self-harm and suicide -- imaginatively reconfigured in the form of a self-destructive faerie infant. The infant is born cleverly arguing for a quasi-Buddhist perspective according to which past and future are unreal and the self is an illusion. Given these philosophical commitments, the infant would rather kill himself than suffer a moment's displeasure. His parents' desperate attempts to keep him in the world can only briefly postpone the inevitable. I chose to frame it as a sequel to Shakespeare's Midsummer Night's Dream, from the perspective of a bitter Demetrius. (Themes: suicide, the self, obligations to the future, parenthood)

* "The Tyrant's Headache" (Sci Phi Journal, 3 (2015), 78-83) will probably only appeal to readers who know David Lewis's classic article "Mad Pain and Martian Pain". This story is an extended thought-experimental objection to Lewis's view, according to which your experienced mental states constitutively depend in part on the normal causal role of those mental states in the population to which you belong. I imagine a tyrant who, heeding Lewis's advice, absurdly attempts to cure his headache by doing everything but changing his current brain state. (Themes: functionalism in philosophy of mind; see also Chapter 2 of Weirdness of the World)

* "The Dauphin's Metaphysics" (Unlikely Story, 12 (2015); audio at PodCastle 475 (2017)) portrays a psychologically realistic, low-technology case of "mind transfer" from one body to another. On some theories of personal identity, what makes you you are your memories, your personality, your values, and other features of your psychology. Suppose, then, that a dying prince arranges for a newborn infant to be raised to think of himself as a continuation of the prince, with accurate memories of the prince's life and the same values and personality. If done perfectly enough, would that be a continuation of the prince in a new body? The realistic, low-tech nature of the case makes it, I think, more challenging to say "yes" than with high-tech "upload" fantasies. The narrator is a socially isolated academic superstar who had earlier "become a new person" in a much more ordinary way. (Themes: personal identity, sexism, inequalities of power)

* In "Fish Dance" (Clarkesworld, 118 (2016); audio) I wanted to explore the boundaries of a meaningful afterlife or personality upload, by imagining a highly imperfect upload into an intensely pleasurable "afterlife". Suppose a small portion of you continues to exist for millions of years, with a few imperfect memories, ceaselessly repeating an ecstatic, joyful, erotic dance with a superficial duplicate of the person you once intensely loved? Would that be almost unimaginably good, or would it be a monstrous parody? I also thought it would be interesting for the protagonist to be -- contrary to virtually all writing advice -- almost completely passive throughout the story. He's an amputated head on life support, hallucinating half the time, and his only real action is to signal with his eyes at the crucial moment. (Themes: personal identity, afterlife, parenthood and marriage)

* In "The Library of Babel", Jorge Luis Borges searches for meaning in a universe composed of a vast library containing every possible book with every possible combination of letters, randomly arranged. In "THE TURING MACHINES OF BABEL" (Apex, 98 (2017); or here), I create a similar infinite library of texts -- except that the texts prove to be instructions for infinitely many randomly constituted computer programs, including the programs that constitute your mind as the story's reader and mine as author. I assume for the sake of the story that computational functionalism is true, and human minds are essentially just organic computers. (Themes: functionalism and computationalism about the mind, randomness and meaning)

* In "Little /^^^\&-" (Clarkesworld, 132 (2017); audio), a planet-sized group intelligence falls in love with Earth, which she sees as an immature, partly-formed group intelligence of broadly her kind. Little /^^^\&- herself is small compared to a galactic government that plans to sacrifice the whole galaxy for a still greater good, vast beyond even the government's comprehension. This is probably my weirdest, most difficult, least approachable story -- only for readers who don't mind puzzling together a complicated story with pieces near the beginning that only make sense retrospectively by the end. (Themes: group minds, how much we should sacrifice for larger things we can't understand)

In contrast, "Gaze of Robot, Gaze of Bird" (Clarkesworld, 151 (2019); audio) is probably my least dense, most approachable story, liked by the highest percentage of readers. I wanted to write a story in which the protagonist is a non-conscious machine -- a machine the reader can't help but incorrectly imagine as having desires and a point of view. This "point of view" character is a terraforming robot that spends 200 million years recreating the species that designed it and is finally rewarded with consciousness. (Themes: consciousness, what constitutes the survival of a species)

My 2019 book A Theory of Jerks and Other Philosophical Misadventures (MIT Press) is mostly a collection of lightly-to-moderately revised blog posts and op-eds, but it also contains four brief conceptual fictions.

In "A Two-Seater Homunculus" I discover that my neighbor's brain was replaced by a brother-and-sister homunculus pair, though no one seemed to notice.

"My Daughter's Rented Eyes" imagines submitting to corporate advertising and copyright protection agreements on what you can see, for improved overall functionality.

"Penelope's Guide to Defeating Time, Space, and Causation": Waiting for Odysseus' return, Penelope proves that the world contains infinitely many duplicates of everyone living out every possible future and concludes that death is impossible.

"How to Accidentally Become a Zombie Robot": If you test-drive life as a robot and seem to remember its having felt great, how confident should you be that those memories are real?

Penultimate manuscript versions of the stories are available here. (Themes: personal identity, technology ethics and corporate power, consciousness, computational functionalism)

"Passion of the Sun Probe" (AcademFic, 1 (2020), 7-11; audio at Reductio (2021), S0E11) concerns the ethics of designing conscious robots with self-sacrificial goals -- in this case a Sun probe who chooses (predictably, given its programming) to "freely" sacrifice itself on an ecstatic three-day scientific suicide mission to the Sun. (Themes: robot rights, technology ethics, freedom, what gives a life meaning; a short version of the case appears in Schwitzgebel & Garza 2020)

"Let Everyone Sparkle" (Aeon Ideas / Psyche, Apr 12, 2022): This story was accepted for publication in the New York Times' series of "Op-Eds from the Future" that ran from 2019 to 2020. Sadly, the series folded before the story could be printed. Aeon (later Psyche) graciously picked it up. Four decades in the future, a man raises a celebratory toast to the psychotechnology that prevents anyone from ever involuntarily experiencing negative emotions. Although the man argues that this technology is plainly good, the reader, I hope, doesn't feel as sure. (Themes: mood enhancement, the value of negative emotion, corporate power)

In "Larva Pupa Imago" (Clarkesworld, 197, (2023); audio) I had two main aims: to imagine the experience of an intelligent insect who eagerly dies for sex and to imagine minds that can merge and overlap. The story follows a cognitively enhanced butterfly from hatchling run to final mating journey, in a posthuman world where thoughts can be transferred by sharing cognitive fluids. Inspired in part by James Tiptree Jr's "Love Is the Plan the Plan is Death". (Themes: merging minds, personal identity, instinct and value)

For a decade, I've wanted to set a story in an assisted living facility. So many people end their lives there, but those lives are so invisible in the media! "How to Remember Perfectly" (Clarkesworld, 216 (2024)) is a love story between octogenarians. The science fiction "novum" is a device that allows them to control their moods and radically refashion their memories. How much does it matter if your memories are real? How much does it matter that your mood is responsive only to the good and bad things actually happening around you? (Themes: death, mood enhancement, memory, the value of truth)

One of these days, I'll discuss in more depth why I sometimes prefer to express my philosophical ideas as fiction, but this post is already overlong.

Thursday, August 29, 2024

Is Being Conscious Like "Having the Lights Turned On"?

Andrew Y. Lee has written an introductory piece of philosophy, intended for students, celebrating the metaphor of consciousness as a light, illuminating objects in a room. Indeed, this is a common way of speaking, and I have used it myself in published work: If an animal isn't conscious then, I've suggested, "all is dark inside, or rather, not even dark" (Schwitzgebel 2015, sec 7.2).

I've been asked to write a reaction to Lee's piece. On reflection, I've become convinced that the metaphor suggests five theses about consciousness, any or all of which might be doubted. I don't think Lee's piece is circulating yet [update: it is!], but I figured I'd share my thoughts anyway.

[image source]

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1. Metaphors Invite Ways of Thinking.

Metaphors invite ways of thinking. If philosophical disagreements are battles, only one side can win. If memory is a storehouse, recollection requires search and retrieval. If memory is instead a matter of shaping future responses, search and retrieval needn’t be involved. We can of course decline such cognitive invitations. We can describe north as “up” even if it’s lower elevation. But if too many implications are misleading, the metaphor or analogy is inapt.

So, is consciousness like having “the lights turned on”? Let’s more thoroughly consider what patterns of thought are invited by this way of speaking.

2. Consciousness Is Determinately Present or Determinately Absent.

As Lee notes, lights are normally either determinately on or determinately off. A dim light is just as “on” as a bright light. Even a flickering light is determinately on or off at any particular moment. Photons are being emitted, or they are not. It requires some creative energy to imagine intermediate cases.

Consequently, the “lights on” metaphor invites the thought that every entity at every moment is either determinately conscious or determinately nonconscious, rather than somewhere between. Maybe in dreamless sleep, you are not at all conscious, while in waking life, you are 100% conscious. On such a view, any “half conscious” state – for example, a drowsy, confused awakening – is determinately a conscious state, just one in which you’re not fully attuned to your situation, and the “unconsciousness” of the dreamer is a misnomer, since dreaming determinately involves experiential states. Also on such a view, entities whose consciousness is disputable, for example garden snails, must be either lights-on or lights-off, either determinately but perhaps dimly conscious or not at all conscious.

If (as I've argued) some states or entities of interest are neither determinately conscious nor determinately nonconscious – states or entities somehow in an in-betweenish, intermediate condition (even if that’s difficult to imagine) – then the light metaphor becomes inapt.

3. Conscious and Nonconscious Cognition Are Similar.

When you flick the lights, the furniture does not change. The table, the rug, and the pile of laundry become easier to see, but apart from absorbing and reflecting more photons, they remain basically the same. If the illuminated objects are parts of your own mind (as Lee's usage suggests), then they too shouldn't radically change when the lights flick on.

On some theories of consciousness, we should expect conscious and nonconscious cognition to be similar. Suppose that nonconscious cognition becomes conscious by being targeted by some higher-order self-representational process or by being broadcast across the mind. If so, it’s natural to suppose that elevation to consciousness doesn’t radically alter the contents of a previously nonconscious process. A representational content like red in this part of the visual field right now seemingly needn’t change when targeted by a higher-order representation (that is, a representation of the fact that I am representing red in this part of the visual field right now) or when shared across the mind (“hey, action-guiding and long-term memory centers, please notice that there’s red in this part of the visual field right now”).

An alternative family of views suggests that conscious and nonconscious processes are intrinsically dissimilar. On “recurrence” theories of consciousness, for example, conscious processes involve feedback loops of recurrent processing that differ structurally from non-conscious feed-forward processes. In a different vein, some psychologists distinguish nonconscious “System 1” cognition, which is fast, intuitive, and requires no attentional effort, from slower, step-by-step, effortful, and conscious “System 2” cognition. Consider: What is eight times seven? If “56” effortlessly pops to mind, that’s System 1. If you laboriously add eight seven times or consciously employ a mnemonic like “5-6-7-8, fifty-six is seven times eight”, that’s System 2. System 1 and System 2 processes or outputs might not convert seamlessly one into the other.

If, in general, the structure of nonconscious thought differs from that of conscious thought, the conscious light metaphor risks misleading us. Furniture doesn’t normally change shape when you flick the light-switch.

4. Consciousness Involves Knowledge.

Why do we care about lights? Mostly because they help us see. Illuminated objects are more readily known than those in the dark. Cross-culturally, light is associated with knowledge and understanding. The light metaphor connects consciousness and knowledge. If “the lights are on” in a dog, or a snail, or a comatose person, they know what’s going on. If the lights are off, they are, so to speak, mere reactive machines.

If the contents of the room are the contents of your mind, illumination suggests self-knowledge. Your mental states, though being illuminated, become knowable within the perspective of the room. But I think I also hear a reading of “the lights being on” that doesn’t require the entity to understand its own mind. Maybe a “lights on” garden snail needn’t have anything as sophisticated as explicit self-representations of its own mental states. The illuminated furniture might then be analogous to external objects or events of which the snail is consciously aware. (This could also potentially help with the issue described in the previous section, since external objects don’t normally change by virtue of our thinking about them.)

5. Subjectivity and Phenomenal Character Are Distinct.

A light source is one thing, an illuminated object quite another. Analogously, perhaps, we should distinguish consciousness itself (Lee calls this “subjectivity”) from the objects or contents of consciousness (Lee calls this “phenomenal character”). The light metaphor suggests that the source of illumination and the object illuminated are distinct, and that the light source is causally responsible for the object's illumination. Maybe, for example, we can turn attention to our own thoughts, and this turning of attention is the distinct and separate cause of the illumination of the thoughts.

Could the objects instead be self-luminous? Imagine not a light source amid reflective objects but rather a room of glowing objects. If there are processes that are intrinsically conscious by virtue of their own internal structure rather than by virtue of some relational feature like being a target of attention, then the most natural, vanilla interpretation of the light-and-room metaphor misleads, though adapting the metaphor to glowing objects might work.

6. Conscious Entities Come in Discrete, Unified Bundles.

Let’s keep playing with the metaphor. In the vanilla case, every conscious subject has one light, illuminating one room. But maybe we can imagine a series of linked caverns, progressively dimmer and less directly illuminated. Maybe we can imagine multiple lightbulbs in different recesses or partly shaded by room dividers, with partly overlapping spheres of illumination.

Philosophers and consciousness scientists typically treat conscious subjects as unified and discrete. If you are (consciously) enjoying a sip of coffee, thinking about your dog, and hearing car horns in the distance, then one conscious subject is having those experiences conjointly, and no one else is having those very same experiences. Someone else could potentially have exactly similar experiences, just like someone could have a car exactly similar to your own – but they wouldn't thereby have your car or your experiences. Your light illuminates your experience of coffee with your experience of thinking about your dog with your experience of car horns. Someone else’s light illuminates a wholly disjoint set of (possibly very similar) mental furniture.

But maybe minds needn’t in general work that way. Could your coffee-sipping experience be unified with your dog thoughts, and your dog thoughts with your horn-hearing, with no unified experience of all three together? Could conjoined twins whose brains overlap (yes, there are real cases of this) share some experiences while not sharing others, illuminating from both sides some objects in a hallway between two rooms? Standard animal biology makes overlapping brains rare, but if it’s ever possible to create consciousness in artificial systems, overlap might become the norm. Efficiency might require systems to share some (conscious?) cognitive centers. Conscious subjects might then overlap, defying separation into discrete bundles. Creative effort would then be needed to adapt the metaphor of lights and rooms.

7. Working With or Against the Metaphor.

To treat consciousness metaphorically as a matter of “the lights being on” invites, but does not compel, a picture of consciousness on which (1.) entities are generally, at any particular moment, either determinately conscious or determinately nonconscious; (2.) conscious cognition and nonconscious cognition are fundamentally similar; (3.) consciousness is intimately linked to knowledge; (4.) consciousness involves a relationship between an object and some distinct thought or process that makes the object conscious; and (5.) conscious subjects are generally unified and discrete rather than disunified or overlapping. If 1-5 are all correct, the light and room metaphor works well. Employing it greases the path to correct thinking.

If any of 1-5 are not correct, we can cancel that aspect of the metaphor. Just as we cancel the implication of higher elevation when we employ the “north is up” metaphor, we can cancel the implication of determinacy. We can specify that consciousness is like a light, except that it is commonly indeterminate whether it is off or on. Indeed, some cancelations are straightforward, if the conclusion would be obviously false. It hardly needs to be said that minds don’t contain literal sofas.

Alternatively, we can modify or enrich the metaphor. We might say that consciousness is like a light in a room, except that unlike in a typical room, every object glows with self-illumination. We can treat the illuminated objects as outward things instead of mental processes, altering theses 2-4. But too much modification destroys the metaphor. Incomprehensibility ensues if we attempt the idea that consciousness is like a light illuminating a room, except that the objects are self-illuminating, and often neither determinately off nor on, and there’s no relationship between illumination and knowledge, and there’s no discrete number of light sources or rooms, and objects are radically different when they are illuminated than when they are dark. Better, if so, to say that consciousness is not like a light illuminating a room.

Toying with the metaphor can open a flood of questions with a brainstorming character. If objects are normally illuminated on one side but not another, do conscious states likewise have an unconscious side? Can the room have dark corners? Could different types of light illuminate different types of object? Could there be mirrors or a transparent wall between two different rooms? Could some objects come and go while others are always present but only sometimes illuminated? Some questions will carry the metaphor too far, being nonsensical or misleading when extended to the case of consciousness, but the exact boundaries of fruitful extension can’t be known in advance of the attempt. 

Monday, August 26, 2024

Top Science Fiction and Fantasy Magazines 2024

Since 2014, I've compiled an annual ranking of science fiction and fantasy magazines, based on prominent awards nominations and "best of" placements over the previous ten years.  If you're curious what magazines tend to be viewed by insiders as elite, check the top of the list.  If you're curious to discover reputable magazines that aren't as widely known (or aren't as widely known specifically for their science fiction and fantasy), check the bottom of the list.


Below is my list for 2024. (For previous lists, see here.)

[Update, 1:34 pm: This post originally contained Dall-E output for "the cover of an amazingly wonderful science fiction magazine", but several people in the SF community have convinced me to rethink my use of AI art for this purpose, so I've removed the art for now while I give the issue more thought.]

Method and Caveats:

(1.) Only magazines are included (online or in print), not anthologies, standalones, or series.

(2.) I gave each magazine one point for each story nominated for a Hugo, Nebula, Sturgeon, or World Fantasy Award in the past ten years; one point for each story appearance in any of the Dozois, Horton, Strahan, Clarke, Adams, or Tidhar "best of" anthologies; and half a point for each story appearing in the short story or novelette category of the annual Locus Recommended list.

(2a.) Methodological notes for 2022-2024: There's been some disruption among SF best of anthologies recently, with Horton, Strahan, and Clarke all having delays and/or cessations. (Dozois died a few years ago.) Partly for this reason, and partly to compensate for the "American" focus of the Adams anthology, I've added Tidhar's World SF anthology series, though Tidhar doesn't draw exclusively from the previous year's publications.

(3.) I am not attempting to include the horror / dark fantasy genre, except as it appears incidentally on the list.

(4.) Prose only, not poetry.

(5.) I'm not attempting to correct for frequency of publication or length of table of contents.

(6.) I'm also not correcting for a magazine's only having published during part of the ten-year period. Reputations of defunct magazines slowly fade, and sometimes they are restarted. Reputations of new magazines take time to build.

(7.) I take the list down to 1.5 points.

(8.) I welcome corrections.

(9.) I confess some ambivalence about rankings of this sort. They reinforce the prestige hierarchy, and they compress complex differences into a single scale. However, the prestige of a magazine is a socially real phenomenon worth tracking, especially for the sake of outsiders and newcomers who might not otherwise know what magazines are well regarded by insiders when considering, for example, where to submit.


Results:

1. Tor.com / Reactor (186 points) 

2. Clarkesworld (181.5) 

3. Uncanny (149)

4. Lightspeed (129) 

5. Asimov's (127) 

6. Fantasy & Science Fiction (109) 

7. Beneath Ceaseless Skies (59.5) 

8. Analog (47) 

9. Strange Horizons (incl Samovar) (43)

10t. Apex (36.5) 

10t. Nightmare (36.5) 

12. Slate / Future Tense (22) 

13t. FIYAH (19.5) (started 2017) 

13. Interzone (19.5) 

15. Fireside (18.5) (ceased 2022)

16. Fantasy Magazine (17.5) (off and on during the period, ceased 2023) 

17. Subterranean (17) (ceased short fiction 2014) 

18. The Dark (15) 

19. The New Yorker (9) 

20. Sunday Morning Transport (8.5) (started 2022)

21t. Future Science Fiction Digest (7) (started 2018, ceased or sporadic starting 2023) 

21t. Lady Churchill's Rosebud Wristlet (7)

23t. Diabolical Plots (6.5)

23t. The Deadlands (6.5) (started 2021)

25t. Conjunctions (6) 

25t. McSweeney's (6) 

25t. Sirenia Digest (6) 

28t. GigaNotoSaurus (5.5) 

28t. khōréō (5.5) (started 2021)

28t. Omni (5.5) (classic popular science magazine, relaunched 2017-2020) 

28t. Terraform (Vice) (5.5) (ceased 2023)

32. Shimmer (5) (ceased 2018) 

33. Tin House (4.5) (ceased short fiction 2019) 

34t. Boston Review (4) 

34t. Galaxy's Edge (4) (ceased 2023?)

34t. Omenana (4)

34t. Wired (4)

38t. B&N Sci-Fi and Fantasy Blog (3.5) (ceased 2019)

38t. Paris Review (3.5) 

40t. Anathema (3) (ran 2017-2022)

40t. Black Static (3) (ceased fiction 2023)

40t. Daily Science Fiction (3) (ceased 2023)

40t. Kaleidotrope (3) 

40t. Science Fiction World (3)

45t. Beloit Fiction Journal (2.5) 

45t. Buzzfeed (2.5) 

45t. Matter (2.5) 

48t. Augur (2) (started 2018)

*48t. Baffling (2) (started 2020)

48t. Flash Fiction Online (2)

48t. Mothership Zeta (2) (ran 2015-2017) 

48t. Podcastle (2)

*48t. Shortwave (2) (started 2022)

*54t. e-flux journal (1.5)

*54t. Escape Pod (1.5)

*54t. Fusion Fragment (1.5) (started 2020)

54t. MIT Technology Review (1.5) 

54t. New York Times (1.5) 

54t. Reckoning (1.5) (started 2017)

54t. Translunar Travelers Lounge (1.5) (started 2019)

[* indicates new to the list this year]

--------------------------------------------------

Comments:

(1.) Beloit Fiction Journal,  Boston Review, Conjunctions, e-flux Journal, Matter, McSweeney's, The New Yorker, Paris Review, Reckoning, and Tin House are literary magazines that occasionally publish science fiction or fantasy. Buzzfeed, Slate and Vice are popular magazines, and MIT Technology Review, Omni, and Wired are popular science magazines, which publish a bit of science fiction on the side. The New York Times is a well-known newspaper that ran a series of "Op-Eds from the Future" from 2019-2020.  The remaining magazines focus on the science fiction and fantasy (SF) genre. All publish in English, except Science Fiction World, which is the leading science fiction magazine in China.

(2.) It's also interesting to consider a three-year window. Here are those results, down to six points:

1. Uncanny (55)  
2. Clarkesworld (42) 
3. Tor / Reactor (31.5) 
4t. F&SF (22.5)
4t. Lightspeed (22.5) 
6. Apex (16.5) 
7. Strange Horizons (15.5) 
8. Asimov's (14)
9. Fantasy Magazine (12) 
10. Beneath Ceaseless Skies (11) 
11. FIYAH (9.5)
12. Nightmare (9) 
13. Sunday Morning Transport (8.5) 
14t. The Dark (6.5)
14t. The Deadlands (6.5) 

(3.) Over the past decade, the classic "big three" print magazines -- Asimov's, F&SF, and Analog -- have slowly been displaced in influence by the leading free online magazines, Tor / Reactor, Clarkesworld, Uncanny, and Lightspeed (all founded 2006-2014).  In 2014, Asimov's and F&SF led the rankings by a wide margin (Analog had already slipped a bit, as reflected in its #5 ranking then). This year for the first time, the leading free online magazines are #1-#4, while the former big three sit at #5, #6, and #8.  Presumably, a large part of the explanation is that there are more readers of free online fiction than of paid magazines, which is attractive to authors and probably also helps with voter attention for the Hugo, Nebula, and World Fantasy awards.

(4.) Other lists: The SFWA qualifying markets list is a list of "pro" science fiction and fantasy venues based on pay rates and track records of strong circulation. Ralan.com was a regularly updated list of markets that unfortunately ceased in 2023. Submission Grinder is a terrific resource for authors, with detailed information on magazine pay rates, submission windows, and turnaround times.

(5.) My academic philosophy readers might also be interested in the following magazines that specialize specifically in philosophical fiction and/or fiction by academic writers: AcademFic, After Dinner Conversation, and Sci Phi Journal.

Monday, August 19, 2024

An Argument for Physical Laws Too Small-Scale and Too Large-Scale for Us to Detect

The universe might be infinitely large. As Jacob Barandes and I have argued (Ch 7 of The Weirdness of the World; free draft version here), infinitude seems the most straightforward extension of current mainstream physics and cosmology. A finite universe would presumably require either an edge, which produces complexities for which there is no evidence, or the right kind of curvature, contra evidence that the universe is approximately flat at large scales.

If the universe is infinitely large, then it is at least conceivable that there are conscious entities compared to whom we are arbitrarily small. Here's how I express the idea in the conclusion of Weirdness:

I stroll through my suburban neighborhood in heavy rain. Gushing runoff strikes a fallen branch, and droplets leap a foot in the air. I imagine, inside one of those droplets, creatures so tiny that the universe they see through their telescopes is a trillionth of the radius of a proton, while a nanosecond encompasses 10^30 lifetimes. What could they know of us, from deep inside that arcing droplet? If the cosmos is infinite, we might know as little as they do about the unimaginably vast structures that embed us.

At sufficiently small scales, the effects of gravity are virtually undetectable. Compared to the strong nuclear force, the "weak" nuclear force, and electromagnetism, gravity is about 10^29 to 10^38 (approximately a trillion trillion trillion) times weaker. It has virtually no influence over what happens at subatomic scales. However, it accumulates over long distances, making its influence detectable at larger scales.

If there were entities as small as the ones I imagined in my droplet, it's plausible that they would be too small to detect the influence of gravity, even if they had technological tools as good as our own, scaled to their size. Correspondingly, if there are entities vastly larger than us, we might imagine them knowing of a force vastly weaker than gravity but which accumulates detectably over distances much larger than the mere tiny, minuscule, virtually negligible 93 billion light years that we can observe.

Of course we have no direct evidence that such a force exists. But neither do we have evidence against the possibility. Whether it's reasonable to guess that such a force exists depends on what we should assume as the null hypothesis or default presupposition.

In one way of thinking, the default presupposition should be that there is no such force. According to Occam's Razor, we should not multiply entities beyond necessity. If forces are "entities" in the relevant sense, this suggests that without positive evidence of an extremely weak, extremely long distance force, we should assume there is no such force.

On the other hand, Copernican or anti-specialness principles hold that we should default toward assuming that we aren't in a special position in the universe (such as its exact center), pending contrary evidence. Considered in a certain way, we would be oddly special if we were just the right size to observe all the forces of nature. If there are entities vastly vastly bigger, they presumably would not be able to observe the strong nuclear force with equipment of the caliber we have (scaled to their size). If there are entities vastly vastly smaller, they presumably couldn't observe gravity. Why should we be so special as to see every force there is? Better to assume that we are not so special, and thus that there are forces that operate on scales we cannot (as a practical matter) observe.

[Dall-E rendition of tiny scientists inside a molecule floating through space]

Consider a scale of force-strength ranging from arbitrarily close to zero to positive infinitude, scaled so that gravity counts as force-strength = 1, the weak nuclear force as 10^29, electromagnetism as 10^36, and the strong nuclear force as 10^38. Even just on a finite scale from 10^-1000000000000000 to 10^1000000000000000, this would be a remarkable clustering near the middle. If the force-strengths we could potentially detect with our equipment are in the range from, say, 10^-15 to 10^60, then that is the space of possible force-strengths that we have sampled in. If we find forces scattered at values 1, 29, 36, and 38 in the range -15 to +60, then it's not an unreasonable guess that these four values constitute a random distribution within our detection capacities and that if we could sample from a wider range we would find other forces that we cannot currently detect.

(I don't have a good sense of realistically what force-strengths we could potentially detect. The larger the scale -- say from 10^-1000 to 10^1000 -- the less that 1, 29, 36, and 38 look like a random sample, and the more reason we would have to think that something ensures that force-strengths stay within a magnitude not far from 1.  If it seems odd that there would be forces too strong for us to detect, consider that on our scale and speed, an entity held together by a very strong, fast-acting force that diminishes very sharply with distance might look to us like an unbreakable fundamental particle.)

The case for entities vastly larger than us seems stronger than the case for entities vastly smaller than us. If the universe is infinite, then there will be structures arbitrarily vastly larger than us, and unless something ensures that those structures are flat and bland, some of those structures will be complex and possibly even support the evolution of intelligence through natural selection.

But now we can again apply the Copernican Principle. If we accept -- look, I know I'm already far out on a limb here, but humor me -- that there are infinitely many complex structures vastly larger than us in an unending upward scaling (the first set of vastly larger entities being vastly smaller than the next set of vastly larger entities and so on), it would be strangely un-Copernican if we just happened to be the smallest scale intelligent entities.

ETA 09:32, Aug 21:

The following concern has arisen several times in discussion, so I'll add it here:

Concern: Isn't the speed of light a constraint that would make extremely large entities incoherent, since it would take so long for a signal to go from one end of the entity to the other?

Response: Assuming the speed of light as a constraint, vast entities would have to be extremely slow-paced (from our perspective). But since we have literal infinitude to play with, that shouldn't matter. They might seem static to us, if we could detect them, just as we might seem static to the entities in my water droplet who experience 10^30 lifetimes in a nanosecond.

Monday, August 12, 2024

Women Constitute 12% and People of Color 3% of the Most-Cited Contemporary Authors in the Stanford Encyclopedia of Philosophy

Last week, I posted a list of the 376 most-cited contemporary authors (born 1900 or later) in the Stanford Encyclopedia of Philosophy. Citation in the SEP is, I think, a better measure of influence in what I call "mainstream Anglophone philosophy" than more standard bibliometric measures, like Google Scholar and Web of Science.

In previous work, my collaborators and I have generally found that within U.S. academic philosophy, the higher in rank or prestige the target group, the less racial and gender diversity. Accordingly, one might expect people at very highest levels of prestige in mainstream Anglophone philosophy overwhelmingly to be non-Hispanic White men.

I attempted to code the gender (woman, man, nonbinary) of every philosopher in the SEP most-cited 376, based on a combination of personal and professional knowledge, information from the web, and gender-typicality of their name and photos. On similar grounds, I attempted to code every author on this list as either Hispanic/Latino or non-Hispanic/Latino and, among the non-Hispanic authors, White or non-White (using race/ethnicity categories as standardly defined in the U.S.). This is an imperfect exercise, and it wouldn't surprise me if I've made some mistakes. I hope you'll correct me if you notice any errors (raw data here), and please accept my apologies in advance![1]

I also guessed birth year. In the majority of cases, I found birthyear information on Wikipedia or another easily available source. Otherwise, I estimated based on year of Bachelor's degree (estimating 22 years old), year of PhD (estimating 29 years old), or year of first solo-authored publication (also estimating 29 years old). This enables some generational comparisons. Again, I welcome corrections.

Overall, among the 376 philosophers, I count 44 women (12%) and one non-binary person (#223, Judith Butler). I count only eleven (3%) who are Hispanic and/or non-White. Only one of the 376 is a woman of color (#260, Linda Martín Alcoff), and 321 (85%) are non-Hispanic White men.

Here it is as a pie chart:

[click to enlarge and clarify]

The gender skew is even more extreme if we consider the top 100 (actually the top 102, accounting for ties): six women (6%) and 97% non-Hispanic White. The highest ranked person of color is Jaegwon Kim at #59.

As you might expect, the skew is larger in the older generations (born before 1946) than in the younger generations. Over the past several decades, there has tended to be a slow reduction in gender and racial disparity in U.S. academic philosophy (see, e.g., here and here). However, the generational disparity reduction in the SEP is fairly small.

I analyzed generational trends in two ways: First, I binned philosophers by estimated birthyear into one of four generations: "Greatest" (1900-1924), "Silent" (1925-1945), "Boomer" (1946-1964), and "Generation X" (1965-1979). (One "Millenial" was [update Aug 14] Two older Millennials were binned with the Gen-Xers.) Second, I looked at correlations between the demographic categories and birthyear.

Gender analysis by generation:
Greatest: 40/44 men (91%)
Silent: 133/145 (92%)
Boomer: 116/136 (85%)
Gen X: 42/51 (82%)

Expressed as a correlation of gender (man = 1, woman or nonbinary = 0) with birthyear: r = -.10, p = .046. This negative correlation indicates that as birthyear increases (i.e., the philosopher is younger), the philosopher is less likely to be a man. However, the size of the effect is small and barely crosses the conventional p < .05 threshold of statistical significance. The nine highest-ranked Gen-Xers are all White men. No Gen X women rank among the top 200.

Among the eleven philosophers who are Hispanic/Latino or non-White, none are Greatest, five are Silent, four are Boomers, and two are Gen X. Statistical analysis is of limited value with such small numbers, but for what it's worth, status in this category does directionally correlate with birthyear, with a very small effect size and no statistical significance (r = -.06, p = .25).

ETA 10:46 a.m.:

To see if there's a relationship between gender and rank on the list, I took the natural log of the ranks (since the difference between rank 1 and rank 11 is much more meaningful than between rank 301 and 311) and calculated its correlation with gender (1 = man, 0 = woman or nonbinary): r = -.12, p = .016. The negative relationship of course indicates that men are likely to be higher ranked (i.e., closer to rank 1). As before, race/ethnicity numbers are probably too small for meaningful statistical analysis, but for completeness the result is a virtually flat r = -.02, p = .77.

----------------------------------

In an independent analysis, Liam Kofi Bright counts nine non-White philosophers on this list, exactly matching my analysis except omitting two (not non-White?) Latino philosophers (Sosa and Bueno). This supports my sense of how the philosophers on this list are racially perceived by others in the field. (One complication: Bueno identifies as Brazilian, and there's a lot of confusion about whether Brazilian counts as "Hispanic" in the U.S. context.)

Wednesday, August 07, 2024

The 376 Most-Cited Contemporary Authors in the Stanford Encyclopedia of Philosophy

Time for my five-year update of the most-cited authors in the Stanford Encyclopedia of Philosophy! (Past analyses: 2010, 2014, 2019.)

Image of a young David K. Lewis [source]

Method

* Only authors born 1900 or later are included.

* Each author is only counted once per headline entry (subentries are excluded). In 2010, I found that this generated more plausible results than counting authors multiple times per entry.

* As in 2019, but unlike 2014 and 2010, I include co-authors. Due to the unsystematic formatting of SEP references, this was a somewhat noisy process. To capture last authors, I searched for "and" or "&" in each bibliographic line, if appearing before a "19", "20", "forthcoming", or "in press", then pulled the text immediately after. To capture second authors that were not last authors, I searched for a second comma before such a date-preceding "and" or "&", then pulled the text after that. I omitted co-authors in position three or higher unless they were last author. Fortunately for the analysis, co-authorship is relatively uncommon in philosophy compared to the sciences, constituting by my estimate less than 10% of the bibliographic lines.

* Also as in 2019 but unlike 2014, I included editors, but only if their name appears before the date in the bibliographical line. Putting the editor at the front of the bibliographical line highlights the editor's role or the edited collection as a whole.

* After computerized search and sort, I hand-coded the data, in some cases correcting misspellings and merging authors (e.g., Ruth Barcan = Ruth Marcus), more often separating authors with similar names (e.g., various A. Goldmans and J. Cohens), in a process that involved some guesswork and pattern recognition. Inconsistent syntax and imperfect redundancy removal procedures also created some error, though nothing large or systematic that I noticed. Bear in mind that with about 208,000 bibliographic entries, perfection is not possible! I estimate coding error of up to about +/- 2 entries.

* To find the equivalent score of an author not included on this list, you can search the SEP site and count the number of hits, subtracting appearances in subentries and appearances other than first, second, or last headline editor or author in a bibliographic line (near the beginning of the entry, before the date). I also welcome thoughtful corrections that apply this method.

This list generates a rough measure of current influence in what I call "mainstream Anglophone philosophy" (a sociological category I have defined and discussed, e.g., here and here). For example, the top five -- Lewis, Quine, Putnam, Rawls, and Kripke -- are the same (in a different order) as the top five in Brian Leiter's poll results concerning the best Anglophone philosophers since 1957. Better-known bibliographic metrics, like Google Scholar and Web of Science do not as accurately measure this particular sociological phenomenon. See my 2021 discussion of ranking philosophy rankings.

The list captures, if anything, a moment in one particular academic philosophical culture. For example, despite Michel Foucault's huge global academic influence, mainstream Anglophone philosophers rarely cite him, and on this list he ranks #187.

Further caveats:

* Philosophers who work on topics that are underrepresented in the Stanford Encyclopedia relative to their visibility in mainstream Anglophone philosophy will appear lower on the list than their eminence would suggest.

* Authors who have a transformative impact in one area will probably be underrepresented or underranked relative to authors who make significant but less transformative contributions to several topics.

* Editors of the Stanford Encyclopedia might be somewhat overrepresented, since they might tend to disproportionately solicit entries on topics to which they have contributed and authors might feel some pressure to cite them in their entries.

* Given a large bias toward citing recent work, philosophers whose main contributions were before 1960 are probably substantially underrated on this list relative to their influence in mainstream Anglophone philosophy.

* Yes, I'm on this list (in a tie for #232). I find this somewhat embarrassing, since I think this method substantially overrates me (see the 2nd and 4th caveats). If you could withhold congratulations and comparisons, I'd appreciate it!

As I did in 2019, I will follow up later with some demographic analyses. Thanks to UCR comp lit and philosophy student Jordan Jackson for his help with the computer code.

[Updated Aug. 9, to remove two authors born before 1900 and to correct one misspelling.]

1. Lewis, David K. (cited in 307 different main entries)
2. Quine, Willard van Orman (213)
3. Putnam, Hilary (190)
4. Rawls, John (168)
5. Kripke, Saul A. (159)
6. Williamson, Timothy (152)
7. Davidson, Donald (151)
8. Williams, Bernard (146)
9. Nussbaum, Martha C. (140)
10. Nagel, Thomas (137)
11. Nozick, Robert (135)
12. Jackson, Frank (130)
13. Searle, John R. (120)
14. Chalmers, David J. (117)
14. Van Fraassen, Bas C. (117)
16. Harman, Gilbert H. (116)
16. Strawson, Peter F. (116)
18. Fodor, Jerry A. (115)
19. Fine, Kit (112)
19. Parfit, Derek (112)
19. Stalnaker, Robert C. (112)
22. Dennett, Daniel C. (110)
22. Dummett, Michael A. E. (110)
24. Kitcher, Philip (109)
24. Pettit, Philip (109)
26. Armstrong, David M. (106)
26. Chisholm, Roderick M. (106)
28. Van Inwagen, Peter (102)
29. Dworkin, Ronald (101)
29. Scanlon, Thomas M. (101)
29. Sober, Elliott (101)
32. Hawthorne, John (97)
33. McDowell, John H. (96)
34. Popper, Karl R. (94)
35. Goodman, Nelson (90)
35. Hacking, Ian (90)
37. Raz, Joseph (89)
38. Geach, Peter T. (88)
38. Goldman, Alvin I. (88)
40. Anderson, Elizabeth S. (83)
40. Bennett, Jonathan (83)
42. Hintikka, Jaakko (82)
43. Adams, Robert Merrihew (81)
43. Plantinga, Alvin C. (81)
45. Anscombe, G. E. M. (80)
45. Korsgaard, Christine M. (80)
45. Mackie, John L. (80)
45. Schaffer, Jonathan (80)
45. Tarski, Alfred (80)
45. Wright, Crispin (80)
51. Priest, Graham (79)
52. Dretske, Fred I. (78)
53. Alston, William P. (77)
53. Burge, Tyler (77)
55. Ayer, Alfred J. (76)
55. Gibbard, Allan (76)
55. Gödel, Kurt (76)
58. Horgan, Terence E. (75)
59. Kim, Jaegwon (73)
59. Stich, Stephen P. (73)
61. Kaplan, David (72)
61. Thomson, Judith Jarvis (72)
63. Field, Hartry H. (71)
63. Kuhn, Thomas S. (71)
63. Lycan, William G. (71)
63. Rescher, Nicholas (71)
63. Sellars, Wilfrid (71)
63. Singer, Peter (71)
69. Blackburn, Simon (70)
69. Evans, Gareth (70)
69. Hempel, Carl G. (70)
69. Zalta, Edward N. (70)
73. Frankfurt, Harry G. (69)
73. Ramsey, Frank P. (69)
73. Rosen, Gideon (69)
73. Sosa, Ernest (69)
73. Woodward, James (69)
78. Earman, John (68)
78. Perry, John (68)
78. Sider, Theodore (68)
78. Smith, Michael (68)
78. Waldron, Jeremy (68)
83. Feinberg, Joel (67)
83. Sen, Amartya K. (67)
83. Swinburne, Richard G. (67)
83. Wiggins, David (67)
87. Barnes, Jonathan (66)
87. Lowe, E. J. (66)
87. Skyrms, Brian (66)
87. Velleman, J. David (66)
91. Annas, Julia (65)
91. MacIntyre, Alasdair (65)
91. Shoemaker, Sydney S. (65)
94. Darwall, Stephen L. (64)
94. Grice, H. Paul (64)
94. Ryle, Gilbert (64)
94. Shapiro, Stewart (64)
98. Nichols, Shaun (63)
98. Prior, Arthur N. (63)
98. Soames, Scott (63)
98. Taylor, Charles (63)
98. Yablo, Stephen (63)
103. Church, Alonzo (62)
103. Habermas, Jürgen (62)
103. Young, Iris Marion (62)
106. Block, Ned (61)
106. Jeffrey, Richard C. (61)
108. Friedman, Michael (60)
108. Hare, Richard M. (60)
108. Peacocke, Christopher (60)
111. Brink, David O. (59)
111. Burgess, John P. (59)
111. Cartwright, Nancy (59)
111. Sorabji, Richard (59)
115. Austin, J. L. (57)
115. Smart, J. J. C. (57)
115. van Benthem, Johan F. (57)
118. Arneson, Richard J. (56)
118. Foot, Philippa (56)
118. Kenny, Anthony (56)
118. Miller, David (56)
118. Papineau, David (56)
123. Dupré, John (55)
123. Irwin, Terence H. (55)
123. Simons, Peter M. (55)
126. Audi, Robert (54)
126. Dancy, Jonathan (54)
126. McGinn, Colin (54)
129. Churchland, Paul M. (53)
129. Devitt, Michael (53)
129. Godfrey-Smith, Peter (53)
129. Hart, H. L. A. (53)
129. Parsons, Terence (53)
134. Belnap, Nuel D. (52)
134. Carruthers, Peter (52)
134. Chomsky, Noam (52)
134. Tye, Michael (52)
138. Buchanan, Allen E. (51)
138. Clark, Andy (51)
138. Glymour, Clark (51)
138. Rorty, Richard (51)
138. Sedley, David N. (51)
138. Stanley, Jason (51)
138. Wolterstorff, Nicholas (51)
145. Griffiths, Paul E. (50)
145. LePore, Ernest (50)
145. Montague, Richard (50)
145. Schofield, Malcolm (50)
145. von Neumann, John (50)
150. Barwise, Jon (49)
150. Brandom, Robert B. (49)
150. Haslanger, Sally (49)
150. Johnston, Mark (49)
150. Railton, Peter (49)
150. Sinnott-Armstrong, Walter (49)
156. Appiah, Kwame Anthony (48)
156. Boolos, George (48)
156. Enoch, David (48)
156. Millikan, Ruth Garrett (48)
156. Prinz, Jesse J. (48)
156. Salmon, Wesley C. (48)
156. Sartre, Jean-Paul (48)
156. Strawson, Galen (48)
156. Stump, Eleonore (48)
165. Cooper, John M. (47)
165. Horwich, Paul (47)
165. Kretzmann, Norman (47)
165. Longino, Helen E. (47)
165. Mancosu, Paolo (47)
165. Sterelny, Kim (47)
165. Weatherson, Brian (47)
165. Wood, Allen W. (47)
173. Feferman, Solomon (46)
173. Hale, Bob (46)
173. Kahneman, Daniel (46)
173. Levy, Neil (46)
173. Norton, John D. (46)
173. Sandel, Michael J. (46)
173. Suppes, Patrick (46)
180. Guyer, Paul (45)
180. Maudlin, Tim (45)
180. Mellor, D. Hugh (45)
180. Okin, Susan Moller (45)
180. Read, Stephen L. (45)
180. Salmón, Nathan U. (45)
180. Van Cleve, James (45)
187. Beiser, Frederick C. (44)
187. Burnyeat, Myles F. (44)
187. Cohen, Gerald A. (44)
187. Foucault, Michel (44)
187. Hurka, Thomas (44)
187. McLaughlin, Brian P. (44)
187. Mele, Alfred R. (44)
187. O'Neill, Onora (44)
187. Unger, Peter (44)
196. Broome, John (43)
196. Davies, Martin (43)
196. Elster, Jon (43)
196. Hull, David L. (43)
196. Lehrer, Keith (43)
196. Scheffler, Samuel (43)
196. Walzer, Michael (43)
203. Boghossian, Paul A. (42)
203. Craver, Carl F. (42)
203. Finnis, John (42)
203. Gauthier, David P. (42)
203. Goodin, Robert E. (42)
203. Kriegel, Uriah (42)
203. Laudan, Larry (42)
203. List, Christian (42)
203. Loewer, Barry (42)
203. Nolan, Daniel (42)
203. Slote, Michael A. (42)
203. Sunstein, Cass R. (42)
203. Thomasson, Amie L. (42)
203. Zagzebski, Linda Trinkaus (42)
217. Byrne, Alex (41)
217. Fricker, Miranda (41)
217. Kymlicka, Will (41)
217. Long, A. A. (41)
217. Schiffer, Stephen (41)
217. Smith, Barry (at Buffalo) (41)
223. Bach, Kent (40)
223. Barry, Brian (40)
223. Butler, Judith (40)
223. Garber, Daniel (40)
223. Heil, John (40)
223. Huemer, Michael (40)
223. Machery, Edouard (40)
223. Merricks, Trenton (40)
223. Restall, Greg (40)
232. Bealer, George (39)
232. Bechtel, William (39)
232. Colyvan, Mark (39)
232. Crisp, Roger (39)
232. Feldman, Fred (39)
232. Gabbay, Dov M. (39)
232. Gärdenfors, Peter (39)
232. Hampton, Jean (39)
232. McMahan, Jeff (39)
232. Nagel, Ernest (39)
232. Schwitzgebel, Eric (39)
232. Wolf, Susan (39)
244. Bird, Alexander (38)
244. Bueno, Otávio (38)
244. Crane, Tim (38)
244. Gendler, Tamar Szabó (38)
244. Hájek, Alan (38)
244. Ladyman, James (38)
244. Pasnau, Robert (38)
251. Feldman, Richard (37)
251. Halpern, Joseph Y. (37)
251. Kagan, Shelly (37)
251. Lange, Marc (37)
251. Pearl, Judea (37)
251. Pollock, John L. (37)
251. Rosenberg, Alex (37)
251. Schroeder, Mark (37)
251. Wedgwood, Ralph (37)
260. Alcoff, Linda Martín (36)
260. Baker, Lynne Rudder (36)
260. Bonjour, Laurence (36)
260. Brandt, Richard B. (36)
260. Conee, Earl (36)
260. Feyerabend, Paul K. (36)
260. Lewontin, Richard C. (36)
260. Linsky, Bernard (36)
260. Lloyd, Elisabeth A. (36)
260. Marcus, Ruth Barcan (36)
260. Sperber, Dan (36)
260. Teller, Paul (36)
272. Adamson, Peter (35)
272. Beall, J. C. (35)
272. Boyd, Richard (35)
272. Bratman, Michael E. (35)
272. Callender, Craig (35)
272. Cresswell, Max J. (35)
272. Hitchcock, Christopher R. (35)
272. Hurley, Susan L. (35)
272. Kittay, Eva Feder (35)
272. Matthen, Mohan (35)
272. Okasha, Samir (35)
272. Parsons, Charles (35)
272. Sainsbury, R. Mark (35)
272. Scott, Dana S. (35)
272. Sorensen, Roy A. (35)
287. Benacerraf, Paul (34)
287. Benhabib, Seyla (34)
287. Brogaard, Berit (34)
287. Cohen, Joshua (34)
287. Currie, Greg (34)
287. Darden, Lindley (34)
287. Flanagan, Owen (34)
287. Kahn, Charles H. (34)
287. Kamm, Frances M. (34)
287. Kleene, Stephen C. (34)
287. Mulligan, Kevin (34)
287. Paul, Laurie A. (34)
287. Pereboom, Derk (34)
287. Pogge, Thomas W. (34)
287. Recanati, François (34)
287. Shafer-Landau, Russ (34)
287. Thagard, Paul (34)
287. Watson, Gary (34)
305. Baier, Annette C. (33)
305. Barnes, Elizabeth (33)
305. Black, Max (33)
305. Gallagher, Shaun (33)
305. Giere, Ronald N. (33)
305. Gould, Stephen Jay (33)
305. Griffin, James (33)
305. Kneale, William (33)
305. Price, Huw (33)
305. Pritchard, Duncan (33)
305. Thomason, Richmond H. (33)
305. Turing, Alan M. (33)
305. Tversky, Amos (33)
305. Wimsatt, William C. (33)
319. Adams, Marilyn McCord (32)
319. Beebee, Helen C. (32)
319. Bennett, Karen (32)
319. Craig, William Lane (32)
319. Ebbesen, Sten (32)
319. Frede, Michael (32)
319. Hatfield, Gary (32)
319. Kreisel, Georg (32)
319. Langton, Rae (32)
319. Levinson, Jerrold (32)
319. Machamer, Peter (32)
319. Pateman, Carole (32)
319. Penrose, Roger (32)
319. Rey, Georges (32)
319. Varzi, Achille C. (32)
319. Zimmerman, Dean W. (32)
335. Allison, Henry E. (31)
335. Ashworth, E. Jennifer (31)
335. Berlin, Isaiah (31)
335. Cappelen, Herman (31)
335. Copp, David (31)
335. Daniels, Norman (31)
335. Hartmann, Stephan (31)
335. Hellman, Geoffrey Paul (31)
335. Hooker, Brad (31)
335. Kornblith, Hilary (31)
335. Kvanvig, Jonathan L. (31)
335. Leitgeb, Hannes (31)
335. MacFarlane, John (31)
335. MacKinnon, Catharine A. (31)
335. McDaniel, Kris (31)
335. Mills, Charles W. (31)
335. Oppy, Graham (31)
335. Rea, Michael (31)
335. Sarkar, Sahotra (31)
335. Savulescu, Julian (31)
335. Sylvan, Richard (31)
335. Vlastos, Gregory (31)
357. Bayne, Tim (30)
357. Butterfield, Jeremy (30)
357. Cameron, Ross P. (30)
357. Dawkins, Richard (30)
357. Egan, Andy (30)
357. Fischer, John Martin (30)
357. Gaus, Gerald F. (30)
357. Hill, Thomas E., Jr. (30)
357. Hodges, Wilfrid (30)
357. Hornsby, Jennifer (30)
357. Howson, Colin (30)
357. Joyce, Richard (30)
357. Kneale, Martha (30)
357. Levi, Isaac (30)
357. Maynard Smith, John (30)
357. Nadler, Steven (30)
357. Scruton, Roger (30)
357. Siegel, Susanna (30)
357. Von Wright, Georg Henrik (30)
357. Weisberg, Michael (30)